<div dir="ltr"><div style="font-size:12.8px">______________________________<wbr>_________________<span style="font-size:12.8px"><br></span></div><div style="font-size:12.8px"><span style="font-size:12.8px"><br></span></div><div style="font-size:12.8px"><span style="font-size:12.8px"><br></span></div><div style="font-size:12.8px">“<span style="font-size:12.8px">ART PAPERS</span>”<span style="font-size:12.8px"> current issue is available ...</span></div><div style="font-size:12.8px"><span style="font-size:12.8px"><br></span></div><div style="font-size:12.8px"><span style="font-size:12.8px">Alan Sondheim describes <u>CONTAGIONS</u></span><span style="font-size:12.8px"> (spatial, imaginary).</span><br style="font-size:12.8px"><span style="font-size:12.8px"><br></span></div><div style="font-size:12.8px"><span style="font-size:12.8px">“</span><span style="font-size:12.8px">In a visual and verbal essay, the poet/artist narrates his</span><span class="im"><br style="font-size:12.8px"><span style="font-size:12.8px">work on human vitality at the edge of the virtual world.</span><span style="font-size:12.8px;color:rgb(34,34,34)">”</span><span style="font-size:12.8px"><br></span></span></div><div style="font-size:12.8px"><br></div><div style="font-size:12.8px">______________________________<wbr>_________________<br></div><br style="font-size:12.8px"><br style="font-size:12.8px"><span style="font-size:12.8px">“UTOPIA TODAY”</span><br style="font-size:12.8px"><br style="font-size:12.8px"><span style="font-size:12.8px">with text by Timothy P.A. Cooper</span><br style="font-size:12.8px"><br style="font-size:12.8px"><span style="font-size:12.8px">“The 500th anniversary of Thomas More's UTOPIA leads London to try</span><div style="font-size:12.8px">mapping the theoretical nonplace in history, and in real, urban space.”<br><br><a href="http://artpapers.org/feature_articles/2016_0708-Utopia.html" target="_blank">http://artpapers.org/feature_a<wbr>rticles/2016_0708-Utopia.html</a><br><br>______________________________<wbr>_________________<br><br><br>“IT CAN HOWL,” at the</div><div style="font-size:12.8px">Atlanta Contemporary Museum in Georgia<br><br>with text by Erin Jane Nelson<br><br><a href="http://artpapers.org/feature_articles/2016_0708-Howl.html" target="_blank">http://artpapers.org/feature_a<wbr>rticles/2016_0708-Howl.html</a><br><br>______________________________<wbr>_________________<div><br></div><div><br></div><div>“THE PRINCIPLES OF PARTICIPATORY ART :<div>What Artists Can Learn From Bioethics”<br><br>with text by Alexander Robins<br><br>“Artists using other humans in their work may require examination,</div><div>monitoring, and a philosophical prescription.”<br><br><a href="http://artpapers.org/feature_articles/2016_0708-Bioethics.html" target="_blank">http://artpapers.org/feature_a<wbr>rticles/2016_0708-Bioethics.ht<wbr>ml</a><br><br>______________________________<wbr>_________________<br><br><br>Respectfully,<br><br>Séamas Cain<div><div data-smartmail="gmail_signature"><div dir="ltr"><div><a href="http://alazanto.org/seamascain" target="_blank">http://</a><a href="http://www.priosma.net/" target="_blank">www.priosma.net</a><br><a href="http://seamascain-writernetwork.org/" target="_blank">http://seamascain-writernetwor<wbr>k.org</a><br></div><div><br></div><div>______________________________<wbr>_________________</div></div></div></div></div></div></div></div>