<div dir="ltr"><div><br><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><b><span style="color:rgb(0,0,0)"><b><span style="font-family:georgia,serif">Ràdio Web MACBA most listened podcasts - January - December 2015<br><br><a href="http://rwm.macba.cat/en/sonia/georges-didi-huberman/capsula" target="_blank"><b><span style="font-family:georgia,serif"><span style="font-family:georgia,serif"><span style="font-family:georgia,serif">1. SON[I]</span><span style="font-family:georgia,serif">A </span><span style="font-family:georgia,serif">#</span></span></span>201. Georges Didi-Huberman</b></a><br></span></b></span></b><span style="color:rgb(0,0,0)"><span style="font-family:georgia,serif"><br>Interview
with Georges Didi-Huberman about the problems regarding the way in
which we see and interpret images, a problematic issue that stems from
the definition of what an image is, and from the hierarchy that has
historically been imposed on the dialectic between words and images.<br><br></span><span style="font-family:georgia,serif"><span style="font-family:georgia,serif">Link: </span><a href="http://rwm.macba.cat/en/sonia/georges-didi-huberman/capsula" target="_blank">http://rwm.macba.cat/en/sonia/georges-didi-huberman/capsula</a></span></span><b><span style="color:rgb(0,0,0)"><b><span style="font-family:georgia,serif"><br><a href="http://rwm.macba.cat/en/sonia/john-chowning-/capsula" target="_blank"><br></a></span><a href="http://rwm.macba.cat/en/sonia/john-chowning-/capsula" target="_blank">2- SON[I]A #212</a></b><a href="http://rwm.macba.cat/en/sonia/john-chowning-/capsula" target="_blank">. John Chowning </a></span></b></span><br></span></span></font><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"></span></span></font><br>John Chowning shares the experience of being a pioneer in a discipline
at a time when using computers to generate music was a leap into the
void between creative eccentricity and scientific adventure.<br></span></span></font><br><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)">Link: <a href="http://rwm.macba.cat/en/sonia/john-chowning-/capsula" target="_blank">http://rwm.macba.cat/en/sonia/john-chowning-/capsula</a></span></span></font></span></span></font><br><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="font-family:georgia,serif"><b><br><a href="http://rwm.macba.cat/en/curatorial/drumming-morten-j-olsen/capsula" target="_blank">3- INTERRUPTIONS #19. The possibility of drumming</a>. By <span>Morten</span> J. Olsen</b><br><br>Innate
music, innate rhythms, universal grammar, YouTube-anthropology,
vestigiality, rudiments, Swiss mercenaries, acid techno and other
elemental forms of expression. Norwegian drummer <span>Morten</span> J. Olsen (of
N.M.O and MoHa! fame) delivers a true tour de force of a mix in which he
manages to connect all those more or less distant dots, in order to
share his very unique views on percussion music.<br><br></span></span></span></font><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="font-family:georgia,serif">Link: <a href="http://rwm.macba.cat/en/curatorial/drumming-morten-j-olsen/capsula" target="_blank">http://rwm.macba.cat/en/curatorial/drumming-<span>morten</span>-j-olsen/capsula</a><br>Playlist+essay: <a href="http://rwm.macba.cat/uploads/20150608/19Interruptions_eng.pdf" target="_blank">http://rwm.macba.cat/uploads/20150608/19Interruptions_eng.pdf</a><br><br></span></span></span></font><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><b><a href="http://rwm.macba.cat/en/specials/objecthood3-martin-holbraad-quim-pujol/capsula" target="_blank">4- <span>OBJECTHOOD</span> #<span>3</span></a>,</b> featuring an interview with Martin Holbraad and sound essay by Quim Pujol. By Roc Jiménez de Cisneros<br><br>This podcast is about objects, but more
importantly, it is about some of the recent theories that offer new
conceptualisations of objects in contemporary philosophy and art. In the
previous episode, Florian Hecker and Erick Beltrán talked about
zombies, vampires and chimeras. This third installment of the series
delves into those ideas, under a completely different light, as
anthropologist Martin Holbraad and artist and curator Quim Pujol discuss
monsters, otherness, hybrids, agency and fetish.</span></font></span></span></span></span></font><br><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><b><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><b><span style="color:rgb(0,0,0)"><br></span></b></span></span></font></b></span></font></span><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif">Link: <a href="http://rwm.macba.cat/en/specials/objecthood3-martin-holbraad-quim-pujol/capsula" target="_blank">http://rwm.macba.cat/en/specials/objecthood3-martin-holbraad-quim-pujol/capsula</a><br>Text: <a href="http://rwm.macba.cat/uploads/20150505/Objecthood_3_en.pdf" target="_blank">http://rwm.macba.cat/uploads/20150505/Objecthood_3_en.pdf</a><br><a href="http://rwm.macba.cat/en/sonia/franco-bifo-berardi-heroes/capsula" target="_blank"><br></a></span></font></span></span></span></span></font><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><b><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><b><span style="color:rgb(0,0,0)"><a href="http://rwm.macba.cat/en/sonia/franco-bifo-berardi-heroes/capsula" target="_blank"><b>5- SON[I]A #216</b>. Franco Berardi '<span>Bifo</span>' </a><br></span></b></span></span></font></b><b><br></b></span></font></span><span style="font-family:georgia,serif"><span>Bifo</span> talks about mass killings in relation to cinema, mental health, neuroplasticity, friendship, irony and, ultimately, hope.<br></span><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><b><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><b><span style="color:rgb(0,0,0)"><br></span></b></span></span></font></b>Link: <a href="http://rwm.macba.cat/en/sonia/franco-bifo-berardi-heroes/capsula" target="_blank">http://rwm.macba.cat/en/sonia/franco-<span>bifo</span>-berardi-heroes/capsula</a><b><br></b></span></font></span><h1><font size="2"><a href="http://rwm.macba.cat/en/curatorial/probes1_chris_cutler_/capsula" target="_blank"><span style="font-family:georgia,serif">6- PROBES #1. Curated by Chris Cutler</span></a><span style="font-weight:normal"><span style="font-family:georgia,serif"><br></span><span style="font-family:georgia,serif">This first programme sets the scene and investigates early reconsiderations of pitch: probes that postulate new scales to be constructed through the ever-greater subdivision of the inherited intervals of equal temperament.</span></span></font><br></h1><font size="2"><span style="font-family:georgia,serif"></span></font><font size="2"><span style="font-family:georgia,serif"><span style="font-weight:normal">Link: <a href="http://rwm.macba.cat/en/curatorial/probes1_chris_cutler_/capsula" target="_blank">http://rwm.macba.cat/en/curatorial/probes1_chris_cutler_/capsula</a></span></span></font><font size="2"><span style="font-family:georgia,serif"><b><br><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><br></span></span></span></b></span></font><a href="http://rwm.macba.cat/es/sonia/luz-broto/capsula" target="_blank"><font size="2"><span style="font-family:georgia,serif"><b><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"><b><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><b><span style="color:rgb(0,0,0)"><b>5- SON[I]A #214</b>. </span></b></span></span></font></b></span></font></span>Luz Broto</span></span></span></b></span></font></a><font size="2"><span style="font-family:georgia,serif"><span style="font-weight:normal"><br></span></span><br><span style="font-family:georgia,serif"><span style="font-weight:normal"><span style="color:rgb(51,51,51);font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;display:inline!important;float:none;background-color:rgb(255,255,255)">Luz Broto habla sobre fuerzas invisibles, el espacio del arte, la negociación, la visibilización de procesos, la poética de la política, el arte del vacío y su exquisita capacidad de meterse dónde no la llaman.</span><br><br>Link:</span><span style="color:rgb(0,0,0)"><b><span style="color:rgb(0,0,0)"><b><span style="color:rgb(0,0,0)"> </span></b></span></b></span><a href="http://rwm.macba.cat/es/sonia/luz-broto/capsula" target="_blank"><span style="font-weight:normal">http://rwm.macba.cat/es/sonia/luz-broto/capsula</span></a></span></font><br><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(0,0,0)"><b><span style="color:rgb(0,0,0)"><b><span style="color:rgb(0,0,0)"></span></b></span></b></span></span></font><span style="font-family:georgia,serif"></span><span style="font-family:georgia,serif"><br><a href="http://rwm.macba.cat/en/sonia/clementine-deliss/capsula" target="_blank"><b><span style="font-family:georgia,serif"><span style="font-family:georgia,serif">8- SON[I]</span><span style="font-family:georgia,serif">A </span><span style="font-family:georgia,serif">#</span></span>205. <span>Clémentine</span> <span>Deliss</span></b></a><br><br><span>Clémentine</span>
<span>Deliss</span>, director of the Weltkulturen Museum in Frankfurt, talks about
about the possibility of a post-ethnographic and post-colonial museum,
and about the strategies that she has tested in recent years to
counteract the ideology of conservation. These include the “remediation”
of objects in the collection, fieldwork in the museum, and opening up
spaces for work, production and research that go beyond storage and
exhibition.<br><br>Link: <a href="http://rwm.macba.cat/en/sonia/clementine-deliss/capsula" target="_blank">http://rwm.macba.cat/en/sonia/<span>clementine</span>-<span>deliss</span>/capsula</a><br><br><a href="http://rwm.macba.cat/en/specials/objecthood1_graham_harman_luciana_parisi/capsula" target="_blank"><b>9</b></a></span><a href="http://rwm.macba.cat/en/specials/objecthood1_graham_harman_luciana_parisi/capsula" target="_blank"><b><span style="font-family:georgia,serif"><font size="2">- </font></span></b></a><font size="2"><span style="font-family:georgia,serif"><a href="http://rwm.macba.cat/en/specials/objecthood1_graham_harman_luciana_parisi/capsula" target="_blank"><font face="georgia, serif"><b><span>OBJECTHOOD</span> #1. </b>Curated by Roc Jiménez de Cisneros</font></a><br><br></span></font><font size="2"><span style="font-family:georgia,serif"></span><span style="font-family:georgia,serif"><span style="color:rgb(51,51,51);font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;display:inline!important;float:none;background-color:rgb(255,255,255)">This podcast is about objects, but more importantly, it is about some of the recent theories that offer new conceptualisations of objects in contemporary philosophy and art. This first episode features philosophers<span> </span></span><b style="padding:0px;margin:0px;color:rgb(51,51,51);font-style:normal;font-variant:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255)">Graham Harman and Luciana Parisi</b><span style="color:rgb(51,51,51);font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;display:inline!important;float:none;background-color:rgb(255,255,255)">. Harman's object-oriented ontology opposes Kant's anthropocentrism and the scientistic standpoint, in defence of a radically broad notion of objecthood; while Parisi looks at the relations between things and data, between macrophysical objects (or blobjects, as Karim Rashid called them) and the algorithms that create them.</span><br><br></span></font><font size="2"><span style="font-family:georgia,serif"><font size="2"><span style="font-family:georgia,serif"><font size="2"><span style="font-family:georgia,serif"><span style="font-family:georgia,serif">Link: </span></span></font><a href="http://rwm.macba.cat/en/specials/objecthood1_graham_harman_luciana_parisi/capsula" target="_blank">http://rwm.macba.cat/en/specials/objecthood1_graham_harman_luciana_parisi/capsula</a><br></span><span style="font-family:georgia,serif"><br></span></font><br><a href="http://rwm.macba.cat/en/sonia/evol/capsula" target="_blank"><b>10- </b></a></span></font><font size="2"><span style="font-family:georgia,serif"><span style="font-family:georgia,serif"><a href="http://rwm.macba.cat/en/sonia/evol/capsula" target="_blank"><b><span style="font-family:georgia,serif">SON[I]A #</span>209. <span>EVOL</span></b></a><br><br>Roc
Jiménez de Cisneros about <span>EVOL</span>'s very free deconstruction and
reinterpretation of György Ligeti's 'Continuum' and Hanne Darboven’s
'Opus 17a', and how these works relate to the duo’s current artistic
practice. Unusual notions of time in relation to music, algorithmic
reverse engineering, complexity through simplicity, anti-climax, ancient
trance music, weird mental states and Dick Higgins' Superboredom
concept pop up in the conversation.<br><br></span></span></font><font size="2"><span style="font-family:georgia,serif"><span style="font-family:georgia,serif">Link: <a href="http://rwm.macba.cat/en/sonia/evol/capsula" target="_blank">http://rwm.macba.cat/en/sonia/<span>evol</span>/capsula</a><br><br><b><br></b></span></span></font></div><font size="2"><span style="font-family:georgia,serif"><span style="font-family:georgia,serif"><b><font size="4"><span style="color:rgb(255,0,255)">Many thanks to all for being at the other end of the line!</span></font></b><br></span></span></font><div><br></div></div>