<div dir="ltr"><font size="4" color="#ff00ff"><font face="georgia, serif"><b><a href="https://rwm.macba.cat/en/sonia/irit-rogoff/capsula">New podcast with Irit Rogoff: </a></b>In this podcast, Irit Rogoff </font><span style="font-family:georgia,serif">calls for the need to devise processes of unlearning, inside and outside the academy, that will pave the way to new and unexpected kinds of knowledge. </span></font><div><font face="georgia, serif"><br>Link: <a href="https://rwm.macba.cat/en/sonia/irit-rogoff/capsula">https://rwm.macba.cat/en/sonia/irit-rogoff/capsula</a></font><div><font face="georgia, serif"><br style="padding:0px;margin:0px"><span style="color:rgb(51,51,51)">Irit Rogoff is a writer, educator, researcher, and curator. She is Professor of Visual Culture at Goldsmiths College, University of London, a department she herself founded in 2002. Rogoff has organised and participated in many projects for collective thought and action, such as SUMMIT Non-Aligned Initiatives in Education Culture (2007), and the more recent European Forum for Advanced Practices (2017).</span><br style="padding:0px;margin:0px;color:rgb(51,51,51)"><br style="padding:0px;margin:0px;color:rgb(51,51,51)"><span style="color:rgb(51,51,51)"><a href="https://rwm.macba.cat/en/sonia/irit-rogoff/capsula">Irit Rogoff </a>explores and develops new models of research, action, and education that are activated where artistic practices meet philosophies and politics. As such, knowledge production expands beyond the boundaries of academia – whether it be universities, museums, or art schools – and merges with activism, social movements, and self-managed initiatives.</span><br style="padding:0px;margin:0px;color:rgb(51,51,51)"><br style="padding:0px;margin:0px;color:rgb(51,51,51)"><span style="color:rgb(51,51,51)"><a href="https://rwm.macba.cat/en/sonia/irit-rogoff/capsula">In this podcast Irit Rogoff </a>talks about ways of creating participatory, creative, and cognitive alliances that allow us to critically inhabit contemporaneity. She also calls for the need to devise processes of unlearning, inside and outside the academy, that will pave the way to new and unexpected kinds of knowledge. Rogoff defends the importance of the long-term research process that are made possible by universities, in contrast to the neoliberal maelstrom of immediate impact and results. And she argues for the need to create a new, constantly evolving vocabulary that allows us to name and talk about these new research models. </span><br style="padding:0px;margin:0px;color:rgb(51,51,51)"><br><b style="padding:0px;margin:0px;color:rgb(51,51,51)">This podcast is part of Re-Imagine Europe, co-funded by the Creative Europe programme of the European Union. In collaboration with Sonic Acts.<br style="padding:0px;margin:0px"><br style="padding:0px;margin:0px">Library music produced by Lucrecia Dalt at Ina GRM (Paris). Script by Loli Acebal. Produced by André Chêdas.</b><br style="padding:0px;margin:0px;color:rgb(51,51,51)"><b style="padding:0px;margin:0px;color:rgb(51,51,51)"><br></b></font></div><div><font face="georgia, serif"><b style="padding:0px;margin:0px;color:rgb(51,51,51)">Timeline</b><br style="padding:0px;margin:0px;color:rgb(51,51,51)"><b style="padding:0px;margin:0px;color:rgb(51,51,51)">00:00</b><span style="color:rgb(51,51,51)"> Dear Pablo (European Forum for Advanced Practices, 2017)</span><br style="padding:0px;margin:0px;color:rgb(51,51,51)"><b style="padding:0px;margin:0px;color:rgb(51,51,51)">05:27</b><span style="color:rgb(51,51,51)"> Trust</span><br style="padding:0px;margin:0px;color:rgb(51,51,51)"><b style="padding:0px;margin:0px;color:rgb(51,51,51)">07:38</b><span style="color:rgb(51,51,51)"> Politics, philosophy and creative practice</span><br style="padding:0px;margin:0px;color:rgb(51,51,51)"><b style="padding:0px;margin:0px;color:rgb(51,51,51)">08:45</b><span style="color:rgb(51,51,51)"> Interweaving is the stuff of life</span><br style="padding:0px;margin:0px;color:rgb(51,51,51)"><b style="padding:0px;margin:0px;color:rgb(51,51,51)">09:34</b><span style="color:rgb(51,51,51)"> Giving yourself permission: the case for YBA</span><br style="padding:0px;margin:0px;color:rgb(51,51,51)"><b style="padding:0px;margin:0px;color:rgb(51,51,51)">12:52</b><span style="color:rgb(51,51,51)"> Dance partners in the academic world</span><br style="padding:0px;margin:0px;color:rgb(51,51,51)"><b style="padding:0px;margin:0px;color:rgb(51,51,51)">14:40</b><span style="color:rgb(51,51,51)"> Academia as a transgenerational mode of operating</span><br style="padding:0px;margin:0px;color:rgb(51,51,51)"><b style="padding:0px;margin:0px;color:rgb(51,51,51)">17:03</b><span style="color:rgb(51,51,51)"> A short course on globalization</span><br style="padding:0px;margin:0px;color:rgb(51,51,51)"><b style="padding:0px;margin:0px;color:rgb(51,51,51)">20:11</b><span style="color:rgb(51,51,51)"> Janna Graham, BA curating and “The Aesthetics of Resistance”</span><br style="padding:0px;margin:0px;color:rgb(51,51,51)"><b style="padding:0px;margin:0px;color:rgb(51,51,51)">24:11</b><span style="color:rgb(51,51,51)"> Ephemeral and unspectacular</span><br style="padding:0px;margin:0px;color:rgb(51,51,51)"><b style="padding:0px;margin:0px;color:rgb(51,51,51)">25:43</b><span style="color:rgb(51,51,51)"> Curating exhibitions “is successful if I change”</span><br style="padding:0px;margin:0px;color:rgb(51,51,51)"><b style="padding:0px;margin:0px;color:rgb(51,51,51)">27:10</b><span style="color:rgb(51,51,51)"> Research as a way of life</span><br style="padding:0px;margin:0px;color:rgb(51,51,51)"><b style="padding:0px;margin:0px;color:rgb(51,51,51)">29:42</b><span style="color:rgb(51,51,51)"> A new vocabulary</span><br style="padding:0px;margin:0px;color:rgb(51,51,51)"><b style="padding:0px;margin:0px;color:rgb(51,51,51)">31:01</b><span style="color:rgb(51,51,51)"> Working from conditions, not events</span><br style="padding:0px;margin:0px;color:rgb(51,51,51)"><b style="padding:0px;margin:0px;color:rgb(51,51,51)">35:02</b><span style="color:rgb(51,51,51)"> Starting in the middle</span><br style="padding:0px;margin:0px;color:rgb(51,51,51)"><b style="padding:0px;margin:0px;color:rgb(51,51,51)">36:49</b><span style="color:rgb(51,51,51)"> Permission </span><br style="padding:0px;margin:0px;color:rgb(51,51,51)"><b style="padding:0px;margin:0px;color:rgb(51,51,51)">39:29</b><span style="color:rgb(51,51,51)"> Relational knowledges</span><br style="padding:0px;margin:0px;color:rgb(51,51,51)"><b style="padding:0px;margin:0px;color:rgb(51,51,51)">41:26</b><span style="color:rgb(51,51,51)"> Impact</span></font><br></div></div><div><font face="georgia, serif" size="4" color="#ff00ff"><b><br></b></font></div><div><font face="georgia, serif" size="4" color="#ff00ff"><b>E/N/J/O/Y !!!!!!!!</b></font></div><div><font face="georgia, serif" size="4" color="#ff00ff"><b><br></b></font></div><div><font face="georgia, serif" size="4" color="#ff00ff"><b>You might be also interested in our recent conversation with Sofía Olascoaga, </b></font><span style="font-size:11px"><font face="georgia, serif" color="#ff00ff">on Cuernavaca, Ivan Illich's CIDOC and other emancipatory initiatives</font></span></div><div>link: <a href="https://rwm.macba.cat/en/sonia/sofia-olascoaga-main/capsula">https://rwm.macba.cat/en/sonia/sofia-olascoaga-main/capsula</a> <br></div><div>+deleted scenes </div><div><a href="https://rwm.macba.cat/en/extra/sofia-olascoaga-deleted/capsula">https://rwm.macba.cat/en/extra/sofia-olascoaga-deleted/capsula</a></div></div>