<div dir="ltr"><div><font><b><span style="font-family:georgia,serif">Most listened podcasts - July 2013 - Ràdio Web MACBA</span></b><br style="font-family:georgia,serif">
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  <b><span style="font-family:georgia,serif">1- INTERRUPTIONS #13 The inhuman voice. Curated by Genís Segarra</span></b><br style="font-family:georgia,serif">
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  <span style="font-family:georgia,serif">Since the late eighteenth 
century, speech therapists, linguists, entrepreneurs, artists and 
musicians have nurtured the dream of emulating human speech. In this 
mix, Genís Segarra offers a personal overview of a subject that 
fascinates him, with the story of voice synthesis as a narrative thread.</span><br style="font-family:georgia,serif">
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  <span style="font-family:georgia,serif"></span><span style="font-family:georgia,serif">Link: <a href="http://rwm.macba.cat/en/curatorial/genis_segarra_inhuman_voice/capsula">http://rwm.macba.cat/en/curatorial/genis_segarra_inhuman_voice/capsula</a></span><br style="font-family:georgia,serif">

  <span style="font-family:georgia,serif">Playlist: <a href="http://rwm.macba.cat/uploads/20130626/13Interruptions_eng.0.pdf">http://rwm.macba.cat/uploads/20130626/13Interruptions_eng.0.pdf</a></span><br style="font-family:georgia,serif">

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  <span style="font-family:georgia,serif"></span><span style="font-family:georgia,serif"></span><span style="font-family:georgia,serif"></span><b><span style="font-family:georgia,serif">2-  EN CRISIS #3 Reflections at a critical juncture: Toni Serra, Ana Longoni and Rubén Martínez (Only available in Spanish)</span></b><br style="font-family:georgia,serif">

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  <span style="font-family:georgia,serif">Overwhelmed by the 
institutionalised discourse of politics and economists, we invite 
artists, philosophers, researchers and poets to share their ideas about 
what is happening to us, to comment on the positive and negative 
implications of this structural crisis, and to imagine an uncertain 
future.</span><br style="font-family:georgia,serif">
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  <span style="font-family:georgia,serif"></span><span style="font-family:georgia,serif">Link: <a href="http://rwm.macba.cat/es/especials/encrisi3/capsula">http://rwm.macba.cat/es/especials/encrisi3/capsula</a></span><br style="font-family:georgia,serif">

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  <b><span style="font-family:georgia,serif"> </span><span style="font-family:georgia,serif">3- INTERRUPTIONS #12 Lost Techno-Pop Weekend in Rural Midwestern America</span>. </b></font><b><font><span style="font-family:georgia,serif">Curated by Terre Thaemlitz</span></font><br style="font-family:georgia,serif">

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  <span style="font-family:georgia,serif">This show takes a listen to 
techno-pop of the seventies and early eighties as a brief yet deliberate
 interruption into the realms of pop, rock, soul and R&amp;B.</span><br style="font-family:georgia,serif">
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  <span style="font-family:georgia,serif">Link: <a href="http://rwm.macba.cat/en/curatorial/terre_thaemlitz_lost_techno_pop/capsula">http://rwm.macba.cat/en/curatorial/terre_thaemlitz_lost_techno_pop/capsula</a></span><br style="font-family:georgia,serif">

  <span style="font-family:georgia,serif">Playlist: <a href="http://rwm.macba.cat/uploads/20130529/12Interruptions_eng.pdf">http://rwm.macba.cat/uploads/20130529/12Interruptions_eng.pdf</a></span><br style="font-family:georgia,serif">

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  <b><span style="font-family:georgia,serif"> </span><span style="font-family:georgia,serif">4- EN CRISIS #2. Reflections at a critical juncture Beatriz Preciado. Deleted scenes</span><span style="font-family:georgia,serif"> (Only available in Spanish)</span></b><br style="font-family:georgia,serif">

  <span style="font-family:georgia,serif"></span><br style="font-family:georgia,serif">
  <span style="font-family:georgia,serif">We dig up some unreleased fragments of an interview with the philosopher and activist Beatriz Preciado</span><br style="font-family:georgia,serif">
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  </span><span style="font-family:georgia,serif">Link: <a href="http://rwm.macba.cat/en/extra/beatriz_preciado_deleted/capsula">http://rwm.macba.cat/en/extra/beatriz_preciado_deleted/capsula</a></span><br style="font-family:georgia,serif">

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  <span style="font-family:georgia,serif"></span><span style="font-family:georgia,serif"></span><b><span style="font-family:georgia,serif">5- PROBES #4. Curated by Chris Cutler</span></b><br style="font-family:georgia,serif">

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  <span style="font-family:georgia,serif">This fourth programme looks 
at another dimension of portamenti, and moves on into early twentieth 
century ideas of colour, timbre and the contested territory of noise.</span><br style="font-family:georgia,serif">
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  <span style="font-family:georgia,serif">Link: <a href="http://rwm.macba.cat/en/curatorial/probes4_chris_cutler_/capsula">http://rwm.macba.cat/en/curatorial/probes4_chris_cutler_/capsula</a></span><br style="font-family:georgia,serif">

  <span style="font-family:georgia,serif">Playlist: <a href="http://rwm.macba.cat/uploads/20130619/Probes4_eng.pdf">http://rwm.macba.cat/uploads/20130619/Probes4_eng.pdf</a></span><br style="font-family:georgia,serif">
  <span style="font-family:georgia,serif">Transcript: <a href="http://rwm.macba.cat/uploads/20130527/04probes_transcript_eng.pdf">http://rwm.macba.cat/uploads/20130527/04probes_transcript_eng.pdf</a></span><br style="font-family:georgia,serif">

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  <span style="font-family:georgia,serif"></span><span style="font-family:georgia,serif"></span><b><span style="font-family:georgia,serif">6- PROBES #1. Curated by Chris Cutler</span></b><br style="font-family:georgia,serif">

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  <span style="font-family:georgia,serif">PROBES #1 sets the scene and
 investigates early reconsiderations of pitch: probes that postulate new
 scales to be constructed through the ever-greater subdivision of the 
inherited intervals of equal temperament.</span><br style="font-family:georgia,serif">
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  <span style="font-family:georgia,serif">Link: <a href="http://rwm.macba.cat/en/curatorial/probes1_chris_cutler_/capsula">http://rwm.macba.cat/en/curatorial/probes1_chris_cutler_/capsula</a></span><br style="font-family:georgia,serif">

  <span style="font-family:georgia,serif">Playlist: <a href="http://rwm.macba.cat/uploads/20121023/Probes1_eng.pdf">http://rwm.macba.cat/uploads/20121023/Probes1_eng.pdf</a></span><br style="font-family:georgia,serif">
  <span style="font-family:georgia,serif">Transcript: <a href="http://rwm.macba.cat/uploads/20120718/01probes_transcript_eng.pdf">http://rwm.macba.cat/uploads/20120718/01probes_transcript_eng.pdf</a></span><br style="font-family:georgia,serif">

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  <b><span style="font-family:georgia,serif"> </span><span style="font-family:georgia,serif"></span><span style="font-family:georgia,serif"></span><span style="font-family:georgia,serif">7- COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #9.1 Two Discrete Generative Systems</span></b><br style="font-family:georgia,serif">

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  <span style="font-family:georgia,serif">Mark Fell and Joe Gilmore 
wrap up this series on generative and process music with a piece created
 specifically for the occasion: &#39;Two Discrete Generative Systems&#39;.</span><br style="font-family:georgia,serif">
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  <span style="font-family:georgia,serif">Link</span>:<br style="font-family:georgia,serif">
  <a href="http://rwm.macba.cat/en/research/composingwithprocess_9_mark_fell_joe_gilmore/capsula"><span style="font-family:georgia,serif">http://rwm.macba.cat/en/research/composingwithprocess_9_mark_fell_joe_gilmore/capsula</span></a><br style="font-family:georgia,serif">

  <span style="font-family:georgia,serif">Playlist: <a href="http://rwm.macba.cat/uploads/20130606/Composingwithprocess9_eng.pdf">http://rwm.macba.cat/uploads/20130606/Composingwithprocess9_eng.pdf</a></span><br style="font-family:georgia,serif">

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  <span style="font-family:georgia,serif"> </span><b><span style="font-family:georgia,serif">8- Conversation with José Manuel Berenguer (Only available in Spanish)</span></b><br style="font-family:georgia,serif">
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  <span style="font-family:georgia,serif">In this conversation, José 
Manuel Berenguer reflects on the concepts of soundscapes and field 
recordings, and discusses his recent practice in a context in which the 
genre is taking on an increasingly prominent role in the field of sound 
creation.</span><br style="font-family:georgia,serif">
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  <span style="font-family:georgia,serif">Link: <a href="http://rwm.macba.cat/en/extra/conversacion_josemanuelberenguer/capsula">http://rwm.macba.cat/en/extra/conversacion_josemanuelberenguer/capsula</a></span><br style="font-family:georgia,serif">

  <span style="font-family:georgia,serif">PDF: <a href="http://rwm.macba.cat/uploads/20130729/Conversacion_berenguer_pdf.pdf">http://rwm.macba.cat/uploads/20130729/Conversacion_berenguer_pdf.pdf</a></span><br style="font-family:georgia,serif">

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  <b><span style="font-family:georgia,serif"> </span><span style="font-family:georgia,serif">9- COMPOSING WITH PROCESS: PERSPECTIVES ON GENERATIVE AND SYSTEMS MUSIC #8.2 Exclusives Curated by Mark Fell and Joe Gilmore.</span></b><br style="font-family:georgia,serif">

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  <span style="font-family:georgia,serif"></span><span style="font-family:georgia,serif">Exclusive music by Keith Fullerton Whitman and Carl Michael von Hausswolff.</span><br style="font-family:georgia,serif">
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  <span style="font-family:georgia,serif">Link: <a href="http://rwm.macba.cat/en/research/composingwithprocess_exclusives_whitman_hausswolff/capsula">http://rwm.macba.cat/en/research/composingwithprocess_exclusives_whitman_hausswolff/capsula</a></span><br style="font-family:georgia,serif">

  <span style="font-family:georgia,serif">Playlist: <a href="http://rwm.macba.cat/uploads/20130325/Composingwithprocess8.2_eng.pdf">http://rwm.macba.cat/uploads/20130325/Composingwithprocess8.2_eng.pdf</a></span><br style="font-family:georgia,serif">

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  <b><span style="font-family:georgia,serif"> </span><span style="font-family:georgia,serif"></span><span style="font-family:georgia,serif">10- PROBES #4.2 Auxiliaries Curated by Chris Cutler</span></b><br style="font-family:georgia,serif">

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  <span style="font-family:georgia,serif"> </span><span style="font-family:georgia,serif">In
 this music selection we look further into sliding pitches, 
concentrating this time on their use in popular music, before moving on 
to wholly unpitched probes that begin to map the many aspects of 
differentiated noise.</span><br style="font-family:georgia,serif">
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  </span><span style="font-family:georgia,serif">Link: <a href="http://rwm.macba.cat/en/curatorial/probes4-2_chris_cutler_/capsula">http://rwm.macba.cat/en/curatorial/probes4-2_chris_cutler_/capsula</a></span><br style="font-family:georgia,serif">

  <span style="font-family:georgia,serif">Playlist: <a href="http://rwm.macba.cat/uploads/20130708/Probes4_2_eng.pdf">http://rwm.macba.cat/uploads/20130708/Probes4_2_eng.pdf</a><br>
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  </span></font></div><font><span style="font-family:georgia,serif">Enjoy!<br>
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