[spectre] // The State of Art //

[Louise Desrenards]

Don't confuse Baudrillard attitude with Jean Clair attitude about the
conspiracy;-)

the conspiracy of art was a pleasant suggestion @ Baudrillard like the
art as object conspiring itself as subject --following his implicit
idea that all the fate of the subject was transfered now in the object
(his criticism of Philosophy), it was not a claim nor a regret but a
radical performance on this strategy.

All the contrary @ Jean Clair as academician and former director of
the museum of modern art in Paris, it was not a performance but a real
claim (really former rightism)

http://dvanw.blogspot.com/2009/03/132-complot-de-lart.html



http://dvanw.blogspot.com/2009/03/132-complot-de-lart.html

On 6 August 2011 18:55, Louise Desrenards <louise.desrenards at free.fr> wrote:
> Probably yes. But his last conference @ Whitney Biennal (end of the
> eighties) where he dismissed the pending of positive words to renew
> the concepts of contemporary arts was exactly that proposition from
> which they began to hate him for a long in NY. So it is exactly from
> where he wrote "Conspiracy of Art" in the nineties as ironical
> performance of these matters into truth of essay...
>
> http://www.liberation.fr/tribune/0101179372-le-complot-de-l-art (1996)
>
>
>
> On 6 August 2011 18:30, Simon Biggs <simon at littlepig.org.uk> wrote:
>> Jean has hit the nail on the head with that one. I think he could go further and propose that the art market abolishes art, at least within the domain that is the art world, which now equates to the art market.
>>
>> best
>>
>> Simon
>>
>>
>> On 6 Aug 2011, at 16:40, Julian Oliver wrote:
>>
>>> "Behind this mechanical snobbery, there is in fact an escalation of the power
>>> of the object, the sign, the image, the simulacrum and value of which the best
>>> example today is the art market itself. This goes well beyond the alienation of
>>> price as a real measure of things: we are experiencing a fetishism of value
>>> toat explodes the very notion of a market and, at the same time, abolishes the
>>> artwork as work of art."
>>>
>>> Conspiracy of Art, p44, Semiotext(e) Foreign Agents Series, 2005.
>>
>>
>> Simon Biggs | simon at littlepig.org.uk | www.littlepig.org.uk
>>
>> s.biggs at ed.ac.uk | Edinburgh College of Art | University of Edinburgh
>> www.eca.ac.uk/circle | www.elmcip.net | www.movingtargets.co.uk
>>
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>
>
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