<div>i see: an 'analog' biennial usualy has 1 or 2 curators and here, there are at least 20 'representing' different geo-politics! </div>
<div>a good 'demographic/democratic' collection of curators though. lets see what web of references they will stich together.</div>
<div>y<br></div>
<div class="gmail_quote">On Wed, Mar 20, 2013 at 6:51 PM, marc garrett <span dir="ltr"><<a href="mailto:marc.garrett@furtherfield.org" target="_blank">marc.garrett@furtherfield.org</a>></span> wrote:<br>
<blockquote style="BORDER-LEFT:#ccc 1px solid;MARGIN:0px 0px 0px 0.8ex;PADDING-LEFT:1ex" class="gmail_quote">sure is...<span class="HOEnZb"><font color="#888888"><br><br>m</font></span>
<div class="HOEnZb">
<div class="h5"><br>
<blockquote style="BORDER-LEFT:#ccc 1px solid;MARGIN:0px 0px 0px 0.8ex;PADDING-LEFT:1ex" class="gmail_quote">It's like the history of art...<br><br><br>/:b<br><br><br>On Wed, 20 Mar 2013, Simon Biggs wrote:<br><br>
<blockquote style="BORDER-LEFT:#ccc 1px solid;MARGIN:0px 0px 0px 0.8ex;PADDING-LEFT:1ex" class="gmail_quote">It's like the history of video art. You wait for one or<br>two generations of innovators to create the area of<br>
practice. Then you ignore it long enough they are all<br>dead. Next step is to appropriate the domain with a new<br>generation of artists who are largely ignorant of the<br>previous activity and are more open to the<br>commercialisation of their work.<br>
<br>best<br><br>Simon<br><br><br>On 20 Mar 2013, at 12:02, <a href="mailto:astronaut@s373.net" target="_blank">astronaut@s373.net</a> wrote:<br><br>
<blockquote style="BORDER-LEFT:#ccc 1px solid;MARGIN:0px 0px 0px 0.8ex;PADDING-LEFT:1ex" class="gmail_quote">i wonder if they have been excluding for so long, igf<br>they will have access to it<br><br><br>On 19 Mar 2013, at 9:03 PM, helen varley jamieson wrote:<br>
<br>
<blockquote style="BORDER-LEFT:#ccc 1px solid;MARGIN:0px 0px 0px 0.8ex;PADDING-LEFT:1ex" class="gmail_quote">it's like the tate claiming last year that their live<br>performance series was the first online performance<br>
series ... :D<br><br>On 19/03/13 4:54 PM, Simon Biggs wrote:<br>
<blockquote style="BORDER-LEFT:#ccc 1px solid;MARGIN:0px 0px 0px 0.8ex;PADDING-LEFT:1ex" class="gmail_quote">Oh dear<br><br>So we start to see the gate-keepers of the mainstream<br>art-world begin to invade online art-space. I wonder<br>
what percentage of the artists they select will<br>actually be those who work with online media as core<br>to their practice.<br><br>best<br><br>Simon<br><br><br>On 19 Mar 2013, at 16:02, Andreas Broeckmann wrote:<br><br>
<blockquote style="BORDER-LEFT:#ccc 1px solid;MARGIN:0px 0px 0px 0.8ex;PADDING-LEFT:1ex" class="gmail_quote">(fwd)<br><br><br>BIENNALEONLINE 2013<br><br></blockquote></blockquote></blockquote></blockquote></blockquote><br>
<br><br>=============<br><br>Global Islands Project:<br><a href="http://bbrace.net/id.html" target="_blank">http://bbrace.net/id.html</a><br><br>"We fill the craters left by the bombs<br>And once again we sing<br>And once again we sow<br>
Because life never surrenders."<br>-- anonymous Vietnamese poem<br><br>"Nothing can be said about the sea."<br>-- Mr Selvam, Akkrapattai, India 2004<br><br>"... for every star-driven enterprise there are corollary<br>
benefits for those who support it and keep their mouths shut."<br>-- John Young, NYC 2010<br><br>"Shikata ga nai -- There's nothing we can do about it."<br>-- Japanese tsunami survivors, 2011<br><br>{ brad brace } <<<<< <a href="mailto:bbrace@eskimo.com" target="_blank">bbrace@eskimo.com</a> >>>> ~finger for pgp<br>
<br>--- bbs: brad brace sound ---<br>--- <a href="http://69.64.229.114:8000/" target="_blank">http://69.64.229.114:8000</a> ---<br>--- <a href="http://bradbrace.net/undisclosed.html" target="_blank">http://bradbrace.net/<u></u>undisclosed.html</a> ---<br>
<br>.<br>The 12hr-ISBN-JPEG Project >>>> posted since 1994 <<<<<br><br>+ + + serial <a href="ftp://ftp.eskimo.com/home/bbrace" target="_blank">ftp://ftp.eskimo.com/home/<u></u>bbrace</a><br>
+ + + eccentric ftp:// (your-site-here!)<br>+ + + continuous hotline://<a href="http://artlyin.ftr.va.com.au/" target="_blank">artlyin.ftr.va.com.<u></u>au</a><br>+ + + hypermodern <a href="ftp://ftp.rdrop.com/pub/users/bbrace" target="_blank">ftp://ftp.rdrop.com/pub/users/<u></u>bbrace</a><br>
+ + + imagery <a href="http://12hr.noemata.net/" target="_blank">http://12hr.noemata.net</a><br><br>News: alt.binaries.pictures.12hr alt.binaries.pictures.misc<br> alt.binaries.pictures.fine-<u></u>art.misc alt.12hr<br>
<br>. 12hr email<br>subscriptions => <a href="http://bradbrace.net/buy-into.html" target="_blank">http://bradbrace.net/buy-into.<u></u>html</a><br><br><br>. Other | Mirror: <a href="http://www.eskimo.com/~bbrace/bbrace.html" target="_blank">http://www.eskimo.com/~bbrace/<u></u>bbrace.html</a><br>
Projects | Reverse Solidus: <a href="http://bradbrace.net/" target="_blank">http://bradbrace.net/</a><br> | <a href="http://bbrace.net/" target="_blank">http://bbrace.net</a><br> | <a href="https://www.amazon.com/author/bradbrace" target="_blank">https://www.amazon.com/author/<u></u>bradbrace</a><br>
<br>. Blog | <a href="http://bradbrace.net/wordpress" target="_blank">http://bradbrace.net/wordpress</a><br>. IM | <a href="mailto:bbrace@unstable.nl" target="_blank">bbrace@unstable.nl</a><br>. IRC | #bbrace<br>
. ICQ | 109352289<br>. SIP | <a href="mailto:bbrace@ekiga.net" target="_blank">bbrace@ekiga.net</a><br>. SKYPE | bbbrace<br> | registered linux user #323978<br>~><br>I am not a victim coercion is natural<br>
I am a messenger freedom is artifical<br><br><br><br><br>/:b<br><br><br><br><br><br><br><br><br><br><br><br><br>______________________________<u></u>________________<br>SPECTRE list for media culture in Deep Europe<br>
Info, archive and help:<br><a href="https://post.in-mind.de/cgi-bin/mailman/listinfo/spectre" target="_blank">https://post.in-mind.de/cgi-<u></u>bin/mailman/listinfo/spectre</a><br><br></blockquote><br><br></div></div>
<div class="im HOEnZb">-- <br>---><br><br>A living - breathing - thriving networked neighbourhood -<br>proud of free culture - claiming it with others ;)<br><br>Other reviews,articles,interviews<br><a href="http://www.furtherfield.org/reviews.php" target="_blank">http://www.furtherfield.org/<u></u>reviews.php</a><br>
<br>Furtherfield – online arts community, platforms for creating, viewing,<br>discussing and learning about experimental practices at the<br>intersections of art, technology and social change.<br><a href="http://www.furtherfield.org/" target="_blank">http://www.furtherfield.org</a><br>
<br>Furtherfield Gallery – Finsbury Park (London).<br><a href="http://www.furtherfield.org/gallery" target="_blank">http://www.furtherfield.org/<u></u>gallery</a><br><br>Netbehaviour - Networked Artists List Community.<br>
<a href="http://www.netbehaviour.org/" target="_blank">http://www.netbehaviour.org</a><br><br><a href="http://identi.ca/furtherfield" target="_blank">http://identi.ca/furtherfield</a><br><a href="http://twitter.com/furtherfield" target="_blank">http://twitter.com/<u></u>furtherfield</a><br>
<br></div>
<div class="HOEnZb">
<div class="h5">______________________________<u></u>________________<br>SPECTRE list for media culture in Deep Europe<br>Info, archive and help:<br><a href="https://post.in-mind.de/cgi-bin/mailman/listinfo/spectre" target="_blank">https://post.in-mind.de/cgi-<u></u>bin/mailman/listinfo/spectre</a><br>
</div></div></blockquote></div><br><br clear="all"><br>-- <br>Yane Calovski<br>ul: Orce Nikolov 58/1-5<br>MK-1000 Skopje<br>R. Macedonia<br>Skopje mobil: +389(0)75-299-889<br>skype: yanecalo