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--></style><title>Updated Info - RENEW: MediaArtHistories2013 conf.
(Riga, 8</title></head><body>
<div><br></div>
<div>Hello on Spectre list!</div>
<div><br></div>
<div>Today Andreas already forwarded preliminary programme of MAH 2013
Renew conference - thanks for this! But here comes more recently
updated programme (see below) and other news:</div>
<div><br></div>
<div>We are pleased to announce that new website for Media Art
Histories 2013: RENEW conference is now online! Please see</div>
<div><br></div>
<div>http://renew.rixc.lv</div>
<div><br></div>
<div>(more recent updates will be available on official MAH website:
http://mediaarthistory.org shortly, too).</div>
<div><br>
RENEW is the 5th edition of the International Conference on the
Histories of Media Art, Science and Technology. RENEW will take place
in Riga, October 8-11, 2013, hosted by RIXC Centre for New Media
Culture in Riga in partnership with the Art Academy of Latvia,
Stockholm School of Economics in Riga, Liepaja University's Art
Research Lab at and Danube University's Center for Image
Science.<br>
</div>
<div>RENEW will host three days of keynotes, panels and poster
sessions on the histories of networked digital, electronic and
technological media arts.<br>
<br>
The RENEW conference will be complemented by a variety of affiliated
events, including the ART+COMMUNICATION festival, with SAVE AS - a
thematically related media art exhibition, receptions, live
performances and concerts. See more info on festival website:
http://festival.rixc.lv/eng/<br>
</div>
<div>Registration for RENEW conference is currently open:
http://renew.rixc.lv/registration.php</div>
<div><br>
<br>
KEYNOTES:<br>
<br>
Tuesday, October 8 at 18.00, Stockholm School of Economics in Riga,
Strelnieku street 4a<br>
<br>
Prof. Errki HUHTAMO / University of California, Los Angeles</div>
<div>"...HEY YOU, GET OFF OF MY CLOUD" MEDIA ARCHAEOLOGY AS
TOPOS STUDY<br>
<x-tab> </x-tab>There are many ways of
doing media archaeology. This lecture will offer a closer look at one
of them: topos study. Topoi are formulas and "frozen" expressions
that are recycled within cultural processes. They appear, disappear
and appear again across centuries, and are used to give expression for
different ideas in different contexts. The lecture will explain how
topos study can increase our understanding of both contemporary media
culture and its history. Several examples will be analyzed.
Michelangelo will meet the Rolling Stones will meet iCloud.<br>
<br>
Prof. Lev MANOVICH / The City University of New York<br>
LOOKING AT ONE MILLION IMAGES: HOW VISUALIZATION OF BIG CULTURAL DATA
HELPS US TO QUESTION OUR CULTURAL CATEGORIES.<br>
<x-tab> </x-tab>The explosive growth of
cultural content on the web including social media since 2004 and the
digitization efforts by museums, libraries, and other institutions
make possible a new paradigm for the study of both contemporary and
historical media. Rather than only focusing on isolated artifacts, we
can use computational data analysis and visualization techniques to
study the patterns in massive cultural data sets. (read more
http://renew.rixc.lv/keynotes.php)<br>
<br>
<br>
CONFERENCE CO-CHAIRS:<br>
Rasa SMITE and Raitis SMITS<br>
<br>
<br>
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-<br>
<br>
PRELIMINARY CONFERENCE PROGRAMME:<br>
<br>
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=<br>
TUESDAY, OCTOBER 8 - OPENING DAY<br>
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Venue: Stockholm School of Economics, Strelnieku str. 4A<br>
<br>
18.00-19.30</div>
<div>Keynote lecture by Erkki HUHTAMO. "...HEY YOU, GET OFF OF MY
CLOUD" MEDIA ARCHAEOLOGY AS TOPOS STUDY<br>
<br>
19.30-21.30<br>
Reception<br>
<br>
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<br>
WEDNESDAY, OCTOBER 9 - DAY 1<br>
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-<br>
Venue: Stockholm School of Economics, Strelnieku str. 4a, Riga<br>
<br>
9.30-11.00<br>
* NETWORKED ART (Plenary session)<br>
Chair: Douglas KAHN<br>
Speakers: Roddy HUNTER. Curating the Network-as-Artwork after
Globalisation<br>
David THOMAS. The Crystal Stereoscope: The Architectural
Reconstruction of Vision<br>
Rachel O'DWYER. Spectres of the common: a historical overview of
radio space<br>
Mikhel PROULX. Ambiguous Images in Disambiguous Networks<br>
<br>
11.15-13.00<br>
* NETWORKED ART (Panel A)</div>
<div>Chair: Dieter DANIELS<br>
Speakers: Nanette HOOGSLAG. The material image<br>
Darko FRITZ. Agents of social and political change in the early
digital arts from the Netherlands<br>
Katja KWASTEK, Kevin HAMILTON. Slow Media Art<br>
Ksenia FEDOROVA. Transmediality, Transduction and Aesthetics of the
Technological Sublime<br>
Brogan BUNT. Walking as Mediation: Experiments in Non-Technological
Media Art<br>
<br>
11.15-13.00 (parallel session)<br>
* MEDIA ARCHEOLOGY (Panel A)<br>
Chair: Erkki HUHTAMO<br>
Speakers: Michael CENTURY. Videotex - another panacea that
failed<br>
Chris HALES. Cinelabyrinth and the Later Work of Radúz
âinãera<br>
Rudi KNOOPS. Cylindrical anamorphosis: thaumaturgical origins and
contemporary workings<br>
Patrick ELLIS. A Bird's-eye View of "Urban Renewal": Media
Archeology of the Panstereorama<br>
Artemis WILLIS. Unfreezing Movement: Whaler out of New Bedford, the
Purrington-Russell Panorama and the Media-Archaeological
Imagination<br>
<br>
13.45-15.15<br>
* NETWORKED ART (Panel B)<br>
Chair: Tatiana BAZZICHELLI<br>
Speakers: Ernest EDMONDS. Network Art at the Birth of the Internet<br>
Yara GUASQUE. Perforum Desterro and Perforum S?o Paulo: reconsidering
the collaboration between the periphery and the center /<br>
Margret Elisabet OLAFSDOTTIR. The Roth-Fillou-Palsson connection as
networking art<br>
Timo KAHLEN. Signal-To-Noise, 2011<br>
Annick BUREAUD. Pre Internet Art: Art and Minitel in France in the
80's. A Fragmented History<br>
<br>
13.45-15.15 (parallel session)<br>
* MEDIA ARCHEOLOGY (Panel B)<br>
Chair: Joanna WALEWSKA<br>
Speakers: Alberto FRIGO. Existential Scavenging: Cultural Artifacts
for Future Archaeologists<br>
Vanina HOFMAN. Machines Agency in the Construction of Media Arts
Memory<br>
Perttu RASTAS. Erkki Kurenniemi - Finnish hybrid of Stockhausen,
Buckmister Fuller and Steve Jobs<br>
Paul LANDON. The vidéothé?tre of Montréal's Vidéographe: The
forgotten screening room<br>
José R. ALCALA, Beatriz ESCRIBANO. Critical review of the movements
that come from the use of electrographic processes of generation,
reproduction and printing of images during the second half of the XX
Century<br>
<br>
15.30-17.00<br>
* PARADIGM SHIFT (Panel A)<br>
Chair: Armin MEDOSCH<br>
Speakers: James WERNER. Post Media Awareness and the Art Museum's
Evolution<br>
Brian REFFIN SMITH. The Anti-Kuhn: Post-Media Art, a
Zombie-Pataphysical Approach<br>
Jay HETRICK. Félix Guattari and the Post-Media Era<br>
Dietmar UNTERKOFLER. Layers, Cold Systems and Diagrams - Conceptual
Art in Yugoslavia as Media Art?<br>
Saskia KORSTEN. Reversed Remediation in a Revealed Simulation<br>
<br>
15.30-16.10 (parallel panel)<br>
* NETWORKED ART (Panel C1): New Media Memory - Digital London
1994-2014<br>
Chair: Eva PASCOE<br>
Speakers: Richard BARBROOK. Network Art at the Birth of the
Internet<br>
Eva PASCOE. Cyberia: the world's 1st cybercafe<br>
Jim BOULTON. Digital Archaeology Project<br>
<br>
16.15 -17.00 (parallel panel)<br>
* NETWORKED ART (Panel C2): Glitch Art<br>
Chair: William LOCKETT<br>
Speakers: William LOCKETT: Hybrid Agency and Glitch in Digital Games:
revisiting the politics and aesthetics of perceptual
disorientation<br>
Daniel TEMKIN: Glitch & Esoteric Programming<br>
Jon CATES: GL1TCHYST?RIES<br>
<br>
17.00-18.00<br>
* NETWORKED ART (Presentation Session)<br>
Chair: Nishant SHAH<br>
Speakers: Oliver GINGRICH. Holographic Projection Art - 1863 -
2013<br>
Aymeric MANSOUX. Tales of Copyleft<br>
Jamie ALLEN, Ryan JORDAN. Signal Aesthetics<br>
Alex BARCHIESI. caotica_lex: a hybrid emergent system for DISTRactive
experiences<br>
José OLIVEIRA. The Art of Systems and the Systems of Art: Theories
and Practices<br>
Daniela CATONA. Presence and Absence - The Body and the New
Media<br>
<br>
17.00-18.00 (parallel session)<br>
* MEDIA ARCHEOLOGY (Presentation Session)<br>
Chair: Joanna WALEWSKA<br>
Speakers: Marko RAKIC. Art and history in the age of Digital
amnesia<br>
Gabriel VANEGAS. Back to the Future in a Place Called America<br>
Andrew PRIOR. Slow moment(um): Using media archaeological models in
tracing glitch<br>
Joana BICARCO. Gestures of wonder: touching and waving before
machines<br>
Joanna WALEWSKA. Phonograph as a Double Agent: Bronislaw Pilsudski's
research on the native people of Siberia<x-tab>
</x-tab><br>
Maria MIRE. Phantasmagoria: the archetypal apparatus of expanded
cinema<br>
Magnus ERIKKSON. The "Hot Line Riots" as Media Archaeological
Artefact</div>
<div><br>
9.30-18.00<br>
* NETWORKED ART (Poster Session - all day)<br>
Posters: Laura POTROVIC, Darko JEFTIC. Network in Movement: Movement
Museum, Body, Breath, Gaze Multi-museum, Autopoiesis, Transformation,
Liminality, Emergence, Presence Trans-museum<br>
immersive multimedia technologies as surgery on space or vivisection
of realities?<br>
JÇnis GARANâS. Immersive multimedia technologies as surgery on
space or vivisection of realities?<br>
Rajashree BISWAL. Politics and dynamics of web art in India in the
post 90s<br>
Ayhan AYTES. Intelligent Machines: Mediating the Boundary between the
Human and the Nonhuman<x-tab> </x-tab><br>
Esteban GARCIA. Photo and Palette: Early Pixel-Based Computer Art<br>
Lauren HINKSON. Douglas Wheeler's Infinity Rooms: Unrealized Media Art
History<x-tab> </x-tab><br>
Daniela de PAULIS. OPTICKS and Visual
Moonbounce<x-tab>
</x-tab><br>
Simon HAGEMANN. Aspects of the communication network in performance
arts: connectivity, cultural and human exchange, power relations<br>
<br>
19.00<br>
ART+COMMUNICATION 2013 festival features:<br>
* SAVE AS Exhibition Opening<br>
Venue: Maskavas str. 12/1, kim? Contemporary Arts Center, Spikeri
Creative Quartier<br>
Curator: Raitis Smits / RIXC. Artists: JODI (NL), Alexei Shulgin &
Aristarkh Chernishev (RU), Olia Lialina (RU/DE), Cécile Babiole
(FR), Heath Bunting (UK), Evan Roth (UK/US/FR), Rasa Smite, Raitis
Smits & Xchange / E-Lab / RIXC (LV), Dragan Espenschied (DE),
Lamberto Teotino (IT), Benjamin Gaulon, Karl Klomp, Gijs Gieskes &
Tom Verbruggen / ReFunct Media (FR/NL), Parag Kumar Mital (UK), Robert
Sakrowski & Constant Dullaart / net.artdatabase.org (DE/NL).<br>
<br>
20.00<br>
* COMPOSTING THE CITY / COMPOSTING THE NET<br>
Performance by Shu Lea Cheang (FR) & Martin Howse (UK)<br>
Venue: Maskavas str. 8, Spikeri Creative Quartier<br>
<br>
<br>
= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =
= THURSDAY, OCTOBER 10 - DAY 2<br>
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
-<br>
Venue: Stockholm School of Economics, Strelnieku str. 4a, Riga<br>
<br>
9.30-11.00<br>
* ARCHIVING (Plenary session)<br>
Chair: Christiane PAUL<br>
Speakers: Bartek KORZENIOWSKI. Static and active archiving -
strategies of re-presenting new media artworks<br>
Oliver GRAU. Contemporary (Media) Arts & the Humanities in our
Democracies<br>
Annet DEKKER. The value of authenticity for net art, a call for
authentic allliances<br>
Hanna Barbara HÖLLING. Versions, variations, and variability.
Possibilities and potentialities in the preservation of computer based
art<br>
<br>
11.15-13.00<br>
* ARCHIVING (Panel A)<br>
Chair: Frieder NAKE<br>
Speakers: Magdalena NOWAK. KwieKulik Archive: Documenting and
Preserving Art in Communist Poland<br>
Morten SONDERGAARD. The Media Artist as Functionary: Show-Bix, ?rhus
1968-71<br>
Leila TOPIC. From New Tendencies to new tendencies: Media art
Collection of Zagreb Museum of Contemporary Art<br>
Grahame WEINBREN, Isaac DIMITROVSKY. Showing Artists' Cinema in the
22nd Century<br>
Ay?a BAYARK. Rethinking Museums and the Role of New Media in
Representation<br>
Tjarda de HAAN. Project: re:DDS, a case study of webarcheology<br>
<br>
11.15-13.00 (parallel session)<br>
* PARADIGM SHIFT (Panel B)<br>
Chair: Armin MEDOSCH<br>
Speakers: Emit SNAKE-BEINGS. DiY participatory culture: Allowing space
for inefficiency, error and
noise<x-tab> </x-tab><br>
Steven MATIJCIO. Nothing Left to See: The Denial of the Image in Media
Art<br>
Gabriela GALATI, Amos BIANCHI. The Threshold<x-tab> </x-tab><br>
Stacey SEWELL. Bodily Fragments<x-tab> </x-tab><br>
Lauren FENTON. A Garden of Machines: human/technological entanglement
and the emergence of robotic art<x-tab> </x-tab><br>
Damien CHARRIERAS. The gamification of New Media Arts? The
effectivities of video game engines in new media arts worlds<br>
<br>
15.30-16.45<br>
* ARCHIVING (Panel C): Through the Conservator's Eye: Collecting,
Preserving and Displaying Media Art Speakers<br>
Chair: Christiane PAUL<br>
Speakers: Joanna PHILLIPS. Sustaining Media Art Collections: A New
Focus in Conservation<br>
Patrícia FALCAO. Managing Inherent Change<br>
Martina PFENNINGER. Extending Contemporary Art Conservation<br>
Agathe JARCZYK. Building the Foundations for a New Conservation
Specialty<br>
<br>
15.30-16.45 (parallel panel)<br>
* EE-HISTORIES (Panel B)<br>
Chair: Inke ARNS<br>
Speakers: Andrew PATERSON. Contextual Media Experiments: Locative axis
between Finland and Latvia</div>
<div>Raivo KELOMEES. Constructing Narrative in Interactive
Documentaries<br>
Slavo KREKOVIC. Tracing Discontinuities: Writing Histories of
Experimental Sound-based Media in Slovakia and Central/Eastern
Europe<x-tab> </x-tab><br>
Peter Tomaz DOBRILA. KIBLA 20 years: The Oldest New Media Centre<br>
Barbora SEDIVA, Katarina GATIALOVA. REMAKE: REthinking Media Arts in
C(K)ollaborative Environments<br>
<br>
17.00-18.00<br>
* ARCHIVING I (Presentation Session)<br>
Chair: Hanna Barbara HÖLLING<br>
Speakers: Kristian LUKIC. Media Art, Commons and Artificial
Scarcity<br>
Frieder NAKE. Recording and Recoding<br>
Aurelie HERBET. Immaterial art stock project: conservation challenges
and issues of digital art works carried out in online immersive
platforms<br>
Ricardo Dal FARRA. e-arts conservation: between ethical concerns and
practical strategies<br>
Angela BARTHOLOMEW. Chronicling Closure: Digital Initiatives and
Virtual Visibility at the Stedelijk Museum (2004-2011)<br>
Laura LEUZZI. Italian video art centres and archives: a treasure yet
to discover<br>
<br>
17.00-18.00 (parallel session)<br>
* ARCHIVING II (Presentation Session)<br>
Chair: Dieter DANIELS<br>
Speakers: Nils JEAN. A Typology of New Media Art
Renewals <br>
Georgina RUFF. The Consequences of the Apparatus: Otto Piene's
Lichtballett <br>
Tomohiro UESHIBA. A visual projection system of Dumb Type's
performance "S/N" <br>
Clarisse BARDIOT. A video-annotation software to document digital
performances <br>
Sandra FAUCONNIER. The CD-ROM Cabinet: a non-institutional
documentation and preservation initiative <br>
Ianina PRUDENKO. Ukrainian media art. Experience of archiving<br>
<br>
9.30-18.00<br>
* ARCHIVING (Poster session - all day)<br>
Posters: Jana WEDEKIND. ON:meedi:a - Online Multimedia Archiving for
New Media Art<x-tab> </x-tab><br>
Kari YLI-ANNALA. From Helsinki Film workshop to VILKE, artists media
art collection<br>
Sandra MARTORELL, Fernando CANET. The Internet as a Place for
Discussion and Preservation of the Art of Film<x-tab> </x-tab><br>
Valentino CATRICAL?, Elio UGENTI. Recreating Imaginary. Strategies of
Preservation, Archiviation and Reuse of Media Art
Histories<x-tab> </x-tab><br>
Christina VATSELLA. Conserving the new media installation: the
challenges of the monitor<x-tab>
</x-tab><br>
Canan HASTIK, Arnd STEINMETZ, Bernhard THULL. Using CIDOC CRM for
Real-Time Audiovisual Art<x-tab> </x-tab><br>
SneÏana ·TABI. MAR· into new media?<x-tab>
</x-tab><br>
Timothy HICKS. Rewinding Fast, Forward<x-tab> </x-tab><br>
<br>
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-<br>
<br>
18.00-20.00<br>
* TECHNO-ECOLOGIES: PLAYING FIELDS (Participatory & Discussion
Session)<br>
Chair: Armin MEDOSCH<br>
<br>
18.00-20.00 (Parallel)<br>
PARADIGM SHIFTS IN MEDIA ART / SCIENCE EDUCATION (Participatory &
Discussion Session)<br>
Chair: Nina CZEGLEDY<br>
<br>
<br>
= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =
=<br>
FRIDAY, OCTOBER 11 - DAY 3<br>
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
-<br>
Venue: Stockholm School of Economics, Strelnieku str. 4a, Riga<br>
<br>
9.30-11.00<br>
* NEW IMAGERY (Plenary session)<br>
Chair: Oliver GRAU<br>
Speakers:<br>
Douglas KAHN. The Arts of Energetics<br>
Christiane PAUL. Digital Aesthetics Now and Tomorrow<br>
Giselle BEIGUELMAN. Memories of Sand: Digital art, cyberculture and
the urgency for a new approach to memory<br>
Paul THOMAS. Richard Feynman's diagrams, quantum physics, parallel
universes and the potential for expression in media art<br>
<br>
11.15-13.00<br>
* NEW IMAGERY (Panel A)<br>
Chair: Wendy COONES<br>
Speakers:<br>
Ashley SCARLETT. Materialty & New Media Materials<br>
Alessandro LUDOVICO, Bronac FERRAN. Portraits of the XXI century:
representations and misrepresentations of face and artistic
responses<br>
Florian WIENCEK. Activating The Archive: Meta-Experience of Media
Art<br>
Ana Carolina da CUHNA, Damián Peralta MARINELARENA, Valentina
Montero PENA. Participatory Art and Mobile Webs in the Latin American
context - the influence of free and corporative mobile communication
networks on participatory art proposals<br>
<br>
11.15-13.00 (parallel panel)<br>
* TECHNO-ECOLOGIES (Panel A)<br>
Chair: Andrew PATERSON<br>
Speakers: Brian DEGGER. Fermentations and net.culture as resiliency
practices<x-tab> </x-tab><br>
?sa ST?HL, Kristina LINDSTRÖM, Eric SNODGRASS. Living and Dying with
Obsolescence<x-tab> </x-tab><br>
Julian PRIEST. Gravito Ergo Sum<x-tab> </x-tab><br>
Christoph THEILER, Renate PITTROFF. Fluid Control - Media Evolution
in Water<x-tab> </x-tab></div>
<div>Aura B?L?NESCU. The Integrative Media Work of Art, the Keystone
of a New Reality<x-tab>
</x-tab><br>
Kuai Shen AUSON. 0h!m1gas: biomimetic stridulation environment<x-tab>
</x-tab><br>
<br>
13.45-15.15<br>
* NEW IMAGERY (Panel B)<br>
Chair: Wendy COONES<br>
Speakers: Jungyeon MA. Renewing the Story of CTG: Haruki Tsuchiya's
Lifelong Research on Energy<br>
Venzha CHRIST. Micronation/Macronation<br>
Olga KISSELEVA. Media art as a tool to build a post-industrial society
: an example from the Ural Biennale<br>
Laine KRISTBERGA. Feminist Aesthetics in the Baltic Video Art<br>
Laura BELOFF. Crafting Techno-Ecological Human<br>
<br>
13.45-15.15 (parallel panel)<br>
* TECHNO-ECOLOGIES (Panel B)<br>
Chair: Shu Lea Cheang<br>
Speakers:<br>
Clea T. WAITE. Media is not a medium (it's
garbage)<x-tab> </x-tab><br>
Stahl STENSLIE. From Virtual to Rock Solid Art.<br>
Maryse OUELLET. A Renewed Sublime: Images of Infinity in Damatics by
Ryoji Ikeda<x-tab> </x-tab><br>
Takis ZOURNTOS, Marjan VERSTAPPEN, Caroline LANGILL, Dot TUER.
Speculative Realist Media Art Technologies: Probing into the Nature of
Things<br>
Juan Carlos DUARTE REGINO. Sonic Ludic Interaction: Pulsar Kite as an
artistic research on sound feedback within eco logical space.<br>
Leif BRUSH. Terrain Instrument 1
2<x-tab> </x-tab><br>
<br>
15.30-16.45<br>
ART-SCIENCE (Panel A)<br>
Chair: Annick BUREAUD<br>
Speakers: Ryszard W. KLUSZCZYNSKI. Curating Art and Science<br>
Roberta BUIANI. Representing the microscopic: ecological vs
sustainable in art and science<br>
Maciej OZOG. Reinventing the body in musical performance. From
biosignals sonification to wetware<br>
Erich BERGER. Field_Notes - A brief history of art&science field
work in the context of the endeavors of the Finnish Society of
Bioart<br>
Tega BRAIN, Brad MILLER. le_temps: A media arts response to Big
Biology Data in the Anthropocene<br>
<br>
15.30-16.45<br>
GEOSPATIAL (Panel A)<br>
Chair: Machiko KUSAHARA<br>
Speakers: Erandy VERGARA. Motion, Perception and Interaction:
Discussing the Kinetic Genealogies of Interactive Arts<br>
Marc TUTERS. Avant-garde of the Control Society: Locative Media 10
Years On<br>
Eva KEKOU. informational space and its architectural
interpretation<br>
Gavin MACDONALD. Moving bodies and the map: relational and absolute
conceptions of space in GPS-based art<br>
David Maulen de los REYES. Prospective interfaces from an alternative
modernity Project. South American Integral Architecture, Organic
Constructivism & Bio Digital Architecture<br>
<br>
17.00-18.00<br>
PARADIGM SHIFT (Presentation Session)<br>
Chair: Raivo KELOMEES<br>
Speakers: Chiara PASSA. The widget art gallery<br>
Maryam BOLOURI. Rethinking Post Media Aesthetics: Tracing the Visual
Evolution and changes in Media Arts<br>
Matthew EPLER. ReCode Project<br>
Atif AKIN. Man-Machine Aesthetics with Derrida's Parergon<br>
Ilva SKULTE. Poetry is/or Art<br>
Firoza ELAVIA. Presentism: the new imaginary in digital images<br>
Kazuhiro JO. Cutting Record - a Record without (or with) Prior
Acoustic Information<br>
<br>
17.00-18.00 (parallel)<br>
TECHNO-ECOLOGIES (Presentation Session)<br>
Chair: Andrew PATERSON<br>
Speakers: Claudia ROSELLI. Resilient networks through art
practices. Old Delhi - New Media<br>
Conor McGARRIGLE. Locative Histories: exploring the continued
influence of early Locative Media art<br>
Andres Burbano VALDES. Inventions at the Borders of
History<x-tab> </x-tab><br>
José Miguel GÓMEZ PINTO. Hybrid Square - the Use of New Media as
a Management Tool Towards a Common Urban Space
Activation.<x-tab> </x-tab><br>
Helene von OLDENBURG, Claudia REICHE. THE MARS PATENT - a living
fossil<x-tab> </x-tab><br>
Ebru YETISKIN. Ecomediatic Data<x-tab> </x-tab><br>
<br>
9.30-18.00<br>
* PARADIGM SHIFT (Poster session - all day)<br>
Posters: Heinz-Günter KUPER, Jens-Martin LOEBEL. HyperImage 3.0: Of
Layers, Labels and Links<x-tab>
</x-tab><br>
Heba AMIN. Voices from the Revolution<br>
Kestas KIRTIKLIS. German Media Theory: Theory of Media or Theory of
Culture?<x-tab> </x-tab><br>
Richard MISEK. The Death of Remix
Cinema<x-tab> </x-tab><br>
Jacek SMOLICKI. The role of Sound art as an archiving practice<x-tab>
</x-tab><br>
Franziska HANNSS, Esther LAPCZYNA, Rainer GROH. The body-perceiving
museum<x-tab> </x-tab><br>
Reba WESDORP. Digital Performance Art. An on and offline
game<x-tab> </x-tab><br>
Ian GWILT. making data - data making<x-tab>
</x-tab><br>
<br>
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<br>
18.30<br>
* Introduction of the Selected Host Re:2015 by steering committee
members and Christopher Salter<br>
* Keynote lecture by Lev MANOVICH. LOOKING AT ONE MILLION IMAGES: HOW
VISUALIZATION OF BIG CULTURAL DATA HELPS US TO QUESTION OUR CULTURAL
CATEGORIES</div>
<div><br>
Venue: Latvian Academy of Arts, Kalpaka blv. 13<br>
<br>
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<br>
21.00<br>
ART+COMMUNICATION 2013 festival features:<br>
* RUND-FUNK-EMPFANGS-SAAL. Environmental radio music for extreme long
waves - by Edwin van der Heide (NL) & Jan-Peter E. R. Sonntag
(DE)<br>
<br>
Venue: RIXC Media Space (at Artists Union House), 11. novembra
krastmala 35, entrance from Minsterejas str.<br>
</div>
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<div>SATURDAY, OCTOBER 12 (affiliated event)<br>
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<br>
19.00<br>
ART+COMMUNICATION 2013 Festival Closing Event:<br>
CONCERT AND AUDIOVISUAL PERFORMANCES by Michael Century (US), Theo
Burt (UK), Luca Forcucci (CH), Matthew Biederman & Alain
Thibault (CA), Irina Spicaka, Krisjanis Rijnieks & Platons
Buravickis (LV).<br>
<br>
Venue: Spikeri Concert Hall, Maskavas str. 4/1.<br>
</div>
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<div><br></div>
<div>see you in Riga soon!</div>
<div><br></div>
<div>best regards</div>
<div><br></div>
<div>Rasa Smite</div>
<div>RIXC / MAH 2013: Renew conference chair</div>
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