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<p><strong style="margin: 0px; padding: 0px; font-family: Georgia, Georgia, serif; line-height: 18px; word-spacing: 1px; ">CONQUEST </strong><strong style="margin: 0px; padding: 0px; font-family: Georgia, Georgia, serif; line-height: 18px; word-spacing: 1px; ">of Deborah Hay || Solo Adaptation by Jorge Gonçalves</strong></p>
<p><strong style="text-align: left; font-family: Georgia, Georgia, serif; line-height: 18px; word-spacing: 1px; margin: 0px; padding: 0px; "><strong style="margin: 0px; padding: 0px; ">14 OCTOBER, 19h30 || </strong></strong><strong style="font-family: Georgia, Georgia, serif; line-height: 18px; text-align: left; word-spacing: 1px; margin: 0px; padding: 0px; "><strong style="margin: 0px; padding: 0px; "><a href="http://www.plataformaberlin.org/">PLATAFORMA</a>, IBEROAMERIKANISCHES 2012, at <a href="http://www.uferstudios.com">Uferstudios</a>, Berlin</strong></strong></p>
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<em style="margin: 0px; padding: 0px; font-family: Georgia, Georgia, serif; line-height: 18px; word-spacing: 1px; ">“Every adaptation includes the execution of the specific, non-specific, yet easily discernible material within the written dance score that I provide. No matter how detailed or broad the language, between the written score and the performance are hidden elements that cannot be defined because my “verbal dialectic” is deliberately powerless to define the performer’s movement dialectic. <br style="margin: 0px; padding: 0px; " />
The significance of an adaptation includes the limitations imposed upon the performer by my choreography and/or the limitations that the performer imposes upon himself/herself.”</em></p>
<p style="margin: 9px 0px; padding: 0px; width: 700px; font-family: Georgia, Georgia, serif; line-height: 18px; word-spacing: 1px; "><em style="margin: 0px; padding: 0px; ">Deborah Hay, More About the Adaptation, 2011</em><br style="margin: 0px; padding: 0px; " />
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<img src="http://www.mezzanine.pt/en/files/gimgs/20_conquest6web.jpg" height="375" width="250" alt="Mezzanine" style="margin: 0px; padding: 0px; " /></p>
<h6><em><small>@ Ana Rocha</small></em></h6>
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<strong style="margin: 0px; padding: 0px; ">Choreography</strong> Deborah Hay </p>
<p style="margin: 9px 0px; padding: 0px; width: 700px; font-family: Georgia, Georgia, serif; line-height: 18px; word-spacing: 1px; "><strong style="margin: 0px; padding: 0px; ">Adaptation and Performance</strong> Jorge Gonçalves</p>
<p style="margin: 9px 0px; padding: 0px; width: 700px; font-family: Georgia, Georgia, serif; line-height: 18px; word-spacing: 1px; "><strong style="margin: 0px; padding: 0px; ">Artistic Advisor</strong> Ana Rocha</p>
<p style="margin: 9px 0px; padding: 0px; width: 700px; font-family: Georgia, Georgia, serif; line-height: 18px; word-spacing: 1px; "><strong style="margin: 0px; padding: 0px; ">Production</strong> MEZZANINE</p>
<p style="margin: 9px 0px; padding: 0px; width: 700px; font-family: Georgia, Georgia, serif; line-height: 18px; word-spacing: 1px; "><strong style="margin: 0px; padding: 0px; ">Residence Support</strong> GDA - Gestão dos Direitos dos Artistas, Tanzfabrik-berlin, Uferstudios and Academia de Dança de Matosinhos</p>
<p style="margin: 9px 0px; padding: 0px; width: 700px; font-family: Georgia, Georgia, serif; line-height: 18px; word-spacing: 1px; ">Project inserted in the context of the programme "Improvisações/Colaborações", promoted by Fundação de Serralves, Porto, in May 2011 and supported by the partners: Circular Associação Cultural and Câmara Municipal de Vila de Conde</p>
<p style="margin: 0px; font-family: Helvetica; "><span style="font-family: Georgia, Georgia, serif; line-height: 18px; word-spacing: 1px; ">Porto Solo Performance Commissioning Project is constituted with 8 adaptations of the piece Conquest of Deborah Hay, by the portuguese choreographers: António Júlio, Cristiana Rocha, David Marques, Joana von Mayer Trindade, João Martins, Jorge Gonçalves, Sofia Neves and Teresa Silva.</span><span style="font-family: Tahoma; font-size: 10px; text-align: left; "> </span></p>
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