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                  <div
class="m_1597241001755547809m_-5002176330528754007m_-3525628864933556346m_7551582703279921851m_7001505211904362653h5">From:
                    Sukanya Deb <a class="moz-txt-link-rfc2396E" href="mailto:suku.deb@gmail.com"><suku.deb@gmail.com></a><br>
                    <br>
                    <br>
                    **Apologies for cross-posting, please share widely**</div>
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                          align="center"><b style="mso-bidi-font-weight:
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                              lang="EN-GB"><o:p> </o:p></span></b></p>
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                          align="center"><b style="mso-bidi-font-weight:
                            normal"><span style="font-size:18.0pt"
                              lang="EN-GB">CALL FOR ARTISTS<o:p></o:p></span></b></p>
                        <p class="MsoNormal" style="text-align:center"
                          align="center"><span style="font-size:18.0pt"
                            lang="EN-GB">Against the Slow Cancellation
                            of the Future<o:p></o:p></span></p>
                        <p class="MsoNormal" style="text-align:center"
                          align="center"><b style="mso-bidi-font-weight:
                            normal"><span style="font-size:18.0pt"
                              lang="EN-GB"><o:p> </o:p></span></b></p>
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                          align="center"><b style="mso-bidi-font-weight:
                            normal"><span style="font-size:14.0pt"
                              lang="EN-GB">15th-16th June 2017<o:p></o:p></span></b></p>
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                            style="font-size:14.0pt" lang="EN-GB"><o:p> </o:p></span></p>
                        <p class="MsoNormal" style="text-align:center"
                          align="center"><span style="font-size:14.0pt"
                            lang="EN-GB">by the Centre for Cultural
                            Studies<o:p></o:p></span></p>
                        <p class="MsoNormal" style="text-align:center"
                          align="center"><span style="font-size:14.0pt"
                            lang="EN-GB">Goldsmiths, University of
                            London<o:p></o:p></span></p>
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                          align="center"><span style="font-size:14.0pt"
                            lang="EN-GB">New Cross, SE14 6NW London <o:p></o:p></span></p>
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                          align="center"><b style="mso-bidi-font-weight:
                            normal"><u><span style="font-size:14.0pt"
                                lang="EN-GB">DEADLINE: 26th May 2017<o:p></o:p></span></u></b></p>
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                      ​
                      <p class="MsoNormal" style="text-align:left"><br>
                      </p>
                      <p class="MsoNormal"
                        style="text-align:left;margin-top:5pt;margin-bottom:5pt"><i>‘The
                          long dark night of the end of history has to
                          be grasped as an
                          enormous opportunity (…). In a situation in
                          which nothing can happen, suddenly
                          anything is possible.’ <span></span></i></p>
                      <p class="MsoNormal"
                        style="text-align:left;margin-top:5pt;margin-bottom:5pt"><b>–
                          Mark Fisher<span></span></b></p>
                      <p class="MsoNormal"
                        style="text-align:left;margin-top:5pt;margin-bottom:5pt"><b><br>
                        </b></p>
                      <p class="MsoNormal"
                        style="text-align:left;margin-top:5pt;margin-bottom:5pt"><b><br>
                        </b></p>
                      <p class="MsoNormal">The anti-disciplinary
                        conference organised by the MA
                        students of the Centre for Cultural Studies
                        (CCS) is engaging this year with
                        the spectre of futurities. We are not so
                        presumptuous as to declare the slow
                        cancellation of the future to be a completed
                        process. Indeed, it is perhaps in
                        the very moment at which we accept the
                        definitive conclusion of this project
                        that the future truly ceases to exist. And this
                        is precisely why we meet: to
                        discuss what we might do - as activists,
                        thinkers, artists, groups and
                        initiators - against the slow cancellation of
                        the future.<span></span></p>
                      <p class="MsoNormal"><span> </span></p>
                      <p class="MsoNormal">Parallel to the talks, we are
                        organising an exhibition and
                        screening space that will be open to audiences
                        during the conference days. Due
                        to the anti-disciplinary approach that we have
                        chosen, we question the
                        classical academic format and instead wish to
                        explore a continuum between
                        theory and practice. Art remains one of the
                        three methods to engage with chaos
                        (cf. Deleuze & Guattari); hence, within the
                        framework of the conference, we
                        encourage artists to engage with the topic and
                        its ramifications through the
                        medium(s) of their preference (digital,
                        performances, installation etc).<span></span></p>
                      <p class="MsoNormal"><span> </span></p>
                      <p class="MsoNormal">Our frame of reference is
                        Franco “Bifo” Berardi’s 'slow
                        cancellation of the future', which we in the
                        same breath proclaim our
                        opposition to. Mark Fisher reminds us that its
                        meaning “is not only that sense
                        of termination, but [also] the gradual nature of
                        it”; the future not having
                        been unashamedly ripped from our grasp, but
                        rather stolen away silently, piece
                        by piece in an almost imperceptible and
                        seemingly unalterable way. <span></span></p>
                      <p class="MsoNormal"><span> </span></p>
                      <p class="MsoNormal">The conference is broadly
                        divided into the following
                        categories:<br>
                         <br>
                        - Confiscated Futures<br>
                        - Futures of the Past <br>
                        - The Worst of All Possible Futures <span></span></p>
                      <p class="MsoNormal">- Alternative Futures <span></span></p>
                      <p class="MsoNormal"><span> </span></p>
                      <p class="MsoNormal">We encourage you to engage
                        with the above topics, but the
                        ramifications could be further extended. You can
                        submit up to three artworks
                        but all won't necessarily be chosen.<span></span></p>
                      <p class="MsoNormal"><span> </span></p>
                      <p class="MsoNormal">If you are interested in
                        participating, please complete the
                        form attached and send it to <b><a
                            href="mailto:artsccsconf@gmail.com"
                            target="_blank">artsccsconf@gmail.com</a></b>,
                        attaching a brief cv/ intro about yourself and a
                        short cover letter (less than
                        500 words for each work), describing the work(s)
                        proposed and explaining how
                        and why it resonates with the topic of the
                        conference (if available please
                        attach an image/video/audio file thereof).<span></span></p>
                      <p class="MsoNormal"><span style="font-size:11pt"><span> </span></span></p>
                      <p class="MsoNormal" style="text-align:left"><b><span
                            style="font-size:15pt">DEADLINE: 26th May
                            2017<span></span></span></b></p>
                      <p class="MsoNormal"><b><span
                            style="font-size:20pt"><span> </span></span></b></p>
                      <p class="MsoNormal">Please find the application
                        form attached. </p>
                      <span
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                          color="#888888"><span
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                              <p class="MsoNormal"><br>
                              </p>
                              <p class="MsoNormal"
                                style="text-align:center" align="center"><b><span
                                    style="font-size:14pt"><span> </span></span></b></p>
                              -- <br>
                              <div
class="m_1597241001755547809m_-5002176330528754007m_-3525628864933556346m_7551582703279921851m_7001505211904362653m_938003728974669348m_-7320779357043113891gmail_signature">
                                <div dir="ltr">
                                  <div><font face="times new
                                      roman,serif"><strong>Art
                                        SubCommittee</strong></font></div>
                                  <div><font face="times new
                                      roman,serif"><strong>MA Conference
                                        2017</strong></font></div>
                                  <div><font face="times new
                                      roman,serif"><strong>Centre for
                                        Cultural Studies</strong></font></div>
                                  <div><font face="times new
                                      roman,serif"><strong>Goldsmiths,
                                        University of London</strong></font></div>
                                  <div><font face="times new
                                      roman,serif"><strong>Twitter: </strong></font><a
href="https://twitter.com/CCSConference17" target="_blank"><font
                                        face="times new roman,serif"><strong>@CCSConference17   </strong></font></a>  
                                  </div>
                                  <div><br>
                                  </div>
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