<html><head></head><body><div class="ydp1a1c0aebyahoo-style-wrap" style="font-family: Helvetica Neue, Helvetica, Arial, sans-serif; font-size: 13px;"><div></div>
<div><br></div><div><br></div>
</div><div id="ydpeabe318ayahoo_quoted_7179517143" class="ydpeabe318ayahoo_quoted">
<div style="font-family:'Helvetica Neue', Helvetica, Arial, sans-serif;font-size:13px;color:#26282a;">
<div>
On Wednesday, December 19, 2018, 11:00:11 AM GMT, <spectre-request@mikrolisten.de> wrote:
</div>
<div><br></div>
<div><br></div>
<div><div dir="ltr">Send SPECTRE mailing list submissions to<br></div><div dir="ltr"> <a href="mailto:spectre@mikrolisten.de" rel="nofollow" target="_blank">spectre@mikrolisten.de</a><br></div><div dir="ltr"><br></div><div dir="ltr">To subscribe or unsubscribe via the World Wide Web, visit<br></div><div dir="ltr"> <a href="https://post.in-mind.de/cgi-bin/mailman/listinfo/spectre" rel="nofollow" target="_blank">https://post.in-mind.de/cgi-bin/mailman/listinfo/spectre</a><br></div><div dir="ltr">or, via email, send a message with subject or body 'help' to<br></div><div dir="ltr"> <a href="mailto:spectre-request@mikrolisten.de" rel="nofollow" target="_blank">spectre-request@mikrolisten.de</a><br></div><div dir="ltr"><br></div><div dir="ltr">You can reach the person managing the list at<br></div><div dir="ltr"> <a href="mailto:spectre-owner@mikrolisten.de" rel="nofollow" target="_blank">spectre-owner@mikrolisten.de</a><br></div><div dir="ltr"><br></div><div dir="ltr">When replying, please edit your Subject line so it is more specific<br></div><div dir="ltr">than "Re: Contents of SPECTRE digest..."<br></div>Today's Topics:<br><br> 1. New podcast with Marina Gr?ini?, feat. music commissioned to<br> AGF (Radio Web MACBA)<br><div id="ydpeabe318aymsg08146" class="ydpeabe318aymsg6701563500"><div id="ydpeabe318ayiv1285664274"><div dir="ltr"><div dir="ltr"><div dir="ltr"><font face="georgia, serif"><font color="#333333"><b><a href="https://rwm.macba.cat/en/sonia/marina-grzinic/capsula" rel="nofollow" target="_blank">New podcast with Marina Gržinić, feat. music commissioned to AGF</a>:</b> </font><b><font color="#ff00ff">Marina Gržinić </font></b><font color="#333333">talks about amnesia, aphasia, and seizure, about biopower and necropolitics, about borders and volumes, corpus and corpses, about deathscapes, intestines, and holograms, and about the disturbing miniaturisation of affect and empathy, as a process that runs parallel to technological acceleration.</font></font></div><div dir="ltr"><div><span style="color:rgb(51,51,51);"><font face="georgia, serif"><br></font></span></div><div><font face="georgia, serif"><span style="color:rgb(51,51,51);">Link: </span><span style="color:rgb(51,51,51);"><a href="https://rwm.macba.cat/en/sonia/marina-grzinic/capsula" rel="nofollow" target="_blank">https://rwm.macba.cat/en/sonia/marina-grzinic/capsula</a></span></font></div><div><span style="color:rgb(51,51,51);"><font face="georgia, serif"><br></font></span></div><div><font face="georgia, serif"><b style="padding:0px;margin:0px;color:rgb(51,51,51);">This podcast is part of Re-Imagine Europe, co-funded by the Creative Europe programme of the European Union</b><span style="color:rgb(51,51,51);">.</span><br style="padding:0px;margin:0px;color:rgb(51,51,51);"><br style="padding:0px;margin:0px;color:rgb(51,51,51);"><b style="padding:0px;margin:0px;color:rgb(51,51,51);">Music and sound production commissioned to Antye Greie. Editing by Antonio Gagliano.</b><br style="padding:0px;margin:0px;color:rgb(51,51,51);"></font></div><div><b style="padding:0px;margin:0px;color:rgb(51,51,51);"><font face="georgia, serif"><br></font></b></div><div><b style="padding:0px;margin:0px;color:rgb(51,51,51);"><font face="georgia, serif"><span style="font-weight:400;">Instigator of the first subcultural punk and LGTB movements in the former Yugoslavia, Marina Gržinić (b. Ljubljana, 1958) is the author of more than a dozen critical theory books as well as an artist with an extensive career in collaboration with Aina Šmid. Gržinić explores the different ways in which neoliberalism uses human death to fuel processes of commercialisation and surplus value. From Abu Ghraib to Lampedusa by way of the history of African culture and the dissolution of the former socialist block, she assembles a political vocabulary that seeks to unravel the effects of global aesthetics on people, drawing attention to the rise and normalisation of what she calls 'trophy-images': images rooted in the colonial legacy that display confinement, humiliation, and gratuitous brutality on racialised subjects.</span><br style="padding:0px;margin:0px;font-weight:400;"><br style="padding:0px;margin:0px;font-weight:400;"><b style="padding:0px;margin:0px;">Timeline</b><br style="padding:0px;margin:0px;font-weight:400;"><b style="padding:0px;margin:0px;">00:00</b><span style="font-weight:400;"> Empathy almost like retarded</span><br style="padding:0px;margin:0px;font-weight:400;"><b style="padding:0px;margin:0px;">04:11</b><span style="font-weight:400;"> Pro-socialist, if this is possible to be said</span><br style="padding:0px;margin:0px;font-weight:400;"><b style="padding:0px;margin:0px;">05:56</b><span style="font-weight:400;"> Video as a matrix: body an history</span><br style="padding:0px;margin:0px;font-weight:400;"><b style="padding:0px;margin:0px;">09:12</b><span style="font-weight:400;"> Cinema: time, space and subjectivity</span><br style="padding:0px;margin:0px;font-weight:400;"><b style="padding:0px;margin:0px;">12:35</b><span style="font-weight:400;"> The fall of expectations: from trophy image to school shootings</span><br style="padding:0px;margin:0px;font-weight:400;"><b style="padding:0px;margin:0px;">14:48</b><span style="font-weight:400;"> Racialization of the image</span><br style="padding:0px;margin:0px;font-weight:400;"><b style="padding:0px;margin:0px;">18:02</b><span style="font-weight:400;"> Space in the trophy image: prison and necropolitics</span><br style="padding:0px;margin:0px;font-weight:400;"><b style="padding:0px;margin:0px;">20:39</b><span style="font-weight:400;"> Who can live and who should die?</span><br style="padding:0px;margin:0px;font-weight:400;"><b style="padding:0px;margin:0px;">25:36</b><span style="font-weight:400;"> Foucault and the welfare state</span><br style="padding:0px;margin:0px;font-weight:400;"><b style="padding:0px;margin:0px;">28:42</b><span style="font-weight:400;"> Dead connected with surplus value</span><br style="padding:0px;margin:0px;font-weight:400;"><b style="padding:0px;margin:0px;">30:40</b><span style="font-weight:400;"> Lampedusa and necropolitical citizenship</span><br style="padding:0px;margin:0px;font-weight:400;"><b style="padding:0px;margin:0px;">35:15</b><span style="font-weight:400;"> Amnesia, aphasia, seizure</span><br style="padding:0px;margin:0px;font-weight:400;"><b style="padding:0px;margin:0px;">38:07</b><span style="font-weight:400;"> Necropolitics gets rid of history</span><br style="padding:0px;margin:0px;font-weight:400;"><b style="padding:0px;margin:0px;">41:01</b><span style="font-weight:400;"> Vocabularies of radicality</span><br style="padding:0px;margin:0px;font-weight:400;"><b style="padding:0px;margin:0px;">43:39</b><span style="font-weight:400;"> Deathscapes</span><br style="padding:0px;margin:0px;font-weight:400;"><b style="padding:0px;margin:0px;">44:27</b><span style="font-weight:400;"> Borders and volumes</span><br style="padding:0px;margin:0px;font-weight:400;"><b style="padding:0px;margin:0px;">45:26</b><span style="font-weight:400;"> Corpus and corpses</span><br style="padding:0px;margin:0px;font-weight:400;"><b style="padding:0px;margin:0px;">47:22</b><span style="font-weight:400;"> Give me my intestines back</span></font><br></b></div></div></div></div></div></div>_______________________________________________<br>SPECTRE mailing list<br><a href="mailto:SPECTRE@mikrolisten.de" rel="nofollow" target="_blank">SPECTRE@mikrolisten.de</a><br><a href="https://post.in-mind.de/cgi-bin/mailman/listinfo/spectre" rel="nofollow" target="_blank">https://post.in-mind.de/cgi-bin/mailman/listinfo/spectre</a></div>
</div>
</div></body></html>