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        style="font-size:11pt;color:windowtext">Continuing the look back
        over the  books published by Open Humanities Press in 2025...</span></p>
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        style="font-size:11pt;color:windowtext">May saw the publication </span>in
      Open Humanities Press' Combinatorial Books: Gathering Flowers
      series, which is edited by Janneke Adema, Simon Bowie, Gary Hall
      and Rebekka Kiesewetter, of:</p>
    <p><i>Publishing Activism within/without a Toxic University</i></p>
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      <header>
        <p class="creators">edited by the Radical Open Access Collective</p>
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    </div>
    <p></p>
    <p><a class="moz-txt-link-freetext"
href="https://www.openhumanitiespress.org/books/titles/publishing-activism-within-without-a-toxic-university/">https://www.openhumanitiespress.org/books/titles/publishing-activism-within-without-a-toxic-university/</a><br>
    </p>
    <p>Co-published by Post Office Press (POP) (<a
        class="moz-txt-link-freetext"
        href="https://hcommons.org/members/pop/">https://hcommons.org/members/pop/</a>)
      and Open Humanities Press, this experimental booklet brings
      together reflections from Radical Open Access (<a
        class="moz-txt-link-freetext"
        href="https://radicaloa.postdigitalcultures.org/">https://radicaloa.postdigitalcultures.org/</a>)
      members on publishing activism and its relationship to the
      neoliberal university. Created as a side project to the Radical
      Open Access III: From Openness to Social Justice Activism
      conference (<a class="moz-txt-link-freetext"
href="https://radicaloa.postdigitalcultures.org/conferences/radicaloa3/">https://radicaloa.postdigitalcultures.org/conferences/radicaloa3/</a>),
      it explores how publishing can respond to the ongoing crisis in
      higher education. The authors ask: How can we – as scholars,
      publishers and activists – engage with a university in perpetual
      crisis? How can we practice publishing activism within/without a
      toxic institution?<br>
      <br>
      Inspired by the cadavre exquis technique of the Surrealists, the
      booklet adapts and (ab)uses this method to foster collaborative,
      responsive writing. It shows how multiple, potentially conflicting
      voices can coalesce around a shared crisis and move activist
      strategies forward in new ways.<br>
      <br>
      It draws from three key ROAC titles published under open licenses:
      The Undercommons (Minor Compositions: <a
        class="moz-txt-link-freetext"
        href="https://www.minorcompositions.info/">https://www.minorcompositions.info/</a>),
      Luescher, Klemenčič, and Jowi’s Student Politics in Africa
      (African Minds: <a class="moz-txt-link-freetext"
href="https://www.africanminds.co.za/wp-content/uploads/2016/03/9781928331223_txt.pdf">https://www.africanminds.co.za/wp-content/uploads/2016/03/9781928331223_txt.pdf</a>),
      and Conio’s (ed.) Occupy: A People Yet to Come (Open Humanities
      Press: <a class="moz-txt-link-freetext"
href="https://openhumanitiespress.org/books/download/Conio_2015_Occupy-A-People-Yet-To-Come.pdf">https://openhumanitiespress.org/books/download/Conio_2015_Occupy-A-People-Yet-To-Come.pdf</a>).
      These works, reflecting on protest, activism and student politics,
      served as a starting point for examining higher education through
      the lens of social justice publishing activism. The first text in
      the booklet directly responds to these books, initiating a chain
      of responses, each written within ten days. Contributors extended
      the preceding response, engaging with the booklet’s theme and,
      optionally, the ROAC back-catalogue. Designed by Alex Trencianska,
      Mia Dawson, and Lisha Wang, the booklet was 'unfolded' during the
      3rd Radical Open Access Conference.<br>
    </p>
    <p>Editor Bio<br>
      <br>
      Formed in 2015, the Radical Open Access Collective is a community
      of scholar-led, not-for-profit presses, journals and other open
      access projects. Now consisting of more than 80 members, we
      promote a progressive vision for open publishing in the humanities
      and social sciences. What we have in common is an understanding of
      open access as being characterised by a spirit of ongoing creative
      experimentation. We also share a willingness to subject some of
      our most established scholarly communication practices to creative
      critique, together with the institutions that sustain them (the
      university, the library, the publishing house, and so on). The
      collective thus offers a radical ‘alternative’ to the conservative
      versions of open access that are currently being put forward by
      commercially-oriented presses, funders, and policy makers.</p>
    <p>Like all Open Humanities Press titles, <i>Publishing Activism
        within/without a Toxic University</i> is available open access
      (and can be downloaded for free): <br>
    </p>
    <p> <a class="moz-txt-link-freetext"
href="https://www.openhumanitiespress.org/books/titles/publishing-activism-within-without-a-toxic-university/">https://www.openhumanitiespress.org/books/titles/publishing-activism-within-without-a-toxic-university/</a></p>
    <p><br>
    </p>
    <pre class="moz-signature" cols="72">-- 
Gary Hall
Professor of Media
Centre for Postdigital Cultures, Coventry University

Director of Open Humanities Press: <a class="moz-txt-link-freetext" href="http://www.openhumanitiespress.org">http://www.openhumanitiespress.org</a> 
Blog: <a class="moz-txt-link-freetext" href="http://garyhall.squarespace.com/journal/">http://garyhall.squarespace.com/journal/</a>

Latest:

Book: Masked Media: What It Means to Be Human in the Age of Artificial Creative Intelligence: <a class="moz-txt-link-freetext" href="http://www.openhumanitiespress.org/books/titles/masked-media/">http://www.openhumanitiespress.org/books/titles/masked-media/</a>

Journal issue: Ecologies of Dissemination issue of PARSE Journal #21 - Summer 2025, edited by Eva Weinmayr and Femke Snelting: <a class="moz-txt-link-freetext" href="https://parsejournal.com/journal/#ecologies-of-dissemination">https://parsejournal.com/journal/#ecologies-of-dissemination</a>. (I'm one of the contributors to this experimental issue which emphasizes collective over individual authorship.)

Video: 'Liquidate AI Art', Computer Arts Society: <a class="moz-txt-link-freetext" href="https://www.bcs.org/events-calendar/2025/october/webinar-liquidate-ai-art">https://www.bcs.org/events-calendar/2025/october/webinar-liquidate-ai-art</a>

Talk: 'The Independent Intellectual vs Posting Zero and the Dead Internet': <a class="moz-txt-link-freetext" href="http://garyhall.squarespace.com/journal/2025/12/2/the-independent-intellectual-vs-posting-zero-and-the-dead-in.html">http://garyhall.squarespace.com/journal/2025/12/2/the-independent-intellectual-vs-posting-zero-and-the-dead-in.html</a>





















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