<div dir="ltr"><div>Hi there,</div><div><br></div><div>can you please unsubscribe me from your mailing list?</div><div><br></div><div>Many thanks</div><div><a href="mailto:cbottigella@gmail.com">cbottigella@gmail.com</a><br></div></div><br><div class="gmail_quote"><div dir="ltr" class="gmail_attr">On Tue, 17 Nov 2020 at 10:52, <<a href="mailto:spectre-request@mikrolisten.de">spectre-request@mikrolisten.de</a>> wrote:<br></div><blockquote class="gmail_quote" style="margin:0px 0px 0px 0.8ex;border-left:1px solid rgb(204,204,204);padding-left:1ex">Send SPECTRE mailing list submissions to<br>
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Today's Topics:<br>
<br>
1. Ràdio Web MACBA most listened podcasts October 2020<br>
(Radio Web MACBA)<br>
2. Body and Digitality: From early experiments to theater-making<br>
(Marco Donnarumma)<br>
<br>
<br>
----------------------------------------------------------------------<br>
<br>
Message: 1<br>
Date: Mon, 16 Nov 2020 15:16:39 +0100<br>
From: Radio Web MACBA <<a href="mailto:rwm2008@gmail.com" target="_blank">rwm2008@gmail.com</a>><br>
To: spectre <<a href="mailto:spectre@mikrolisten.de" target="_blank">spectre@mikrolisten.de</a>><br>
Subject: [spectre] Ràdio Web MACBA most listened podcasts October<br>
2020<br>
Message-ID:<br>
<CAFiNzL0kKZxwfyULP-ETVKomgt7u7xcEg2csK7QTjU=<a href="mailto:z1RyWQQ@mail.gmail.com" target="_blank">z1RyWQQ@mail.gmail.com</a>><br>
Content-Type: text/plain; charset="utf-8"<br>
<br>
*Ràdio Web MACBA most listened podcasts October 2020<br>
<<a href="https://rwm.macba.cat/en" rel="noreferrer" target="_blank">https://rwm.macba.cat/en</a>>*<br>
<br>
*1- Jonáš Gruska<br>
<<a href="https://rwm.macba.cat/en/sonia/sonia-318-jonas-gruska" rel="noreferrer" target="_blank">https://rwm.macba.cat/en/sonia/sonia-318-jonas-gruska</a>>: “If I build it<br>
myself I know who to blame when it doesn’t work.”*<br>
<br>
The slovak musician, sound artist, and maker Jonáš Gruska is a proud<br>
amateur, honouring the French origin of the term (to love what you do).<br>
Curiosity and passion run through pretty much everything that Gruska<br>
engages in. In our conversation ranging from his site-specific sound<br>
installations to his hand-crafted microphones and audio tools, his recent<br>
interest in mycology, and his playful exploration of the electromagnetic<br>
spectrum, Jonáš used the word 'fascination' quite a lot. We talk to Jonáš<br>
about resonating spaces, resonating surfaces, tramways, self-taught<br>
electronic circuitry, field recordings, fermentation, mushrooms, and<br>
unusual microphones.<br>
<br>
Link: <a href="https://rwm.macba.cat/en/sonia/sonia-318-jonas-gruska" rel="noreferrer" target="_blank">https://rwm.macba.cat/en/sonia/sonia-318-jonas-gruska</a><br>
<br>
*2- Professor Oyèwùmi:<br>
<<a href="https://rwm.macba.cat/en/sonia/sonia-303-oyeronke-oyewumi" rel="noreferrer" target="_blank">https://rwm.macba.cat/en/sonia/sonia-303-oyeronke-oyewumi</a>> "Part of what I<br>
am doing is to historicize how gender became important in the colonies as<br>
the result of the fact that the colonizers brought their ideas about<br>
gender. That is the crook of the matter." *<br>
<br>
In this podcast, Professor Oyèwùmi<br>
<<a href="https://rwm.macba.cat/en/sonia/sonia-303-oyeronke-oyewumi" rel="noreferrer" target="_blank">https://rwm.macba.cat/en/sonia/sonia-303-oyeronke-oyewumi</a>> talks about<br>
age, seniority, and respect, about unscrupulousness and academia,<br>
dispossession and spirituality. She considers the oxymoron of the notion of<br>
“single mother” from the point of view of Yoruba culture, and she also<br>
notes how observance of community practices from non-Western cultures may<br>
be an unnecessary step as we face the planetary challenges to come.<br>
<br>
<br>
Link: <a href="https://rwm.macba.cat/en/sonia/sonia-303-oyeronke-oyewumi" rel="noreferrer" target="_blank">https://rwm.macba.cat/en/sonia/sonia-303-oyeronke-oyewumi</a><br>
<br>
*3- Anja Kanngieser:<br>
<<a href="https://rwm.macba.cat/en/sonia/sonia-314-anja-kanngieser" rel="noreferrer" target="_blank">https://rwm.macba.cat/en/sonia/sonia-314-anja-kanngieser</a>> "I don't know<br>
what climate justice could exist when the reality is that Kiribati will be<br>
gone. It's undeniable. Kiribati will be gone. You think about what justice<br>
would mean. At the moment it's conversations around loss and damages. How<br>
could you ever compensate for that? An entire land gone and indigenous<br>
people displaced forever."*<br>
Political geographer and sound artist Anja Kanngieser<br>
<<a href="https://rwm.macba.cat/en/sonia/sonia-314-anja-kanngieser" rel="noreferrer" target="_blank">https://rwm.macba.cat/en/sonia/sonia-314-anja-kanngieser</a>> works in the<br>
coordinates between space and sound. This merging of disciplines that seems<br>
completely normal to her tends to be more perplexing to the<br>
compartmentalised world of science and academia than to the undisciplined<br>
field of artistic practice. In this podcast, we become the listeners<br>
as Anja Kanngieser<br>
reflects on expanded listening, on the inaudible, and on our<br>
anthropocentrism. They talk about their long-standing interest in sound<br>
governance and dissect the many tensions that built up in the project<br>
“Climates of Listening”, which was originally based on the intention of<br>
amplifying campaigns for self-determination and self-representation in the<br>
Pacific.<br>
<br>
Link: <a href="https://rwm.macba.cat/en/sonia/sonia-314-anja-kanngieser" rel="noreferrer" target="_blank">https://rwm.macba.cat/en/sonia/sonia-314-anja-kanngieser</a><br>
<br>
*4- *ON LISTENING #1<br>
<<a href="https://rwm.macba.cat/en/research/listening-1-thinking-through-ear" rel="noreferrer" target="_blank">https://rwm.macba.cat/en/research/listening-1-thinking-through-ear</a>>.<br>
Thinking (through) the ear. With conversations with Salomé Voegelin, Peter<br>
Szendy, Christoph Cox, Casey O'Callahan, Seth Kim-Cohen and Julian Henriques<br>
<br>
*To what extent is listening ‘thinkable’?* Philosophical inquiry, deeply<br>
rooted in the visual regime, seems to struggle when it comes to<br>
theoretically coming to grips with listening and sonic phenomena. It is,<br>
after all, no coincidence that the Greek term ‘theoria’ (θεωρία) means<br>
‘looking at, viewing, beholding’. This programme explores philosophy’s<br>
seeming difficulty in grappling with listening and its counterpart – sound<br>
– as a powerful deconstructive means to cut through some of the<br>
philosophical certainties that underpin classical and modern Western<br>
thought. Can we conceive sounds as objects, or it would be more appropriate<br>
to consider them events? How far can the phenomenological approach to sound<br>
take us, and how much can we rely on it? And what about new materialisms?<br>
Are they more useful, in hermeneutic terms, when dealing with sound and<br>
listening? These are some of the issues addressed in part one of ON<br>
LISTENING.<br>
<br>
<a href="https://rwm.macba.cat/en/research/listening-1-thinking-through-ear" rel="noreferrer" target="_blank">https://rwm.macba.cat/en/research/listening-1-thinking-through-ear</a><br>
<br>
*5- *Reni Hofmüller:<br>
<<a href="https://rwm.macba.cat/en/sonia/sonia-317-reni-hofmuller" rel="noreferrer" target="_blank">https://rwm.macba.cat/en/sonia/sonia-317-reni-hofmuller</a>>*"The great thing<br>
in the 80s and 90s was that there was still the possibility to formulate<br>
radical positions and be heard. Now, with the fragmentation that we have, I<br>
don't really know who hears me. *<br>
In this podcast, Reni Hofmüller<br>
<<a href="https://rwm.macba.cat/en/sonia/sonia-317-reni-hofmuller" rel="noreferrer" target="_blank">https://rwm.macba.cat/en/sonia/sonia-317-reni-hofmuller</a>> shares her early<br>
commitment with radio, as well as her obsession with dismantling the<br>
invisible in order to understand and question it. A trip through time that<br>
takes us from the 1980s to the present, through her personal involvement in<br>
feminist discussions from the perspective of new media. Our conversation is<br>
riddled with references to her commitment to open source, to doing things<br>
together, to the uninhibited mixing of disciplines, and to her passion for<br>
the electromagnetic sphere and bicycles.<br>
<br>
Link: <a href="https://rwm.macba.cat/en/sonia/sonia-317-reni-hofmuller" rel="noreferrer" target="_blank">https://rwm.macba.cat/en/sonia/sonia-317-reni-hofmuller</a><br>
E/N/J/O/Y/<br>
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Message: 2<br>
Date: Tue, 17 Nov 2020 11:13:17 +0100<br>
From: Marco Donnarumma <<a href="mailto:lists@marcodonnarumma.com" target="_blank">lists@marcodonnarumma.com</a>><br>
To: <a href="mailto:spectre@mikrolisten.de" target="_blank">spectre@mikrolisten.de</a><br>
Subject: [spectre] Body and Digitality: From early experiments to<br>
theater-making<br>
Message-ID:<br>
<CAJTYuavwxR+VLXJAhcUPvO94OQQpUzDHiqCyisZXAp=<a href="mailto:GE3Jm%2Bw@mail.gmail.com" target="_blank">GE3Jm+w@mail.gmail.com</a>><br>
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<br>
(excuse any x-post)<br>
<br>
Fellow spectrers,<br>
<br>
Our recently funded artists group Fronte Vacuo (Donnarumma, Margherita<br>
Pevere, Andrea Familari) have just produced an informal video lecture for<br>
public access and dissemination:<br>
<br>
Body and Digitality: From early experiments to theater-making.<br>
<a href="https://www.youtube.com/watch?v=69ONaW31kl8" rel="noreferrer" target="_blank">https://www.youtube.com/watch?v=69ONaW31kl8</a><br>
<br>
In the talk I discuss the relation of body and technology in the arts and<br>
how the body is at the center of a transdisciplinary avantgarde that, since<br>
the 1960s, has been meshing media art, dance and theater; a set of<br>
practices that made possible much of the art we see today.<br>
<br>
Tags under: #experimentation #performanceAndTechnology #cyberfeminism<br>
#alternativeEmbodiment #performativity #biophysicalPerformance<br>
<br>
The first 30 minutes are dedicated to a historical overview of body and<br>
technology works and performances from the 1960s until 2010s, including<br>
Alvin Lucier, E.A.T, Stelarc, Marcel.lí Antúnez Roca, VNS Matrix, Seiko<br>
Mikami, Shu Lea Cheang, Santasangre.<br>
<br>
The next 30 minutes are focused on my own work as well as on the<br>
collaborative works created with Fronte Vacuo co-founders Pevere and<br>
Familari, including my "7 Configurations" cycle, and Fronte Vacuo's new<br>
Humane Methods performance and happening series.<br>
<br>
The lecture was recorded with the kind support of Akademie für Theater und<br>
Digitalität, Dortmund, where myself and Familari are currently Research<br>
Fellows.<br>
<br>
All works and works' excerpts shown in this video are copyright of the<br>
respective artists. For sake of conciseness, the historical overview is by<br>
no means exhaustive. The talk is under a Creative Commons License.<br>
<br>
Please feel free to contact me for questions, doubts, critics, and to use<br>
this talk in any way it may be relevant to your work, teaching or research.<br>
<br>
Thank you,<br>
wishing you well,<br>
<br>
--<br>
Marco Donnarumma, Ph.D.<br>
*Performing bodies, sound and machines*<br>
<a href="https://marcodonnarumma.com" rel="noreferrer" target="_blank">https://marcodonnarumma.com</a><br>
<br>
<br>
*(maybe) ON TOUR*Oct 1-31 | Inanis, World Premiere @ ORF musikprotokoll,<br>
Graz<br>
Nov 26-28 | Panel @ Taboo Transgression Transcendence Conference, Online<br>
Nov 27 - Apr 24 | Alia + Amygdala + Calyx @ Cuando las Mariposas...,<br>
LABoral, Gijon<br>
<br>
<br>
Studio<br>
Atelierhof Kreuzberg<br>
Schleiermacherstraße 31-37<br>
10961 Berlin<br>
m: +4915221080444<br>
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------------------------------<br>
<br>
End of SPECTRE Digest, Vol 213, Issue 10<br>
****************************************<br>
</blockquote></div><br clear="all"><br>-- <br><div dir="ltr" class="gmail_signature"><div dir="ltr"><div><div dir="ltr"><div><div dir="ltr"><div><div>Cristiana Bottigella<br><a href="mailto:cbottigella@gmail.com" target="_blank">cbottigella@gmail.com</a><br><br></div><a href="http://www.hartslane.org" target="_blank">www.hartslane.org</a><br></div><a href="http://www.baitalkarama.org" target="_blank">www.baitalkarama.org</a> <br></div></div></div></div></div></div>