ok, depres ho testejem !<br><br><div class="gmail_quote">2010/6/24 <span dir="ltr"><<a href="mailto:spectre-request@post.in-mind.de">spectre-request@post.in-mind.de</a>></span><br><blockquote class="gmail_quote" style="margin:0 0 0 .8ex;border-left:1px #ccc solid;padding-left:1ex;">
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Today's Topics:<br>
<br>
1. 06/26 Lunokhod 20h00 Paris (Franck Ancel)<br>
2. Announcing Vague Terrain 17: Collaborative Spaces (Greg J. Smith)<br>
3. Trajectories: How to Reconcile the Careerist Mentality with<br>
Our Impending Doom Part 2. (marc garrett)<br>
4. TRANSFERA #43 VIDEOART TV PROGRAM CALL (<a href="mailto:info@transfera.es">info@transfera.es</a>)<br>
5. TRANSFERA #44 VIDEOART TV CALL (<a href="mailto:info@transfera.es">info@transfera.es</a>)<br>
6. Motion Graphics Festival :: July Tour (mason dixon)<br>
<br>
<br>
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Message: 1<br>
Date: Thu, 24 Jun 2010 15:27:28 +0200<br>
From: Franck Ancel <<a href="mailto:ancelfranck@gmail.com">ancelfranck@gmail.com</a>><br>
Subject: [spectre] 06/26 Lunokhod 20h00 Paris<br>
To: <a href="mailto:netbehaviour@netbehaviour.org">netbehaviour@netbehaviour.org</a>, <a href="mailto:spectre@post.in-mind.de">spectre@post.in-mind.de</a><br>
Message-ID: <<a href="mailto:4C235D40.2080503@gmail.com">4C235D40.2080503@gmail.com</a>><br>
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<br>
LSD Temple de Pentemont 106 rue de Grenelle F-75007<br>
<a href="http://www.facebook.com/event.php?eid=371375327377" target="_blank">http://www.facebook.com/event.php?eid=371375327377</a><br>
Streaming on room 27 of "0ā ˛" <a href="http://www.selfworld.net" target="_blank">http://www.selfworld.net</a><br>
<br>
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Message: 2<br>
Date: Thu, 24 Jun 2010 10:52:19 -0400<br>
From: "Greg J. Smith" <<a href="mailto:greg.smith@utoronto.ca">greg.smith@utoronto.ca</a>><br>
Subject: [spectre] Announcing Vague Terrain 17: Collaborative Spaces<br>
To: <a href="mailto:spectre@mikrolisten.de">spectre@mikrolisten.de</a><br>
Message-ID:<br>
<<a href="mailto:AANLkTin6NthangMsIAWPbxYkDlB71SuSL0f8ChGUUQpo@mail.gmail.com">AANLkTin6NthangMsIAWPbxYkDlB71SuSL0f8ChGUUQpo@mail.gmail.com</a>><br>
Content-Type: text/plain; charset="iso-8859-1"<br>
<br>
The newest issue of Vague Terrain is dedicated to exploring and showcasing a<br>
range of strategies for collaboration within the arts. Face to face<br>
recording sessions, collaborative editing, event organization, software<br>
design, intercontinental AV jam sessions and frequent flyer miles all<br>
influence the range of projects curated by Vague Terrain co-editors Corina<br>
MacDonald and Neil Wiernik. The issue brings together a range of<br>
multidisciplinary artists and presents not only creative output but also<br>
aims to highlight and contextualize their working relationships and<br>
processes.<br>
<br>
Vague Terrain 17 includes work by:<br>
<br>
Artivistic, Freida Abtan & Shane Turner (FAST), Hemiptera, I/O Media, Kate<br>
Carr, Robert Lippok & Debashis Sinha (Knuckleduster), Herman Kolgen &<br>
Kenneth Kirschner, Matt Shadetek, Max Tanguay, Minibloc, Morgan Packard &<br>
Josh Ott.<br>
<br>
View the issue at: <a href="http://vagueterrain.net/journal17" target="_blank">http://vagueterrain.net/journal17</a><br>
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Message: 3<br>
Date: Thu, 24 Jun 2010 16:31:15 +0100<br>
From: marc garrett <<a href="mailto:marc.garrett@furtherfield.org">marc.garrett@furtherfield.org</a>><br>
Subject: [spectre] Trajectories: How to Reconcile the Careerist<br>
Mentality with Our Impending Doom Part 2.<br>
To: Spectre <<a href="mailto:spectre@mikrolisten.de">spectre@mikrolisten.de</a>><br>
Message-ID: <<a href="mailto:4C237A43.3070204@furtherfield.org">4C237A43.3070204@furtherfield.org</a>><br>
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<br>
Sorry for any cross posting...<br>
<br>
Trajectories: How to Reconcile the Careerist Mentality with Our<br>
Impending Doom Part 2.<br>
<br>
by Ellie Harrison<br>
<br>
From September 2008 - June 2010, Ellie Harrison undertook a Leverhulme<br>
Scholarship on the Master of Fine Art programme at Glasgow School of<br>
Art. The thesis published forms one of the major outcomes of her<br>
research during this period. This is part 2, of four weekly articles to<br>
be published on Furtherfield.<br>
<br>
Part 2, here:<br>
<a href="http://www.furtherfield.org/displayreview.php?review_id=394" target="_blank">http://www.furtherfield.org/displayreview.php?review_id=394</a><br>
<br>
How Can We Continue Making Art? - questions whether there is a place for<br>
art in a world which is fast approaching environmental catastrophe, and<br>
Altermoderism: The Age of Stupid (<a href="http://tinyurl.com/32a3wr7" target="_blank">http://tinyurl.com/32a3wr7</a>) published<br>
on Furtherfield (26/8/09) - which uses Nicolas Bourriaud's Altermodern<br>
exhibition at Tate Britain in 2009 as a paradigm for exploring the art<br>
world institution's lack of acknowledgement and action over climate change.<br>
<br>
Trajectories: How to Reconcile the Careerist Mentality with Our<br>
Impending Doom, addresses the ethical implications of continuing to<br>
choose the career of an artist in the twenty-first century. It is a<br>
manifesto of sorts, written from the personal perspective of a young<br>
UK-based artist looking to identify worthwhile reasons for continuing<br>
down this 'self-interested' path, given that the future we are likely to<br>
face as a result of climate change, is so different from how we dreamt<br>
our careers might pan out whilst growing up under Thatcher and New<br>
Labour. It explores how we should aim to evolve our roles as artists, in<br>
light of this, and what form a new 'reconciled practice' might take.<br>
<br>
<br>
ā€”ā€”ā€”ā€”><br>
<br>
Other Info:<br>
<br>
A living, breathing, thriving networked neighbourhood...<br>
<br>
We are on <a href="http://identi.ca" target="_blank">identi.ca</a> & Twitter<br>
<br>
<a href="http://identi.ca/furtherfield" target="_blank">http://identi.ca/furtherfield</a><br>
<a href="http://twitter.com/furtherfield" target="_blank">http://twitter.com/furtherfield</a><br>
<br>
Other reviews,articles,interviews<br>
<a href="http://www.furtherfield.org/reviews.php" target="_blank">http://www.furtherfield.org/reviews.php</a><br>
<br>
Furtherfield ā€“ online media arts community, platforms for creating,<br>
viewing, discussing and learning about experimental practices at the<br>
intersections of art, technology and social change.<br>
<a href="http://www.furtherfield.org" target="_blank">http://www.furtherfield.org</a><br>
<br>
HTTP Gallery ā€“ physical media arts Gallery (London).<br>
<a href="http://www.http.uk.net" target="_blank">http://www.http.uk.net</a><br>
<br>
Netbehaviour ā€“ an open email list community engaged in the process of<br>
sharing and actively evolving critical approaches, methods and ideas<br>
focused around contemporary networked media arts practice.<br>
<a href="http://www.netbehaviour.org" target="_blank">http://www.netbehaviour.org</a><br>
<br>
Join Furtherfield.org on Resonance 104.4FM - weekly Broadcasts<br>
<a href="http://www.furtherfield.org/resonancefm.php" target="_blank">http://www.furtherfield.org/resonancefm.php</a><br>
<br>
Furtherfield Blog ā€“ shared space for personal reflections on media art<br>
practice. <a href="http://blog.furtherfield.org" target="_blank">http://blog.furtherfield.org</a><br>
<br>
VisitorsStudio ā€“ real-time, multi-user, online arena for creative ā€ many<br>
to manyā€™ dialogue, networked performance and collaborative polemic.<br>
<a href="http://www.visitorsstudio.org/x.html" target="_blank">http://www.visitorsstudio.org/x.html</a><br>
<br>
Furthernoise ā€“ an online platform for the creation, promotion,<br>
criticism and archiving of innovative cross genre music and sound art<br>
for the information & interaction of the public and artists alike.<br>
<a href="http://www.furthernoise.org" target="_blank">http://www.furthernoise.org</a><br>
<br>
<br>
<br>
<br>
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------------------------------<br>
<br>
Message: 4<br>
Date: Thu, 24 Jun 2010 17:59:12 +0200<br>
From: <a href="mailto:info@transfera.es">info@transfera.es</a><br>
Subject: [spectre] TRANSFERA #43 VIDEOART TV PROGRAM CALL<br>
To: <a href="mailto:spectre@mikrolisten.de">spectre@mikrolisten.de</a><br>
Message-ID: <<a href="mailto:4C2380D0.6010309@transfera.es">4C2380D0.6010309@transfera.es</a>><br>
Content-Type: text/plain; charset=windows-1252; format=flowed<br>
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Dear friends,<br>
<br>
Transfera 44 broadcast from Madrid this June, Friday 25th at 9 PM and<br>
Saturday 26th at 9 AM, the following program:<br>
<br>
EX-EAST EUROPE VIDEO ART_ You can access to the complete information at<br>
<a href="http://www.transfera.es/programa44.html" target="_blank">http://www.transfera.es/programa44.html</a><br>
<br>
<br>
.ID:MORA_JAN MORAVEC (Repśblica Checa_Espańa / Czech Republic_Spain)<br>
RENEGADE CHERRYADE (Vķrgenes renegadas, 2008) 4' 50"<br>
<br>
.MARIANA VASSILEVA (Bulgaria_Alemania / Bulgaria_Germany)<br>
REFLECTIONS (Reflejos, 2006) 5' 15"<br>
<br>
.MILICA RAKIC (Serbia / Serbia)<br>
RED STAR (Estrella roja, 2009) 2' 50"<br>
<br>
.PETER BIZJAK (Eslovenia / Slovenia)<br>
BITITSCH (2009) 12' 50"<br>
<br>
.VENTSISLAV ZANKOV (Bulgaria)<br>
INDUSTRIAL NIGHTMARE (Pesadilla industrial, 2006) 2' 10"<br>
<br>
.VYGANDAS SIMBELIS (Lituania / Lithuania)<br>
COPY RIGHT NOW (Cópielo ahora, 2010) 1' 00"<br>
<br>
Continues open the term for the reception of works for Transfera and<br>
also for MADATAC 02 Videoart Festival (<a href="http://www.madatac.es" target="_blank">www.madatac.es</a>),<br>
to take place in Madrid on December 2010, with the aim to award the best<br>
works of audio-visual art.<br>
<br>
Write for bases: <a href="mailto:info@transfera.es">info@transfera.es</a><br>
<br>
Warm regards,<br>
<br>
Staff<br>
<a href="http://www.transfera.es" target="_blank">www.transfera.es</a><br>
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Message: 5<br>
Date: Thu, 24 Jun 2010 18:00:45 +0200<br>
From: <a href="mailto:info@transfera.es">info@transfera.es</a><br>
Subject: [spectre] TRANSFERA #44 VIDEOART TV CALL<br>
To: <a href="mailto:spectre@mikrolisten.de">spectre@mikrolisten.de</a><br>
Message-ID: <<a href="mailto:4C23812D.3010603@transfera.es">4C23812D.3010603@transfera.es</a>><br>
Content-Type: text/plain; charset=windows-1252; format=flowed<br>
<br>
Dear friends,<br>
<br>
Transfera 44 broadcast from Madrid this June, Friday 25th at 9 PM and<br>
Saturday 26th at 9 AM, the following program:<br>
<br>
EX-EAST EUROPE VIDEO ART_ You can access to the complete information at<br>
<a href="http://www.transfera.es/programa44.html" target="_blank">http://www.transfera.es/programa44.html</a><br>
<br>
<br>
.ID:MORA_JAN MORAVEC (Repśblica Checa_Espańa / Czech Republic_Spain)<br>
RENEGADE CHERRYADE (Vķrgenes renegadas, 2008) 4' 50"<br>
<br>
.MARIANA VASSILEVA (Bulgaria_Alemania / Bulgaria_Germany)<br>
REFLECTIONS (Reflejos, 2006) 5' 15"<br>
<br>
.MILICA RAKIC (Serbia / Serbia)<br>
RED STAR (Estrella roja, 2009) 2' 50"<br>
<br>
.PETER BIZJAK (Eslovenia / Slovenia)<br>
BITITSCH (2009) 12' 50"<br>
<br>
.VENTSISLAV ZANKOV (Bulgaria)<br>
INDUSTRIAL NIGHTMARE (Pesadilla industrial, 2006) 2' 10"<br>
<br>
.VYGANDAS SIMBELIS (Lituania / Lithuania)<br>
COPY RIGHT NOW (Cópielo ahora, 2010) 1' 00"<br>
<br>
Continues open the term for the reception of works for Transfera and<br>
also for MADATAC 02 Videoart Festival (<a href="http://www.madatac.es" target="_blank">www.madatac.es</a>),<br>
to take place in Madrid on December 2010, with the aim to award the best<br>
works of audio-visual art.<br>
<br>
Write for bases: <a href="mailto:info@transfera.es">info@transfera.es</a><br>
<br>
Warm regards,<br>
<br>
Staff<br>
<a href="http://www.transfera.es" target="_blank">www.transfera.es</a><br>
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Message: 6<br>
Date: Thu, 24 Jun 2010 11:22:44 -0500<br>
From: mason dixon <<a href="mailto:xchicago@gmail.com">xchicago@gmail.com</a>><br>
Subject: [spectre] Motion Graphics Festival :: July Tour<br>
To: <a href="mailto:spectre@mikrolisten.de">spectre@mikrolisten.de</a><br>
Message-ID:<br>
<<a href="mailto:AANLkTil8hZbX3V8bMJwtdqSt_snYsm3Aq_HeY6Izu8ot@mail.gmail.com">AANLkTil8hZbX3V8bMJwtdqSt_snYsm3Aq_HeY6Izu8ot@mail.gmail.com</a>><br>
Content-Type: text/plain; charset="windows-1252"<br>
<br>
*Motion Graphics Festival :: July Tour<br>
<br>
Atlanta, Philadelphia and San Francisco*<br>
<br>
<br>
<br>
The Motion Graphics Festival is the premier creative conference for motion<br>
design, visual effects, sound design and interface technology, presenting a<br>
wide array of events including: art showcases, workshops, panel discussions,<br>
studio tours, theater screenings, industry mixers and audio visual<br>
showcases. Throughout July, MGFest is touring Atlanta (9-11 July),<br>
Philadelphia (24-25 July), and San Francisco (30 July – 1 August) delivering<br>
workshops and screenings focused in motion and sound design. Entertainment<br>
events include screenings with artists curated from international talent,<br>
such as: The Mill, Dvein, Pleix, Psyop, Herzog & De Meuron, Warp Records,<br>
The Crystal Method, Royksopp, Assassin's Creed 2, LucasArts and many more.<br>
<br>
With an artistic lineup of events focused on discovering new talent and<br>
providing them an opportunity to showcase their work, Call For Entry<br>
submissions are accepted throughout the year.<br>
<br>
To enter, please go to:<br>
<a href="http://MGFest.com/10/call/#4entry" target="_blank">http://MGFest.com/10/call/#4entry</a><<a href="http://mgfest.com/10/call/#4entry" target="_blank">http://mgfest.com/10/call/#4entry</a>><br>
<br>
Subscribe to event updates here:<br>
<a href="http://MGFest.com/connect.php" target="_blank">http://MGFest.com/connect.php</a><<a href="http://mgfest.com/connect.php" target="_blank">http://mgfest.com/connect.php</a>><br>
<br>
<br>
<br>
*Atlanta Motion Graphics Festival 2010<br>
*<br>
Friday 9 – Sunday 11 July<br>
<br>
The festival arrives with three days of workshops, entertainment and<br>
networking events. Friday starts MGFest off with a speakers series,<br>
networking lunch and screenings. The weekend brings workshops in Cinema 4D,<br>
Creative Motion Design with After Effects and Photoshop, and Introduction to<br>
Flash Animation. On Saturday night, MGFest teams up with City Skies,<br>
showcasing the best of electronic music, featuring artists such as: John<br>
Vorus, Johnn Jitters, Phylum Sinter, and citizenGreen. Spaces in workshops<br>
are filling up fast and the Saturday Cinema 4D class is already sold out, so<br>
reserve you place soon.<br>
<br>
Full Event Information and registration:<br>
<a href="http://MGFest.com/#atlanta" target="_blank">http://MGFest.com/#atlanta</a><<a href="http://mgfest.com/#atlanta" target="_blank">http://mgfest.com/#atlanta</a>><br>
<br>
<br>
<br>
*Philadelphia Motion Graphics MINI Festival 2010*<br>
<br>
Saturday 24 – Sunday 25 July<br>
<br>
MGFest Philadelphia is a mini weekend festival exclusively featuring<br>
workshops and screenings. The festival arrives with workshops in Cinema 4D<br>
and Adobe After Effects. MGFest will then host screenings in the evenings<br>
from 6:00pm to 8:00pm, with its MGFest Philadelphia Screening on Saturday<br>
and Stash Best of 2009 Screening on Sunday. Seats are limited so get your<br>
tickets soon.<br>
<br>
Full Event Information and registration:<br>
<a href="http://MGFest.com/#philly" target="_blank">http://MGFest.com/#philly</a><<a href="http://mgfest.com/#philly" target="_blank">http://mgfest.com/#philly</a>><br>
<br>
<br>
<br>
*San Francisco Motion Graphics Festival 2010*<br>
<br>
Friday 30 July – Sunday 1 August<br>
<br>
MGFest San Fran provides three days of workshops and a weekend of<br>
screenings. Workshops include Cinema 4D with Mograph, Adobe After Effects,<br>
Introduction to Flash, and Sound Design. MGFest will then host weekend<br>
screenings in the evenings from 6:00pm to 8:00pm, with its MGFest San<br>
Francisco Screening on Saturday and Stash Best of 2009 Screening on Sunday.<br>
<br>
Full Event Information and registration:<br>
<a href="http://MGFest.com/#sanfran" target="_blank">http://MGFest.com/#sanfran</a><<a href="http://mgfest.com/#sanfran" target="_blank">http://mgfest.com/#sanfran</a>><br>
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End of SPECTRE Digest, Vol 88, Issue 41<br>
***************************************<br>
</blockquote></div><br><br clear="all"><br>-- <br>Carles Gutiérrez Vallès<br><br><a href="http://www.lummo.es">www.lummo.es</a><br><a href="http://www.bookiart.wordpress.com">www.bookiart.wordpress.com</a><br><br>