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-------- Weitergeleitete Nachricht --------
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<td>Bridging the Gaps. An Anthology of Art Criticism in
Central and Eastern Europe</td>
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<th valign="BASELINE" nowrap="nowrap" align="RIGHT">Datum: </th>
<td>Wed, 20 Mar 2024 06:01:22 +0000</td>
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<td>e-flux Agenda <a class="moz-txt-link-rfc2396E" href="mailto:art-agenda@mailer.e-flux.com"><art-agenda@mailer.e-flux.com></a></td>
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<p><em style="font-style: italic;">Bridging
the Gaps. An Anthology of Art
Criticism in Central and Eastern
Europe</em></p>
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<p
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"> International Association of Art Critics (AICA) </p>
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<em>Bridging the Gaps. An Anthology of Art
Criticism in Central and Eastern Europe,
</em>AICA Polska, 2023. Photo: Arkadiusz
Półtorak. </td>
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<strong><em>Bridging the Gaps. An
Anthology of Art Criticism in
Central and Eastern Europe</em></strong>
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<br>
March 20, 2024 </p>
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<p>The book is a result of a
collaboration between AICA
Poland, AICA Slovakia, AICA
Czech Republic and AICA Hungary.
It is a collection of dispersed
visual art critique written
after 1989, translated into
English and this way made
available for research for
international scholars and art
critics. In the contemporary art
history of Central and Eastern
Europe (after 1989), systematic
research on art criticism is
very rare and so are the books
collecting dispersed texts
written by art critics, and
almost always they are published
in their original language. If
there are such books published,
these are collections of texts
by one author and mostly come
from earlier periods – 1970s and
80s. The Anthology attempts to
“bridge the gap” between the CEE
region and the rest of the
world, as well as between the
countries within the region.</p>
<p>The main introduction to the
book is a transcription from a
roundtable discussion on the
specificity of art criticism in
the CEE region. The book is
divided into nine chapters: Art
during the transition period /
Gender and body / Feminism /
Otherness and politics of
identities / Institutional
Critique / Political (Engaged)
Art and Censorship / Art in
public spaces / Critique of
critique / Critique on art from
before 1989.</p>
<p>The <i>Anthology</i> helps to
answer vital questions, such as:
What role does 1989 play in the
critical discourse in CEE? What
kind of exchange took place
among critical writing and
discourse across CEE? What does
critical writing on art and
culture have in common across
CEE, and what are the (local,
national) differences? How has
critical writing after-1989
envisioned the position and
place of CEE in the world? Have
the dichotomies of the second
half of the twentieth century
(such as East vs West) continued
shaping the conversations?
Asking these questions is vital
for the intellectual development
of our region, its
self-awareness, and the
decolonization from the
(so-called) Western culture.</p>
<p>While individual texts have
their concrete foci (exhibition,
event, cultural trend, etc.),
collectively the selected texts
articulate the critical
post-1989 era in CEE through a
unique perspective: namely, the
structure of collective feeling.
By focusing not on the
commonplace history-writing as a
progression of cultural and
political events but on
capturing human emotions in,
with, and through art–the
anthology will offer an
alternative, unparalleled
understanding of the development
of young and still fragile
democracies. Through capturing
the affective infrastructure of
this era, the book will show
relations and connections among
the scenes across CEE, as well
as the pronunciations of the
shared commitment to the hopeful
futures. </p>
<p><i><b>Bridging the Gaps. An
Anthology of Art Criticism
in Central and Eastern
Europe After 1989</b></i><br>
<b>Editors: </b>Jana Geržová
(Slovakia) Júliusz Huth
(Hungary) Małgorzata Kaźmierzak
(Poland) Kata Balázs-Miklós
(Hungary) Vlasta Čiháková
Noshiro (Czech Republic)
Arkadiusz Półtorak (Poland)
Magdalena Ujma (Poland). / <b>Academic
editor:</b> Małgorzata
Kaźmierczak / <b>Editorial
assistant:</b> Mirosława
Bałazy / <b>Transcription and
pre-editing of the
introduction:</b> Mirosława
Bałazy / <b>Translation:</b>
Kata Balázs-Miklós, John
Minahane, Vlasta Noshirova,
Arkadiusz Półtorak, Dániel
Sipos, Monika Ujma / <b>Proofreading
and linguistic editing:</b>
Joanna Pottle / <b>Graphic
design and typesetting:</b>
Michał Bratko</p>
<p>The project is co-financed by
AICA International and the
Governments of Czechia, Hungary,
Poland and Slovakia through
Visegrád Grants from
International Visegrád Fund. The
mission of the fund is to
advance ideas for sustainable
regional cooperation in Central
Europe. </p>
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