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        color:black;mso-fareast-language:EN-US"> 19 (2020): Media
        Populism,
        guest-edited by Giuseppe Fidotta, Joshua Neves and Joaquin
        Serpe: </span></p>
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          href="http://radicaloa.disruptivemedia.org.uk">http://radicaloa.disruptivemedia.org.uk</a></span></p>
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        color:black;mso-fareast-language:EN-US">---</span></p>
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        style="font-family:Calibri;mso-fareast-font-family:"Times
        New Roman";
        color:black;mso-fareast-language:EN-US">Vol. 19: Media Populism,
        guest-edited
        by Giuseppe Fidotta, Joshua Neves and Joaquin Serpe. </span></p>
    <p class="MsoNormal"
      style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
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        color:black;mso-fareast-language:EN-US"> </span></p>
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      style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
        style="font-family:Calibri;mso-fareast-font-family:"Times
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        color:black;mso-fareast-language:EN-US">Contents <br>
      </span></p>
    <p class="MsoNormal"
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        style="font-family:Calibri;mso-fareast-font-family:"Times
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        color:black;mso-fareast-language:EN-US"><br>
      </span></p>
    <p class="MsoNormal"
      style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
        style="font-family:Calibri;mso-fareast-font-family:"Times
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        color:black;mso-fareast-language:EN-US">Editorial</span></p>
    <p class="MsoNormal"
      style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
        style="font-family:Calibri;mso-fareast-font-family:"Times
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        color:black;mso-fareast-language:EN-US">- Giuseppe Fidotta,
        Joshua Neves, &
        Joaquin Serpe</span></p>
    <p class="MsoNormal"
      style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
        style="font-family:Calibri;mso-fareast-font-family:"Times
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        color:black;mso-fareast-language:EN-US"> </span></p>
    <p class="MsoNormal"
      style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
        style="font-family:Calibri;mso-fareast-font-family:"Times
        New Roman";
        color:black;mso-fareast-language:EN-US">From Populist Media to
        Media Populism</span></p>
    <p class="MsoNormal"
      style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
        style="font-family:Calibri;mso-fareast-font-family:"Times
        New Roman";
        color:black;mso-fareast-language:EN-US">- Giuseppe Fidotta,
        Joshua Neves, &
        Joaquin Serpe <br>
      </span></p>
    <p class="MsoNormal"
      style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
        style="font-family:Calibri;mso-fareast-font-family:"Times
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        color:black;mso-fareast-language:EN-US"><br>
      </span></p>
    <p class="MsoNormal"
      style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
        style="font-family:Calibri;mso-fareast-font-family:"Times
        New Roman";
        color:black;mso-fareast-language:EN-US">Big Bad Social Media:
        Distributed
        Affects and Popular Politics<span style="mso-spacerun:yes">  </span>–
        Bishnupriya Ghosh </span></p>
    <p class="MsoNormal"
      style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
        style="font-family:Calibri;mso-fareast-font-family:"Times
        New Roman";
        color:black;mso-fareast-language:EN-US">Unsettling News:
        Newstrack and the
        Video Event - Ishita Tiwary <br>
      </span></p>
    <p class="MsoNormal"
      style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
        style="font-family:Calibri;mso-fareast-font-family:"Times
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        color:black;mso-fareast-language:EN-US"><br>
      </span></p>
    <p class="MsoNormal"
      style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
        style="font-family:Calibri;mso-fareast-font-family:"Times
        New Roman";
        color:black;mso-fareast-language:EN-US">Analogy in Ruins:
        Populism,
        Transgression, and the Zombie - David Bering-Porter </span></p>
    <p class="MsoNormal"
      style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
        style="font-family:Calibri;mso-fareast-font-family:"Times
        New Roman";
        color:black;mso-fareast-language:EN-US">Populist Realisms and
        Counterfeit
        Aesthetics <span style="mso-spacerun:yes"> </span>– Jason Pine
        <br>
      </span></p>
    <p class="MsoNormal"
      style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
        style="font-family:Calibri;mso-fareast-font-family:"Times
        New Roman";
        color:black;mso-fareast-language:EN-US"><br>
      </span></p>
    <p class="MsoNormal"
      style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
        style="font-family:Calibri;mso-fareast-font-family:"Times
        New Roman";
        color:black;mso-fareast-language:EN-US">Manifesto Writing as
        Populist Praxis
        (Within the University Classroom and Beyond) - Kay Dickinson <br>
      </span></p>
    <p class="MsoNormal"
      style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
        style="font-family:Calibri;mso-fareast-font-family:"Times
        New Roman";
        color:black;mso-fareast-language:EN-US"><br>
      </span></p>
    <p class="MsoNormal"
      style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
        style="font-family:Calibri;mso-fareast-font-family:"Times
        New Roman";
        color:black;mso-fareast-language:EN-US">Media versus Masses?
        Notes on
        Contemporary Populism and the Crisis of Late Liberalism in the
        U.S. and India -
        Arvind Rajagopal <br>
      </span></p>
    <p class="MsoNormal"
      style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
        style="font-family:Calibri;mso-fareast-font-family:"Times
        New Roman";
        color:black;mso-fareast-language:EN-US"><br>
      </span></p>
    <p class="MsoNormal"
      style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
        style="font-family:Calibri;mso-fareast-font-family:"Times
        New Roman";
        color:black;mso-fareast-language:EN-US">Island Fever: Videated
        Populism and
        Disputed Geography at Sea – Weixian Pan <br>
      </span></p>
    <p class="MsoNormal"
      style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
        style="font-family:Calibri;mso-fareast-font-family:"Times
        New Roman";
        color:black;mso-fareast-language:EN-US"><br>
      </span></p>
    <p class="MsoNormal"
      style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
        style="font-family:Calibri;mso-fareast-font-family:"Times
        New Roman";
        color:black;mso-fareast-language:EN-US">Stuck in Mud in the
        Fields of Athenry:
        Apple, Territory, and Popular Politics – Patrick Brodie </span></p>
    <p class="MsoNormal"
      style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
        style="font-family:Calibri;mso-fareast-font-family:"Times
        New Roman";
        color:black;mso-fareast-language:EN-US"> </span></p>
    <p class="MsoNormal"
      style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
        style="font-family:Calibri;mso-fareast-font-family:"Times
        New Roman";
        color:black;mso-fareast-language:EN-US">Below is an excerpt of
        Media Populism's
        Editorial Introduction
(<a class="moz-txt-link-freetext" href="https://culturemachine.net/vol-19-media-populism/editorial-introduction-media-populism/">https://culturemachine.net/vol-19-media-populism/editorial-introduction-media-populism/</a>): </span></p>
    <p class="MsoNormal"
      style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
        style="font-family:Calibri;mso-fareast-font-family:"Times
        New Roman";
        color:black;mso-fareast-language:EN-US">"Parasitical, unstable,
        excessive,
        corrupt, inexact, threatening—the intellectual history of <i>populism</i>
        is,
        to say the least, vexed. ‘Few terms have been so widely used in
        contemporary
        political analysis’, Ernesto Laclau famously observed, and ‘few
        have been
        defined with less precision’ (1977: 143). As populism has
        increasingly become
        ‘the preserve of political scientists’ (Rovira Kaltwasser <i>et
          al</i>., 2017:
        10; Canovan, 1982), so too has its focus on political parties
        and movements
        become a default position in academic and popular thought. This
        orientation,
        today contested by many political scientists but nonetheless
        widespread, has
        the advantage of making populism visible, even measurable,
        through its analysis
        of speeches, polls, rallies, and electoral victories. At the
        same time, the
        narrow focus on parties and movements has created conceptual and
        epistemological barriers that continue to impede the emergence
        of new
        perspectives—on, for instance, the relationship between media
        and populism—that
        fall outside of political scientific frameworks, confirming
        Chantal Mouffe’s
        (2005) assertion that political theory alone is not equipped to
        answer
        populism’s contemporary challenges, even at an analytical level.
        Apart from the
        difficulty of disembodying populism from parties and movements,
        this approach
        remains closely allied to rational-choice assumptions, failing
        to embrace the <i>many</i>
        affective and infrastructural dimensions that are constitutive
        of the political
        sphere. Overcoming these limitations has been, and still is, a
        major challenge
        to the study of populism. Responding to <i>Culture Machine</i>’s
        call to open
        up cultural and theoretical research beyond established
        paradigms, this special
        issue brings problems of media and mediation to bear on populist
        phenomena and
        debates.</span></p>
    <p class="MsoNormal"
      style="mso-margin-top-alt:auto;mso-margin-bottom-alt:auto"><span
        style="font-family:Calibri;mso-fareast-font-family:"Times
        New Roman";
        color:black;mso-fareast-language:EN-US">Our point of departure
        is the idea that
        populism mediates, that is, it comes in between, channels or
        interrupts the
        ordinary operations of social and political life. However, in
        order to
        comprehend such processes, we need to take media and mediation
        seriously. As we
        argue in our companion essay, the prevailing approaches to
        populist media in
        political theory remain narrowly focused on what populists say
        and do in the
        media, as if the media was merely a container of information or
        an ideology to
        be debunked. In contrast, this special issue aims to bring media
        studies into
        conversation with debates in social and political theory, among
        other fields,
        and to explore the centrality of media, meant in a broader sense
        than just
        neutral channels for direct and unmediated exchange between
        demagogues and
        receptive audiences, for apprehending populism. In this respect,
        the essays
        collected in this issue move beyond the traditional scales and
        objects of
        populist research, placing questions of media and mediation
        front and center.
        Case studies range from zombies and pedagogy, video events and
        affective
        publics, counterfeit aesthetics and the internet ocean. Some of
        our
        contributors investigate forms of mediation that lend themselves
        more clearly
        to populist mobilizations. Others explore representations of the
        people in
        historically situated ‘new’ media. Others address the affective
        dimensions of
        populism as channeled through media aesthetics and platforms.
        Taken together,
        these interventions open up genealogical and multi-scalar
        perspectives on
        populism, while also speaking to the complexity of media
        populist forms and
        magnitudes, and their role in shaping contemporary political
        imaginaries."</span></p>
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    <pre class="moz-signature" cols="72">-- 
Gary Hall
Professor of Media
Director of the Centre for Postdigital Cultures, Faculty of Arts & Humanities, Coventry University:
<a class="moz-txt-link-freetext" href="http://www.coventry.ac.uk/research/areas-of-research/postdigital-cultures">http://www.coventry.ac.uk/research/areas-of-research/postdigital-cultures</a>

<a class="moz-txt-link-freetext" href="http://www.garyhall.info">http://www.garyhall.info</a>

Forthcoming:
Book: A Stubborn Fury: How Writing Works in Elitist Britain:
<a class="moz-txt-link-freetext" href="http://www.openhumanitiespress.org/books/titles/a-stubborn-fury/">http://www.openhumanitiespress.org/books/titles/a-stubborn-fury/</a>

Latest:
Article: ’Anti-Bourgeois Theory’:
<a class="moz-txt-link-freetext" href="http://journalcontent.mediatheoryjournal.org/index.php/mt/article/view/91">http://journalcontent.mediatheoryjournal.org/index.php/mt/article/view/91</a>

See also the following responses to ’Anti-Bourgeois Theory’:
Gabriela Méndez Cota, 'Pirate Traces': <a class="moz-txt-link-freetext" href="http://journalcontent.mediatheoryjournal.org/index.php/mt/article/view/114">http://journalcontent.mediatheoryjournal.org/index.php/mt/article/view/114</a>
Jeremy Gilbert, 'Anti-Bourgeois For What?': <a class="moz-txt-link-freetext" href="http://journalcontent.mediatheoryjournal.org/index.php/mt/article/view/115">http://journalcontent.mediatheoryjournal.org/index.php/mt/article/view/115</a>








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