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    <p>Open Humanities Press is pleased to announce the publication of
      Data Farms, edited by Tsvetelina Hristova, Brett Neilson and Ned
      Rossiter.</p>
    <p><span style="mso-bidi-font-size:12.0pt;font-family: "Times
        New
        Roman",serif;color:windowtext;mso-fareast-language:EN-GB">Like
        all Open Humanities Press books, </span><span
        style="mso-bidi-font-size:12.0pt;font-family: "Times New
        Roman",serif;color:windowtext;mso-fareast-language:EN-GB"><i>Data
          Farms</i> is available open access (it can be downloaded for
        free): <br>
      </span></p>
    <p><span style="mso-bidi-font-size:12.0pt;font-family: "Times
        New
        Roman",serif;color:windowtext;mso-fareast-language:EN-GB"><a
          class="moz-txt-link-freetext"
          href="http://www.openhumanitiespress.org/books/titles/data-farms/">http://www.openhumanitiespress.org/books/titles/data-farms/</a></span></p>
    <p><b><span style="mso-bidi-font-size:12.0pt;font-family:"Times
          New Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB">Book description:</span></b></p>
    <p>What is at stake in naming data centres as data farms? These
      installations are essentially hangars packed with computers. They
      congregate servers, switches and wires that facilitate the
      storage, processing and transmission of data in high volumes and
      at fast speeds. Data centres present a scale of operations,
      potentially planetary in scope, that intensifies and multiplies
      the productive and extractive capacities of digital technologies.
      The economic advantages that accrue to parties with servers in
      these installations derive not only from opportunities for peering
      and networking but also from inputs to client machines that may be
      situated at vast distance. Yet data centres have precise
      locations, often clustering where there is access to energy,
      skills, land concessions, tax exemptions or undersea cables. There
      are no data centres without land and water. Like the ‘dark satanic
      mills’ associated with the factories of the industrial revolution,
      data centres burn fossil fuels. Yet, despite these continuities
      with agrarian and industrial activity, the data economy generates
      stark figurations of territory, power and circulation.</p>
    <p><b><span style="mso-bidi-font-size:12.0pt;font-family:"Times
          New Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB">Editor Bios</span></b></p>
    <p>Tsvetelina Hristova is Postdoctoral Research Fellow at the
      Institute for Culture and Society, Western Sydney University.</p>
    <p>Brett Neilson is Professor at the Institute for Culture and
      Society, Western Sydney University. He is author, with Sandro
      Mezzadra, of <em>Border as Method, or, the Multiplication of
        Labor</em> and <em>The Politics of Operations: Excavating
        Contemporary Capitalism</em>.</p>
    <p>Ned Rossiter is Director of Research at the Institute for Culture
      and Society, and Professor of Communication, School of Humanities
      and Communication Arts, Western Sydney University. His current
      book projects include <em>Media of Decision</em> and (with Soenke
      Zehle) <em>The Experience of Digital Objects: Automation,
        Aesthetics, Algorithms</em>.</p>
    <p><b><span style="mso-bidi-font-size:12.0pt;font-family:"Times
          New Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB"></span></b></p>
    <p><b><span style="mso-bidi-font-size:12.0pt;font-family:
          "Times New
          Roman",serif;color:windowtext;mso-fareast-language:EN-GB">Series</span></b></p>
    <p><i>Data Farms</i> is published as part of the Low Latencies
      series, edited by Brett Neilson and Ned Rossiter:</p>
    <p><a class="moz-txt-link-freetext"
        href="http://www.openhumanitiespress.org/books/series/low-latencies/">http://www.openhumanitiespress.org/books/series/low-latencies/</a><br>
    </p>
    <div id="main-header"> <br>
    </div>
    <p>---<br>
    </p>
    <b><span style="mso-bidi-font-size:12.0pt;font-family:"Times
        New Roman",serif;
        color:windowtext;mso-fareast-language:EN-GB">Other recent open
        access</span></b><b><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB">
        titles</span></b><b><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB">
        from Open Humanities Press include: <br>
      </span></b>
    <p><i>Geological Filmmaking</i> by Sasha Litvintseva: <a
        class="moz-txt-link-freetext"
href="http://www.openhumanitiespress.org/books/titles/geological-filmmaking/">http://www.openhumanitiespress.org/books/titles/geological-filmmaking/</a><br>
    </p>
    <p><i>Volumetric Regimes: Material Cultures of Quantified Presence</i>,
      edited by Jara Rocha and Femke Snelting: <a
        class="moz-txt-link-freetext"
href="http://www.openhumanitiespress.org/books/titles/volumetric-regimes/">http://www.openhumanitiespress.org/books/titles/volumetric-regimes/</a></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><b><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB"> </span></b></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><span
        style="mso-bidi-font-size:12.0pt;font-family: "Times New
        Roman",serif;color:windowtext;mso-fareast-language:EN-GB"><i>Glitch
          Poetics </i>by Nathan Allen Jones:</span> <a
        href="http://www.openhumanitiespress.org/books/titles/glitch-poetics/"><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif; color:blue;mso-fareast-language:EN-GB">http://www.openhumanitiespress.org/books/titles/glitch-poetics/</span></a></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><b><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB"></span></b></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><b><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB"><br>
        </span></b></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><b><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB"></span></b></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB">Más allá del
          derecho de autor, editado</span></i><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB">
        by Alberto López Cuenca and Renato Bermúdez Dini: </span></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><a
href="http://www.openhumanitiespress.org/books/titles/mas-alla-del-derecho-de-autor/"><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif; color:blue;mso-fareast-language:EN-GB">http://www.openhumanitiespress.org/books/titles/mas-alla-del-derecho-de-autor/</span></a></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><br>
    </p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB">Bifurcate: There
          Is No Alternative</span></i><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB">,
        edited by Bernard Stiegler and the Internation Collective: </span><a
href="http://www.openhumanitiespress.org/books/titles/bifurcate/"><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif; color:blue;mso-fareast-language:EN-GB">http://www.openhumanitiespress.org/books/titles/bifurcate/</span></a><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB"></span></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB"> </span></i></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB">La naturaleza
          como acontecimiento: El señuelo de lo possible</span></i><span
        style="mso-bidi-font-size:12.0pt; font-family:"Times New
        Roman",serif;color:windowtext;mso-fareast-language:EN-GB">
        by Didier Debaise: </span><a
href="http://www.openhumanitiespress.org/books/titles/la-naturaleza-como-acontecimiento/"><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif; color:blue;mso-fareast-language:EN-GB">http://www.openhumanitiespress.org/books/titles/la-naturaleza-como-acontecimiento/</span></a><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB"></span></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB"> </span></i></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB">Fabricating
          Publics: The Dissemination of Culture in the Post-truth Era</span></i><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB">,
        edited by Bill Balaskas and Carolina Rito: </span><a
href="http://www.openhumanitiespress.org/books/titles/fabricating-publics/"><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif; color:blue;mso-fareast-language:EN-GB">http://www.openhumanitiespress.org/books/titles/fabricating-publics/</span></a><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB"></span></p>
    <a
href="http://www.openhumanitiespress.org/books/titles/mas-alla-del-derecho-de-autor/"><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:blue;mso-fareast-language:EN-GB"></span></a><span
      style="mso-bidi-font-size:12.0pt;font-family:"Times New
      Roman",serif; color:windowtext;mso-fareast-language:EN-GB"></span>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB"> </span></i></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB">Feminist, Queer,
          Anticolonial Propositions for Hacking the Anthropocene:
          Archive</span></i><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB">,
        edited by Jennifer Mae Hamilton, Susan Reid, Pia van Gelder and
        Astrida Neimanis:</span></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><a
href="http://www.openhumanitiespress.org/books/titles/feminist-queer-anticolonial-propositions-for-hacking-the-anthropocene/"><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif; color:blue;mso-fareast-language:EN-GB">http://www.openhumanitiespress.org/books/titles/feminist-queer-anticolonial-propositions-for-hacking-the-anthropocene/</span></a><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB"></span></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB"> </span></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB">The Interfact: On
          Structure and Compatibility in Object-Oriented Ontology</span></i><span
        style="mso-bidi-font-size: 12.0pt;font-family:"Times New
        Roman",serif;color:windowtext;mso-fareast-language: EN-GB">
        by Gabriel Yoran: </span><a
        href="http://www.openhumanitiespress.org/books/titles/the-interfact/"><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif; color:blue;mso-fareast-language:EN-GB">http://www.openhumanitiespress.org/books/titles/the-interfact/</span></a><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB">
      </span></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB"> </span></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB">La magie
          réaliste: objets, ontologie et causalité</span></i><span
        style="mso-bidi-font-size:12.0pt; font-family:"Times New
        Roman",serif;color:windowtext;mso-fareast-language:EN-GB">
        by<b> </b>Timothy Morton: </span><a
href="http://www.openhumanitiespress.org/books/titles/la-magie-realiste/"><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif; color:blue;mso-fareast-language:EN-GB">http://www.openhumanitiespress.org/books/titles/la-magie-realiste/</span></a><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB">
      </span></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB"> </span></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB">hyposubjects: on
          becoming human<b> </b></span></i><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB">by
        Timothy Morton and Dominic Boyer: </span><a
        href="http://www.openhumanitiespress.org/books/titles/hyposubjects/"><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif; color:blue;mso-fareast-language:EN-GB">http://www.openhumanitiespress.org/books/titles/hyposubjects/</span></a><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB"></span></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB"> </span></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB">Psychopolitical
          Anaphylaxis: Steps Towards a Metacosmics</span></i><span
        style="mso-bidi-font-size:12.0pt; font-family:"Times New
        Roman",serif;color:windowtext;mso-fareast-language:EN-GB">
        by Daniel Ross: </span><a
href="http://www.openhumanitiespress.org/books/titles/psychopolitical-anaphylaxis/"><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif; color:blue;mso-fareast-language:EN-GB">http://www.openhumanitiespress.org/books/titles/psychopolitical-anaphylaxis/</span></a><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB">
        <br style="mso-special-character: line-break">
        <br style="mso-special-character:line-break">
      </span></p>
    <i><span style="mso-bidi-font-size:12.0pt;font-family:"Times
        New Roman",serif;
        color:windowtext;mso-fareast-language:EN-GB">A Stubborn Fury:
        How Writing Works in Elitist Britain</span></i><span
      style="mso-bidi-font-size:12.0pt;font-family: "Times New
      Roman",serif;color:windowtext;mso-fareast-language:EN-GB"> by
      Gary Hall: </span><a
      href="http://www.openhumanitiespress.org/books/titles/a-stubborn-fury"><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:blue;mso-fareast-language:EN-GB">http://www.openhumanitiespress.org/books/titles/a-stubborn-fury</span></a><span
      style="mso-bidi-font-size:12.0pt;font-family:"Times New
      Roman",serif; color:windowtext;mso-fareast-language:EN-GB"> <br
        style="mso-special-character: line-break">
    </span>
    <p></p>
    <p></p>
    <pre class="moz-signature" cols="72">-- 
Gary Hall
Professor of Media
Director of the Centre for Postdigital Cultures, Coventry University:
<a class="moz-txt-link-freetext" href="http://www.coventry.ac.uk/research/areas-of-research/postdigital-cultures">http://www.coventry.ac.uk/research/areas-of-research/postdigital-cultures</a>

<a class="moz-txt-link-freetext" href="http://www.garyhall.info">http://www.garyhall.info</a>
@garyhall@hcommons.social

Director of Open Humanities Press: <a class="moz-txt-link-freetext" href="http://www.openhumanitiespress.org">http://www.openhumanitiespress.org</a> 
Website <a class="moz-txt-link-freetext" href="http://www.garyhall.info">http://www.garyhall.info</a>


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Journal article (open access) 'Defund Culture': <a class="moz-txt-link-freetext" href="https://www.radicalphilosophy.com/commentary/defund-culture">https://www.radicalphilosophy.com/commentary/defund-culture</a>

Book review: ‘Review of Bitstreams: The Future of Digital Literary Heritage' by Matthew Kirschenbaum: <a class="moz-txt-link-freetext" href="https://www.journals.uchicago.edu/doi/10.1086/721475">https://www.journals.uchicago.edu/doi/10.1086/721475</a>

Blog post: 'Well, I Guess I Rather Asked For That, Didn't I: Review of A Stubborn Fury in Postdigital Science and Education': <a class="moz-txt-link-freetext" href="http://garyhall.squarespace.com/journal/?SSScrollPosition=237">http://garyhall.squarespace.com/journal/?SSScrollPosition=237</a>














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