<div dir="ltr"><div><font size="2"><span style="font-family:georgia,serif"><b><b>1- SON[I]A #231. Kendell Geers<br></b><br></b>Link: <a href="http://rwm.macba.cat/en/sonia/kendell-geers/capsula" target="_blank">http://rwm.macba.cat/en/sonia/<wbr>kendell-geers/capsula</a><b><br></b><br><b><span style="color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);display:inline;float:none">Kendell
 Geers talks about structures of power, terrorism, linguistic violence, 
Africanness and socio-political tensions before and after apartheid.<br><br></span></b></span></font></div><font size="2"><span style="font-family:georgia,serif"><b><span style="color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);display:inline;float:none"><b>2- FONS ÀUDIO #45. Malcom Le Grice</b><br></span></b></span></font><div><font size="2"><span style="font-family:georgia,serif"><b><span style="color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);display:inline;float:none"><br>Link: <a href="http://rwm.macba.cat/en/specials/fons-audio-malcolm-le-grice/capsula" target="_blank">http://rwm.macba.cat/en/<wbr>specials/fons-audio-malcolm-<wbr>le-grice/capsula</a><br></span></b><br><b><span style="color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);display:inline;float:none"><span style="color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);display:inline;float:none">Malcolm
 Le Grice talks about his 1970 work "Berlin Horse", which is part of the
 MACBA Collection and moves on to expanded cinema, materialist 
structuralism, latency, suspense, and the representation of time in his 
work.</span><b><a href="http://rwm.macba.cat/en/specials/fons-audio-malcolm-le-grice/capsula" target="_blank">http://rwm.macba.cat/en/<wbr>specials/fons-audio-malcolm-<wbr>le-grice/capsula</a><br><br></b></span><span style="color:rgb(0,0,0)"><b><span style="font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);display:inline;float:none">3-</span><a title="ON LISTENING #1" href="http://rwm.macba.cat/en/research/on-listening-1/capsula" style="padding:0px;margin:0px;text-decoration:none" target="_blank"><span style="padding:0px;margin:0px"> ON LISTENING #1. Thinking (through) the ear.</span></a></b></span></b><br></span></font><br><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);display:inline;float:none">Link: <a href="http://rwm.macba.cat/en/research/on-listening-1/capsula" target="_blank">http://rwm.macba.cat/en/<wbr>research/on-listening-1/<wbr>capsula</a></span><b><span style="color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);display:inline;float:none"><b><br><br></b></span></b></span></font><p style="padding:0px;margin:0px 12px 0px 0px;color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255)"><font size="2"><span style="font-family:georgia,serif">Can
 we think through listening? Seth-Kim Cohen, Christoph Cox, Julian 
Henriques, Casey O’Callaghan, Peter Szendy and Salomé Voegelin discuss 
why thinking should not be at odds with resonating...</span></font></p><font size="2"><span style="font-family:georgia,serif"><b><span style="color:rgb(51,51,51);font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255);display:inline;float:none"></span></b><br><b><a href="http://rwm.macba.cat/en/probes_tag" target="_blank">4- PROBES series. Curated by Chris Cutler</a></b><br><br>Link: <a href="http://rwm.macba.cat/en/probes_tag" target="_blank">http://rwm.macba.cat/en/probes<wbr>_tag</a><br><br><a href="http://rwm.macba.cat/en/probes_tag" target="_blank">PROBES</a>
 takes Marshall McLuhan’s conceptual contrapositions as a starting point
 to analyse and expose the search for a new sonic language made urgent 
after the collapse of tonality in the twentieth century. The series 
looks at the many probes and experiments that were launched in the 
last century in search of new musical resources, and a new aesthetic; 
for ways to make music adequate to a world transformed by disorientating
 technologies.<br><br>5- <b><b><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><b><a href="http://rwm.macba.cat/en/composingwithprocess_tag" target="_blank"><span><span class="gmail-m_7711148034725628143gmail-il">COMPOSING</span></span> <span><span class="gmail-m_7711148034725628143gmail-il">WITH</span></span> <span><span class="gmail-m_7711148034725628143gmail-il">PROCESS</span></span></a> series. Curated by Mark Fell and Joe Gilmore</b><br></span></span></span></span></span></b></b><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><br><a href="http://rwm.macba.cat/en/composingwithprocess_tag" target="_blank"><span style="color:rgb(0,0,0)">Link</span></a></span></span></span></span></span><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><a href="http://rwm.macba.cat/en/composingwithprocess_tag" target="_blank"><span style="color:rgb(0,0,0)">: </span>http://rwm.macba.cat/en/compos<wbr>ingwithprocess_tag</a></span></span></span></span></span><b><b><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><br><br></span></span></span></span></span></b></b><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><span style="color:rgb(0,0,0)"><a href="http://rwm.macba.cat/en/composingwithprocess_tag" target="_blank"><span><span class="gmail-m_7711148034725628143gmail-il">COMPOSING</span></span> <span><span class="gmail-m_7711148034725628143gmail-il">WITH</span></span> <span><span class="gmail-m_7711148034725628143gmail-il">PROCESS</span></span></a> is a series, curated by Mark Fell and Joe Gilmore,
 which explores generative approaches to composition and performance 
primarily in the context of experimental technologies and music 
practices of the latter part of the 20th Century. Each episode is 
accompanied by an additional programme, entitled <a href="http://rwm.macba.cat/en/exclusives-tag/" target="_blank">EXCLUSIVES</a>, featuring unpublished sound pieces by leading sound artists working in the field.<br><br><br></span></span></span></span></span></span></font><span style="font-family:georgia,serif"><font size="2"><span style="background-color:rgb(255,255,255)"><span style="color:rgb(0,0,0)"><span style="color:rgb(255,0,255)"><font size="4"><b>+2 you should not miss!<br></b></font></span></span></span></font></span><br><h1 style="padding:0px;margin:0px;font-weight:normal;line-height:22px;font-style:normal;font-variant:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px"><b><span style="color:rgb(255,0,255)"><font size="2"><span style="font-family:georgia,serif"><span style="background-color:rgb(255,255,255)">1/ SON[I]A #224. Natalie Jeremijenko</span></span></font></span></b></h1><font size="2"><span style="font-family:georgia,serif"><span style="background-color:rgb(255,255,255)"><span style="color:rgb(0,0,0)">Link: <a href="http://rwm.macba.cat/en/sonia/natalie-jeremijenko/capsula" target="_blank">http://rwm.macba.cat/en/sonia/<wbr>natalie-jeremijenko/capsula</a><b><br><br></b><b><span style="font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;display:inline;float:none">Natalie
 Jeremijenko talks about learning by living together, about the vitality
 and shortcomings of the environmental struggles of the past, and about 
how to imagine our relationships with natural systems from this point 
on.<br></span></b></span></span></span></font><br><span style="color:rgb(255,0,255)"><b><span style="font-family:georgia,serif">2- INTERRUPTIONS #11. Playing phenomena as a compositional material.<br></span></b></span><font size="2"><span style="font-family:georgia,serif"><span style="background-color:rgb(255,255,255)"><span style="color:rgb(0,0,0)"><span style="background-color:rgb(255,255,255)"><span style="color:rgb(0,0,0)">Link: </span></span><a href="http://rwm.macba.cat/en/sonia/silvia_federici/capsula" target="_blank">http://rwm.macba.cat/en/sonia/<wbr>silvia_federici/capsula</a><br></span></span><span style="color:rgb(51,51,51);font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;display:inline;float:none;background-color:rgb(255,255,255)"></span></span></font><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"></span></font></span><br><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"></span></font></span><font size="2"><span style="font-family:georgia,serif"><span style="color:rgb(51,51,51);font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;display:inline;float:none;background-color:rgb(255,255,255)"></span></span></font><div class="gmail-m_7711148034725628143gmail-bar" style="padding:0px 20px 0px 0px;margin:0px;font-style:normal;font-variant-ligatures:normal;font-variant-caps:normal;font-weight:normal;letter-spacing:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;background-color:rgb(255,255,255)"><span style="color:rgb(0,0,0)"><font size="2"><span style="font-family:georgia,serif"></span></font><font size="2"><span style="font-family:georgia,serif">This
 mix explores how the use of aural phenomena can manifest in its many 
forms to become the key element in a compositional practice. By engaging
 in the use of such expanded sonic techniques the composer can act to 
create a recalibration of the listeners sense of hearing and by so 
doing, allow for a reconsideration of what constitutes sonic 
composition.</span></font></span></div><span style="font-family:georgia,serif"><font size="2"><span style="color:rgb(0,0,0)"><span style="font-style:normal;font-variant:normal;font-weight:normal;letter-spacing:normal;line-height:normal;text-align:start;text-indent:0px;text-transform:none;white-space:normal;word-spacing:0px;display:inline;float:none;background-color:rgb(255,255,255)"></span></span><br></font></span><span style="font-family:georgia,serif"><font size="2"><span style="background-color:rgb(255,255,255)"><span style="color:rgb(0,0,0)"><span style="color:rgb(255,0,255)"></span></span></span></font></span><br><font size="6"><span style="font-family:georgia,serif"><span style="background-color:rgb(255,255,255)"><span style="color:rgb(0,0,0)"><span style="color:rgb(255,0,255)"><b>Enjoy!</b></span></span></span></span></font></div></div>