<html><head><meta http-equiv="Content-Type" content="text/html charset=us-ascii"></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><div class="gmail_quote">Dear All,<div><br></div><div>I'm pleased to announce that historian and theorist Dr Armin Medosch will be delivering the first CAS Lecture this autumn. He will discuss the question of visual research with computers as reflected in the New Tendencies art movement. This of course involved several key members of CAS, not least Alan Sutcliffe and Gustav Metzger. The details are:</div>


<div><br></div><div><b>Tuesday 23rd October</b></div><div>6pm for 6:15</div><div><span style="color:rgb(51,51,51);font-family:Arial,Helvetica,sans-serif;font-size:12px"><table border="0" cellpadding="2" cellspacing="0" style="border-bottom-width:0px;border-style:initial;font-weight:inherit;margin-right:0px;border-collapse:separate;font-size:12px;border-right-width:0px;border-left-width:0px;padding-left:0px;padding-right:0px;padding-top:0px;outline-width:0px;font-style:inherit;width:427px;margin-bottom:0px;border-color:initial;padding-bottom:0px;border-top-width:0px;vertical-align:baseline;outline-style:initial;outline-color:initial;margin-left:0px;font-family:inherit;margin-top:0px">


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First Floor<br>The Davidson Building,&nbsp;<br>5 Southampton Street<br>London, WC2E 7HA</p></td></tr></tbody></table></span></div><div>MAP:&nbsp;<a href="http://www.bcs.org/upload/pdf/london-office-guide.pdf" target="_blank">http://www.bcs.org/upload/pdf/london-office-guide.pdf</a></div>


<div><br></div><div><p style="margin:0.0px 0.0px 0.0px 0.0px;font:12.0px Helvetica"><b>From Programmed Art to Visual Research with Computers: The New Tendencies (1961-1973)</b></p>
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<p style="margin:0.0px 0.0px 0.0px 0.0px;font:12.0px Helvetica">An exhibition in Zagreb in 1961 inaugurated an international art movement under the name New Tendencies. Under the slogan of 'art as visual research' they invented new types of objects and so called 'programmed art' which involved the viewer in participatory fields of interaction. In 1968 New Tendencies turned to the computer as a medium of visual research, at the same time as the seminal exhibition Cybernetic Serendipity in London. Yet New Tendencies wanted to create more than just exhibitions and symposia. They tried to initiate an international research network on the computer as a medium of visual research, and, in doing so, developed lively connections with the newly founded British Computer Arts Society. At a second computer art symposium in 1969 a Zagreb manifesto, written by Jonathan Benthall, Gordon Hyde and Gustav Metzger was read out publicly. The lecture explores the continuity but also the rupture between visual research without and with computers. The relationship between manual and intellectual labour in industry and in artistic research serves as a key analytic tool to understand what New Tendencies were about.</p>



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<p style="margin:0.0px 0.0px 0.0px 0.0px;font:12.0px Helvetica;min-height:14.0px">&nbsp;</p>
<p style="margin:0.0px 0.0px 0.0px 0.0px;font:12.0px Helvetica">Armin Medosch works as a practitioner, curator and writer in expanded media art practices since the 1980s. Living in Austria, Germany and the UK, he has contributed to the practice and discourse on network culture and art and technology as a curator of exhibitions, convenor of conferences, critic and theorist. From 1996 to 2002 he was co-editor-in-chief of the online magazine Telepolis. He has recently&nbsp; been awarded the degree of&nbsp; Ph.D. in Arts and Computational Technology at Goldsmiths, University of London.</p>



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<p style="margin:0.0px 0.0px 0.0px 0.0px;font:12.0px Helvetica"><a href="http://www.thenextlayer.org/ArminMedosch" target="_blank">http://www.thenextlayer.org/ArminMedosch</a></p><p style="margin:0.0px 0.0px 0.0px 0.0px;font:12.0px Helvetica">


<br></p><p style="margin:0.0px 0.0px 0.0px 0.0px;font:12.0px Helvetica">I look forward to seeing you there.</p><p style="margin:0.0px 0.0px 0.0px 0.0px;font:12.0px Helvetica"><br></p><p style="margin:0.0px 0.0px 0.0px 0.0px;font:12.0px Helvetica">


Nick Lambert</p><p style="margin:0.0px 0.0px 0.0px 0.0px;font:12.0px Helvetica">Chair, CAS</p><p style="margin:0.0px 0.0px 0.0px 0.0px;font:12.0px Helvetica"><br></p></div></div>-- <br>=================<br>Nick Lambert DPhil&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; <br>Lecturer in Digital Art and Culture&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp; <br>Department of History of Art &amp; Screen Media<br>

Birkbeck, University of London<br>43 Gordon Square,<br>London, WC1H 0PD<br><a href="http://www.technocultures.org" target="_blank">www.technocultures.org</a><br>Tel: 0207 631 6186<br>Mobile: 0781 0381 458<br><br><br><br>

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<span class="Apple-style-span" style="border-collapse: separate; color: rgb(0, 0, 0); font-family: 'Gill Sans'; font-style: normal; font-variant: normal; font-weight: normal; letter-spacing: normal; line-height: normal; orphans: 2; text-align: -webkit-auto; text-indent: 0px; text-transform: none; white-space: normal; widows: 2; word-spacing: 0px; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; -webkit-text-decorations-in-effect: none; -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; font-size: medium; ">====<br>Paul Brown - based in the UK May to&nbsp;November 2012<br><a href="http://www.paul-brown.com">http://www.paul-brown.com</a> ==&nbsp;<a href="http://www.brown-and-son.com">http://www.brown-and-son.com</a><br>UK Mobile +44 (0)794 104 8228 == USA fax&nbsp;+1 309 216 9900<br>Skype paul-g-brown<br>====<br>Synapse Artist-in-Residence - Deakin&nbsp;University<br><a href="http://www.deakin.edu.au/itri/cisr/projects/hear.php">http://www.deakin.edu.au/itri/cisr/projects/hear.php</a><br>Honorary Visiting Professor - Sussex&nbsp;University<br>http://www.cogs.susx.ac.uk/ccnr/research/creativity.html<br>====<br><br><br><br><br><br></span>
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