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<DIV><FONT size=2 face=Arial><FONT size=3 face="Times New Roman">Digicult
presents:<BR><BR><BR>Digimag 63 - April 2011<BR></FONT><A href=""><FONT
size=3
face="Times New Roman">http://www.digicult.it/digimag_eng/</FONT></A><BR><BR><FONT
size=3 face="Times New Roman">The archive section, past articles and
issues:<BR></FONT><A href=""><FONT size=3
face="Times New Roman">http://www.digicult.it/en/Archive/</FONT></A><BR><BR><FONT
size=3 face="Times New Roman">The updated list of authors and
critics<BR></FONT><A href=""><FONT size=3
face="Times New Roman">www.digicult.it/en/credits</FONT></A><BR><BR><BR><FONT
size=3 face="Times New Roman">"...I would say that every advanced art and art
form has a tendency towards “enlightenment”, since to be understood and
appreciated it needs an “enlightened” or at least open minded audience, with a
willingness to reflect upon one’s own systems of understanding, of how we
perceive and decode the world. I doubt that this makes me a “political” artist
in the sense we normally use to consider that notion. But hopefully I’m a
political artist in the way Theodor Adorno would describe it....I would say that
I am influenced by new technologies, and formats, however ex negativo: These
forms are not just new and “innocent”, but were designed to replace analog film
– and analog film as a medium of fine art cannot be replaced by digital
technologies since the materiality of the two media are completely different and
have nothing to do with one another. I decided to make work that illustrates and
celebrates the qualities of analog film which cannot be replaced by non-analog
media". </FONT></FONT></DIV>
<DIV><FONT size=2 face=Arial><FONT size=3
face="Times New Roman"></FONT></FONT> </DIV>
<DIV><FONT size=2 face=Arial><FONT size=3 face="Times New Roman">Peter
Tscherkassky, from "Peter Tscherkassky. Audiovisuals from a
darkroom", by Marco Mancuso</FONT></FONT></DIV><FONT size=2
face=Arial><FONT size=3 face="Times New Roman">
<DIV><BR>. . . . . . . . . . . . . . . . . . . . . . .
.<BR><BR>[INTERVIEWS]:<BR><BR>PETER TSCHERKASSKY. AUDIOVISUALS FROM A
DARKROOM</DIV>
<DIV><A
href="http://www.digicult.it/digimag/article.asp?id=2034">http://www.digicult.it/digimag/article.asp?id=2034</A><BR>by Marco
Mancuso<BR><BR>A MORE PERFECT UNION. <SPAN class=titolochiarogrande>THE
EMOTIONAL CARTOGRAPHY BY LUKE DUBOIS</SPAN></DIV>
<DIV><SPAN class=titolochiarogrande></SPAN><A
href="http://www.digicult.it/digimag/article.asp?id=2037">http://www.digicult.it/digimag/article.asp?id=2037</A><BR>by Pasquale
Napolitano<BR><BR>PAOLO CIRIO. <SPAN class=titolochiarogrande>WHEN STEALING
BECOMES ART</SPAN></DIV>
<DIV><SPAN class=titolochiarogrande></SPAN><A
href="http://www.digicult.it/digimag/article.asp?id=2039">http://www.digicult.it/digimag/article.asp?id=2039</A><BR>by Tatiana
Bazzichelli<BR><BR><SPAN class=titoloscurogrande>THE DIGITAL GREGOR
SAMSA</SPAN>. <SPAN class=titolochiarogrande>INTERVIEW WITH PATRICK
SORIN</SPAN></DIV>
<DIV><SPAN class=titolochiarogrande></SPAN><A
href="http://www.digicult.it/digimag/article.asp?id=2047">http://www.digicult.it/digimag/article.asp?id=2047</A><BR>by Alexandra
Purcaru<BR><BR><SPAN class=titoloscurogrande>MULTISENSORY SPACE. </SPAN><SPAN
class=titolochiarogrande>INTERVIEW WITH SONIA CILLARI </SPAN></DIV>
<DIV><SPAN class=titolochiarogrande></SPAN><SPAN
class=titolochiarogrande></SPAN><A
href="http://www.digicult.it/digimag/article.asp?id=2045">http://www.digicult.it/digimag/article.asp?id=2045</A><BR>by Barbara
Sansone<BR><BR><SPAN class=titoloscuro><SPAN class=titoloscurogrande>NET ART AT
EXHIBITION CENTERS. </SPAN></SPAN><SPAN class=titoloscuro><SPAN
class=titolochiarogrande>MARTA PONSA AND THE 'JEU DE PAUME'
CASE</SPAN></SPAN></DIV>
<DIV><SPAN class=titoloscuro><SPAN class=titolochiarogrande></SPAN></SPAN><A
href="http://www.digicult.it/digimag/article.asp?id=2042">http://www.digicult.it/digimag/article.asp?id=2042</A><BR>by Giulia
Simi<BR><BR><SPAN class=titoloscurogrande>AIM, FIRE, POETRY! </SPAN><SPAN
class=titolochiarogrande>JASON NELSON AND THE NEW LITERATURE </SPAN></DIV>
<DIV><SPAN class=titolochiarogrande></SPAN><SPAN
class=titolochiarogrande></SPAN><A
href="http://www.digicult.it/digimag/article.asp?id=2046">http://www.digicult.it/digimag/article.asp?id=2046</A><BR>by Mathias
Jansson<BR><BR><SPAN class=titoloscurogrande><SPAN class=Stile2>FIDEL GARCIA'S
WORK. </SPAN></SPAN><SPAN class=titolochiarogrande>ART AS A COMPLEX
SYSTEM</SPAN></DIV>
<DIV><SPAN class=titolochiarogrande></SPAN><A
href="http://www.digicult.it/digimag/article.asp?id=2043">http://www.digicult.it/digimag/article.asp?id=2043</A><BR>by Lucrezia
Cippitelli<BR><BR>PAPER RESISTANCE: <SPAN class=titoloscuro><SPAN
class=titolochiarogrande>GRAPHIC (R)EXISTENCE</SPAN></SPAN><BR><A
href="http://www.digicult.it/digimag/article.asp?id=2035">http://www.digicult.it/digimag/article.asp?id=2035</A><BR>by Claudio
Musso<BR><BR>ALFREDO COSTA MONTEIRO. <SPAN class=titolochiarogrande>EPHEMERAL
MATTER & UNSTABLE PROCEDURES</SPAN></DIV>
<DIV><SPAN class=titolochiarogrande></SPAN><A
href="http://www.digicult.it/digimag/article.asp?id=2038">http://www.digicult.it/digimag/article.asp?id=2038</A><BR>by Barbara
Sansone<BR><BR>FRANCESCA GRILLI. SEARCHING FOR THE DAILY MIRACLE</DIV>
<DIV><A
href="http://www.digicult.it/digimag/article.asp?id=2044">http://www.digicult.it/digimag/article.asp?id=2044</A></DIV>
<DIV>by Alessandra Salviotti<BR><BR></FONT><FONT size=3
face="Times New Roman">. . . . . . . . . . . . . . . . . . . . . . .
.<BR><BR>[ESSAYS]:<BR><BR><SPAN class=titoloscuro><SPAN
class=titoloscurogrande>REVEALING INTERSTITIAL SPACES</SPAN></SPAN>. PART
1<BR><A
href="http://www.digicult.it/digimag/article.asp?id=2040">http://www.digicult.it/digimag/article.asp?id=2040</A><BR>by Dr.
Eugenia Fratzeskou<BR><BR><SPAN class=titoloscurogrande>THE TIME AND THE NET.
</SPAN><SPAN class=titolochiarogrande>MORPHOGENESIS OF A CURRENT
RELATIONSHIP</SPAN></FONT></DIV>
<DIV><FONT size=3 face="Times New Roman"><SPAN
class=titolochiarogrande></SPAN><A
href="http://www.digicult.it/digimag/article.asp?id=2041">http://www.digicult.it/digimag/article.asp?id=2041</A><BR>by Emanuele
Andreoli</FONT><FONT size=3 face="Times New Roman"><BR><BR>. . . . . . . . . . .
. . . . . . . . . . . . .<BR><BR>[REPORTS]:<BR><BR><SPAN class=titoloscuro><SPAN
class=titoloscurogrande>TRACING EXPERIENCES. </SPAN></SPAN><SPAN
class=titoloscuro><SPAN class=titolochiarogrande>DESIGN'S FICTION: THE "MADE UP"
EXHIBITION</SPAN></SPAN></FONT></DIV>
<DIV><FONT size=3 face="Times New Roman"><SPAN class=titoloscuro><SPAN
class=titolochiarogrande></SPAN></SPAN><A
href="http://www.digicult.it/digimag/article.asp?id=2036">http://www.digicult.it/digimag/article.asp?id=2036</A><BR>by Mattia
Casalegno<BR><BR>. . . . . . . . . . . . . . . . . . . . . . . .<BR><BR>[COVER]:
Peter Tscherkassky, Coming Attractions (2010)<BR></FONT><FONT size=3
face="Times New Roman"><BR>. . . . . . . . . . . . . . . . . . . . . . .
.<BR><BR>From 2005, Digicult has being an online/offline cultural and editorial
platform which focuses on the impact of new technologies and sciences on art,
design, culture and contemporary society. Founded and directed by Marco Mancuso,
is now based on the active participation of quite 50 professional people, who
represent a wide international Network of journalists, curators, artists,
theorists, practioneers and critics. Digicult is also the editor of the monthly
magazine Digimag, which focuses on some cultural, productive and artistic issues
like: internet & networks, hacking & hacktivism, video art &
experimental cinema, sound art & electrinic music, audiovideo and live
media, design & architecture, art & science, new media & social
media, software art & generative art, performing art & interactive
dance, with a strong critic and deep journalistic approach. Digicult produces an
electronic music and audiovisual podcast, Digipod, linked to the world of
netlabels and independent audiovisual productions online, and also has its own
international newsletter service Diginews. Digicult is actually working with the
art agency Digimade as curator/promoter of some Italian audiovisual artists and
designers, presenting their work within festivals, galleries, exhibitions,
events and cultural centers in Europe and worldwide.Finally, Digicult works as
media partner for festivals, exhibitions & events, <BR>developing special
curatorial projects, writing texts for catalogues, organizing workshops and
seminars, joining lectures in academies and universities<BR><BR>. . . . . . . .
. . . . . . . . . . . . . . . .<BR><BR>[DIRECTION AND MANAGEMENT
COMMITEE]:<BR><BR>Marco Mancuso (Digicult project Director and Teacher at New
Academy of Fine Arts / Naba of Milan) ; Claudia D'Alonzo (International
Doctorship in Audiovisual Studies, University of Udine) ; Bertram Niessen
(Researcher at Sociology Department of Statale University of Milan - Bicocca) ;
Lucrezia Cippitelli (Phd at Sapienza University of Rome and Teacher at Academy
of Fine arts of L'Aquila)<BR><BR>. . . . . . . . . . . . . . . . . . . . . . .
.<BR><BR>[EDITORIAL BOARD AND TRANSLATIONS]:<BR><BR>Giovanni Damiola (Technical
Consultancy) ; Luca Restifo (Programming) ; Claudia D'Alonzo (Press
Office) ; Riccardo Vescovo (Graphic Design) ; Bertram Niessen (Social
Networking) ; Laurea Magistrale in Traduzione Specialistica, Università IULM di
Milano (Website Translating) ; Lara Freschi - Francesca Lattanzi - Stefano Avola
- Andrea Cariello (Magazine Translating)<BR><BR>. . . . . . . . . . . . . . . .
. . . . . . . .<BR><BR>[ADVISORY BOARD]:<BR><BR>An international advisory board
for Digicult will be announced soon...<BR><BR>. . . . . . . . . . . . . . . . .
. . . . . . .<BR><BR>[AUTHORS]:<BR><BR>Tatiana Bazzichelli ; Bertram Niessen ;
Teresa De Feo ; Luigi Ghezzi ; Giulia Baldi; Domenico Quaranta ; Massimo
Schiavoni ; Monica Ponzini ; Annamaria Monteverdi; Valentina Tanni ; Lucrezia
Cippitelli ; Claudia D'Alonzo; Barbara Sansone ; Giulia Simi ; Silvia Scaravaggi
; Alessio Galbiati ; Antonio Caronia ; Loretta Borrelli ; Carla Langella ;
Francesco Bertocco ; Silvia Casini ; Jeremy Levine ; Serena Cangiano ; Micha
Cardenas ; Mark Hencock , Pasquale Napolitano ; Simona Fiore ; Zoe Romano ;
Enrico Pitozzi ; Eugenia Fratzeskou ; Mattia Casalegno ; Robin Peckam ; Sabina
<BR>Barcucci ; Silvia Bertolotti ; Simone Broglia ; Claudia Maina ; Elena
Biserna ; Maria Chatzichristodoulou ; Felipe Zuniga ; Mathias Jannson ; Neva
<BR>Pedrazzini ; Alexandra Purcaru ; Lorenzo Taiuti ; Pia Bolognesi ; Julianne
Pierce ; Thomas Schielke ; Emanuele Andreoli ; Alessandra
Salviotti</FONT><BR></DIV></FONT></BODY></HTML>