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<div style="font-size:14pt;font-family:"Century Gothic", "ITC Avant Garde", Arial, Helvetica, sans-serif;"><em style="font-size:14pt;"><br /></em></div>
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<div><em style="background-color:#ffffff;font-family:"Century Gothic", "ITC Avant Garde", Arial, Helvetica, sans-serif;">On Monstrosity and Re-figuration</em><span style="background-color:#ffffff;font-family:"Century Gothic", "ITC Avant Garde", Arial, Helvetica, sans-serif;">: a lecture and performance</span>
<div><span>by Morehshin Allahyari</span></div>
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<div style="font-size:16pt;font-family:"Century Gothic", "ITC Avant Garde", Arial, Helvetica, sans-serif;"><span>Thursday, February 27 from 8-9:30pm</span></div>
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<div><a class="imgCaptionAnchor" track="on" href="http://r20.rs6.net/tn.jsp?f=0019_3eiY9LhgY6_HPvGfkEwtVsEhM5z6x4ciWqTHYTJOIrm1YkF0ssAKsRrEawfJPU-hgPL42aSn-AZ0PYwouaZ-0LO5_3ukGYhNyEacRhLesf2dj8g76zqjbQiZeN-M6trOpssPaqDwmrkv1GTYvcdVR1sfCguxErgBw1abfqeFL5D1XYm7MoQ-W-udICmLgLniSY1GcdfuUnXLxPVDGLCL2_O9Egn7EknumdtrR6JI8SYWadc2jX5ZnW-4kL5-zaZAc4yHqS-smE0dPtdctZ1a6BOzUaB1fGDct7SteBacdao-xWGCyTOisJZQoNDuCi-y602c_UU_FlEiURfedC-xIYzF6QaSoWMwWgXOuwQoQwsuh3gxFB6mObX-RlDMZ4hwHHcbcJPL4=&c=nyR2XiUZElW0ahNHuBtu1mUnakwY-q69Tt_37ZrmMbN1G9VhJ0X6uQ==&ch=uQsLKIxmO-8noPEuLdybvIG-YVXbm_k_22ALK81ov-emBW3xjGrpAQ==" shape="rect" alt="https://www.wpadc.org/events/monstrosity-and-re-figuration-lecture-and-performance-morehshin-allahyari?utm_source=NEWSLETTER+2.20.2020&utm_campaign=Newsletter&utm_medium=email" target="_blank"><img height="314" vspace="5" border="0" name="ACCOUNT.IMAGE.2423" hspace="5" width="610" src="https://files.constantcontact.com/aeefccb8001/bba21632-72ad-44be-9d83-a274f58b7396.png" /></a> <br /></div>
<div style="font-size:12pt;font-family:"Century Gothic", "ITC Avant Garde", Arial, Helvetica, sans-serif;"><span style="font-size:9pt;">Image: Morehshin Allahyari, <em>She Who Sees The Unknown: The Laughing Snake</em>, still image from Net Art piece, co-commissioned by Liverpool Biennial, Whitney Museum of American Art, and FACT, 2018</span></div>
<div style="font-size:12pt;font-family:"Century Gothic", "ITC Avant Garde", Arial, Helvetica, sans-serif;"><span style="font-size:9pt;"><br /></span></div>
<div style="font-size:12pt;font-family:"Century Gothic", "ITC Avant Garde", Arial, Helvetica, sans-serif;"><span face="Century Gothic, ITC Avant Garde, Arial, Helvetica, sans-serif">We are honored to welcome Tehran-born, Brooklyn-based artist Morehshin Allahyari to DC for a lecture and performance in conjunction with the exhibition, <em>S</em></span><span face="Century Gothic, ITC Avant Garde, Arial, Helvetica, sans-serif"><em>he Who Sees The Unknown: Aisha Qandisha--</em></span><span face="Century Gothic, ITC Avant Garde, Arial, Helvetica, sans-serif">a projected digital animation curated by Jonathan Monaghan</span><span face="Century Gothic, ITC Avant Garde, Arial, Helvetica, sans-serif">. </span><span style="font-size:12pt;">Allahyari will talk about her long-term research-based project, <em>She Who Sees The Unknown</em>, and concepts such as monstrosity, re-figuring, colonialism, and Jinn channeling. Throughout the lecture, she will use the ancient stories of monstrous female and queer Middle-Eastern figures as her point of departure.</span></div>
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<div style="font-size:12pt;font-family:"Century Gothic", "ITC Avant Garde", Arial, Helvetica, sans-serif;">She will end the lecture with a participatory performance in which the audience will guide her in revealing a personal story on female desire, hysteria, and sexual harassment.  </div>
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<div><strong>Morehshin Allahyari</strong> <span style="font-size:12pt;">is an artist, activist, writer, and educator. She was born and raised in Iran and moved to the United States in 2007. </span><span style="font-size:12pt;">Morehshin has participated in numerous exhibitions, festivals, and workshops around the world, these include the Venice Biennale di Archittectura, New Museum, The Whitney Museum of American Art, Pompidou Center, Museum of Contemporary Art in Montreal, Tate Modern, Queens Museum, Pori Museum, Powerhouse Museum, Dallas Museum of Art, and Museum für Angewandte Kunst. She has been an artist-in-residence at BANFF Centre (2013), Carnegie Mellon University's STUDIO for Creative Inquiry (2015), Autodesk Pier9 Workshop in San Francisco (2015), the Vilém Flusser Residency Program for Artistic Research in association with Transmediale, Berlin (2016), Eyebeam's one year Research Residency (2016-2017) in NYC, Pioneer Works (2018), and Harvest Works (2018). Her work has been featured in The New York Times, BBC, Huffington Post, Wired, National Public Radio, Parkett Art Magazine, Frieze, Rhizome, Hyperallergic, and Al Jazeera, among others. </span><span style="font-size:12pt;">Her 3D </span><span style="font-size:12pt;"><em>Additivist Manifesto</em></span><span style="font-size:12pt;"> video is in the collection of San Francisco Museum of Modern Art, and recently she has been awarded major commissions by Rhizome, New Museum, Whitney Museum of American Art, Liverpool Biennale, and FACT to work on developing different components of her current project </span><span style="font-size:12pt;"><em>She Who Sees The Unknown</em></span><span style="font-size:12pt;">.</span></div>
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<a style="color:rgb(81, 186, 229);font-weight:bold;text-decoration:none;" track="on" href="http://r20.rs6.net/tn.jsp?f=0019_3eiY9LhgY6_HPvGfkEwtVsEhM5z6x4ciWqTHYTJOIrm1YkF0ssAKsRrEawfJPU-hgPL42aSn-AZ0PYwouaZ-0LO5_3ukGYhNyEacRhLesf2dj8g76zqjbQiZeN-M6trOpssPaqDwmrkv1GTYvcdVR1sfCguxErgBw1abfqeFL5D1XYm7MoQ-W-udICmLgLniSY1GcdfuUnXLxPVDGLCL2_O9Egn7EknumdtrR6JI8SYWadc2jX5ZnW-4kL5-zaZAc4yHqS-smE0dPtdctZ1a6BOzUaB1fGDct7SteBacdao-xWGCyTOisJZQoNDuCi-y602c_UU_FlEiURfedC-xIYzF6QaSoWMwWgXOuwQoQwsuh3gxFB6mObX-RlDMZ4hwHHcbcJPL4=&c=nyR2XiUZElW0ahNHuBtu1mUnakwY-q69Tt_37ZrmMbN1G9VhJ0X6uQ==&ch=uQsLKIxmO-8noPEuLdybvIG-YVXbm_k_22ALK81ov-emBW3xjGrpAQ==" shape="rect" linktype="1" alt="https://www.wpadc.org/events/monstrosity-and-re-figuration-lecture-and-performance-morehshin-allahyari?utm_source=NEWSLETTER+2.20.2020&utm_campaign=Newsletter&utm_medium=email" target="_blank">More info about this program here</a> <br /></div>
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<div>About this Project</div>
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<div style="font-size:12pt;font-family:"Century Gothic", "ITC Avant Garde", Arial, Helvetica, sans-serif;" dir="ltr"><em style="background-color:#ffffff;font-size:16px;font-family:"Century Gothic", "ITC Avant Garde", Arial, Helvetica, sans-serif;"><img style="background-color:#ffffff;font-size:16px;font-family:"Century Gothic", "ITC Avant Garde", Arial, Helvetica, sans-serif;" vspace="5" name="ACCOUNT.IMAGE.1755" border="0" hspace="5" width="610" src="https://files.constantcontact.com/aeefccb8001/7ae105cf-9bf5-4904-9914-9db004aba801.png"><br /></img></em></div>
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<div><span> <a class="imgCaptionAnchor" track="on" shape="rect" href="http://r20.rs6.net/tn.jsp?f=0019_3eiY9LhgY6_HPvGfkEwtVsEhM5z6x4ciWqTHYTJOIrm1YkF0ssAKsRrEawfJPUWbI-bhMkxpk_4NuwtDXCLHFgEihKmg8yur8xOt1zAihYQ9YHCLldkq6-STjoMsbIXkXQbo2SDQNHYymgoKRC-DddnibmhDdFvuoIa8TreBQ81kJaihm8ZgEgyIzhhWhuilGn9PAS26T_rN2HEogR2U9A_o93AFz0vMPOcwstd49SY3JHWLJapi12NeIvs_lPUA3gRhPBd-Sex8hQSDQogkXa9I7ZAwbUIpHrByyYLwc-4UvykXDjw6sBgs8ob_HHg6H2YjuZKiDqCMSqM8V8GAbxbHIACGaWFqyDpqnuoH6S9yfOOQYiqVDkNHiGyjBb&c=nyR2XiUZElW0ahNHuBtu1mUnakwY-q69Tt_37ZrmMbN1G9VhJ0X6uQ==&ch=uQsLKIxmO-8noPEuLdybvIG-YVXbm_k_22ALK81ov-emBW3xjGrpAQ==" alt="https://www.wpadc.org/exhibitions/morehshin-allahyari-she-who-sees-unknown-aisha-qandisha?utm_source=NEWSLETTER+2.20.2020&utm_campaign=Newsletter&utm_medium=email" target="_blank"><img height="454" vspace="5" border="0" name="ACCOUNT.IMAGE.2426" hspace="5" width="610" src="https://files.constantcontact.com/aeefccb8001/027ebca1-21f7-47ce-be42-d3536d63d6c7.jpg" /></a> <br /></span></div>
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<div><span>In </span><em>She Who Sees The Unknown</em><span>, Allahyari uses 3D modeling, 3D scanning, 3D printing, and storytelling to re-create monstrous female/queer figures of Middle Eastern origin. She mines the traditions and myths associated with these supernatural creatures to explore the catastrophes of colonialism, patriarchy, and environmental degradation in relation to the Middle East, "re-figuring" the past to activate and preserve what may have been forgotten or misrepresented. </span><span style="font-size:12pt;">This project is curated by DC digital artist Jonathan Monaghan, furthering his practice and providing DC with the opportunity to engage with the ideas that Allahyari brings forth.</span></div>
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<div style="font-size:12pt;font-family:"Century Gothic", "ITC Avant Garde", Arial, Helvetica, sans-serif;" dir="ltr">Gallery hours are Wed-Sat, 2-7pm through March 28</div>
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<div style="background-color:#ffffff;font-size:16px;font-family:"Century Gothic", "ITC Avant Garde", Arial, Helvetica, sans-serif;"><a style="color:rgb(81, 186, 229);font-weight:bold;text-decoration:none;" track="on" shape="rect" href="http://r20.rs6.net/tn.jsp?f=0019_3eiY9LhgY6_HPvGfkEwtVsEhM5z6x4ciWqTHYTJOIrm1YkF0ssAPoKr3ub39SFQVm6Vle40yPuYLwZFOgNDIOUs9NzIWsoenWhVY7_nFrBysR8LVWdAe7OlprZi_OyCHEPyPrT1PZrfRzufyd6mOniQcY-MIcY7_IDgNP9H2iXnpJws3gQ7GL-2b8vrggLXi_CIT8nRoTPqsXD91HXMfbMPHoGlFtBtH2lGfykWJHvFu9no21_Og69zDH5Wcj7W1LOCpyIyOOLucaydtySSI-QIw5eey3HItTB0TUlW9bRKM067a1T84jq9ji8huWOiKeM-NBq0oRhrSIqWE7rghMFAal1IBhs&c=nyR2XiUZElW0ahNHuBtu1mUnakwY-q69Tt_37ZrmMbN1G9VhJ0X6uQ==&ch=uQsLKIxmO-8noPEuLdybvIG-YVXbm_k_22ALK81ov-emBW3xjGrpAQ==" linktype="1" alt="https://www.wpadc.org/exhibitions/aisha-qandisha-she-who-sees-unknown?utm_source=NEWSLETTER+2.20.2020&utm_campaign=Newsletter&utm_medium=email" target="_blank"><br />Read more about this project here</a></div>
<div style="background-color:#ffffff;font-size:16px;font-family:"Century Gothic", "ITC Avant Garde", Arial, Helvetica, sans-serif;"><a style="color:rgb(81, 186, 229);font-weight:bold;text-decoration:none;" track="on" shape="rect" href="http://r20.rs6.net/tn.jsp?f=0019_3eiY9LhgY6_HPvGfkEwtVsEhM5z6x4ciWqTHYTJOIrm1YkF0ssAPoKr3ub39SFq8IX7UNzMcWFJl8JI4C8zk2kLhdbVFviuOJC1l-LB48Zey1IvfH61rmjJXzYbEL-M69SOd1-G4htLitcCJtJSgE7Pagd1TSeJ5rBlLc87GeJ4N7HNJXaIsoOACIquvzgOjzite4tP6TnsHTR3bilZn9DBI82_IPU8WGn34c6JkTvFJ-s7dKhu8Gf2zDm8Ps412sn1LyTXxjvkABaHF6Ws8cztIAfaqCoB2fnhX-UVzI=&c=nyR2XiUZElW0ahNHuBtu1mUnakwY-q69Tt_37ZrmMbN1G9VhJ0X6uQ==&ch=uQsLKIxmO-8noPEuLdybvIG-YVXbm_k_22ALK81ov-emBW3xjGrpAQ==" linktype="1" alt="https://www.wpadc.org/about?utm_source=NEWSLETTER+2.20.2020&utm_campaign=Newsletter&utm_medium=email" target="_blank">Read more about our artist-driven program model here</a></div>
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<div style="font-size:14pt;font-family:"Century Gothic", "ITC Avant Garde", Arial, Helvetica, sans-serif;" dir="ltr">Supporters</div>
<div style="font-size:12pt;font-family:"Century Gothic", "ITC Avant Garde", Arial, Helvetica, sans-serif;" dir="ltr"><em><img vspace="5" border="0" name="ACCOUNT.IMAGE.1755" hspace="5" width="610" src="https://files.constantcontact.com/aeefccb8001/7ae105cf-9bf5-4904-9914-9db004aba801.png" /></em></div>
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<div style="font-size:12pt;font-family:"Century Gothic", "ITC Avant Garde", Arial, Helvetica, sans-serif;" dir="ltr"><span style="background-color:#ffffff;color:#131313;font-size:16px;font-family:"Proxima Nova W15", sans-serif;">This and other WPA projects are made possible by the DC Commission on the Arts and Humanities, which receives support from the National Endowment for the Arts; The Andy Warhol Foundation for the Visual Arts; Bloomberg Philanthropies; The Morris & Gwendolyn Cafritz Foundation; Hickok Cole Architects; White&Case; and many other generous foundations, corporations, and individuals.</span></div>
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<div class="p1"><span style="font-size:12pt;">WPA Director Peter Nesbett and performance artist Sheldon Scott discuss art and activism this Saturday, February 22 from 12-1pm ET-US on Networked Conversations, broadcast live via the Third Space Network. Please join them on Crowdcast, a third space online platform for creative dialogue.</span></div>
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