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    <p>Open Humanities Press is pleased to announce the publication of A
      History of Asking by Steven Connor. <br>
    </p>
    <p><span style="mso-bidi-font-size:12.0pt;font-family: "Times
        New
        Roman",serif;color:windowtext;mso-fareast-language:EN-GB">Like
        all Open Humanities Press books, </span>A History of Asking<span
        style="mso-bidi-font-size:12.0pt;font-family: "Times New
        Roman",serif;color:windowtext;mso-fareast-language:EN-GB">
        is available open access (it can be downloaded for free): <br>
      </span></p>
    <p><span style="mso-bidi-font-size:12.0pt;font-family: "Times
        New
        Roman",serif;color:windowtext;mso-fareast-language:EN-GB"><a
          class="moz-txt-link-freetext"
          href="http://www.openhumanitiespress.org/books/titles/data-farms/">http://www.openhumanitiespress.org/books/titles/a-history-of-asking/</a></span></p>
    <p><b><span style="mso-bidi-font-size:12.0pt;font-family:"Times
          New Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB">Book description:</span></b></p>
    Asking is one of the simplest and most familiar of human actions,
    and has a right to be thought of as single most powerful and most
    variously cohering form of social-symbolic gesture. Because so much
    is at stake in the act of asking, asking, or asking for, almost
    anything, whether information, help, love or respect, can be asking
    for trouble, so a great deal of care must be taken with the ways in
    which asking occurs and is responded. A History of Asking is the
    first attempt to grasp the unity and variety of the technics and
    technologies of asking, in all its modalities, as they extend across
    a spectrum from weak forms like begging, pleading, praying,
    imploring, beseeching, entreating, suing, supplicating and
    soliciting, through to the more assertively and even aggressively
    self-authorising modes of asking, like proposing, offering,
    inviting, requesting, appealing, applying, petitioning, claiming and
    demanding. The book considers the history of 6 broad modes of
    petitory practice. The act of begging, both among animals and humans
    is considered in terms of its theatrics. The institution of the
    political petition, protocols for which seem to arise in also every
    system of government of which we have knowledge, is tracked through
    from late medieval to nineteenth-century Britain. The act of prayer,
    central to religious practice, though often the last form of
    religious behaviour to fall away among those lapsing from adherence,
    and one of the religious practices that is most likely to be adhered
    to in the absence of any other religious commitment, is the subject
    of sustained scrutiny. The appeal of prayer is essentially to the
    fact of participation in language, and the specific forms of
    commitment to the condition of being bound, bindable, or biddable by
    it. Wooing and the associated economics of seduction and
    solicitation are tracked through from the formalisation of the
    conventions of courtly love in the 12th century through to modern
    techniques of flirtation. The book revives the antique term
    ‘suitage’ in order to discuss all the forms of sueing and suitorship
    for favours or advantage, as well as, more broadly the act, pursued
    almost life-long, of trying to get one another to do things for us,
    in particular in indirect or vicarious forms of what may be called
    ‘interpetition’, such as the dedications of books to patrons, the
    institution of the testimonial or letter of reference and the
    practices of flattery. A History of Asking concludes with a
    discussion of the many ways in which our necessarily parasitic
    relations on each other in a complex society are both conveyed and
    dissimulated, especially through the ways in which we summon and
    salute different kinds of service. 
    <p></p>
    <p><b><span style="mso-bidi-font-size:12.0pt;font-family:"Times
          New Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB">Author Bio</span></b></p>
    Steven Connor is Grace 2 Professor of English Emeritus in the
    University of Cambridge and Professor of Living Well with Technology
    at King’s College London. He is a writer, critic and broadcaster,
    who has published books on Dickens, Beckett, Joyce and
    postmodernism, as well as on topics such as ventriloquism, skin,
    flies, air and numbers. His website at <a class="moz-txt-link-freetext" href="http://stevenconnor.com">http://stevenconnor.com</a>
    includes lectures, broadcasts, unpublished work and work in
    progress.
    <p><b><span style="mso-bidi-font-size:12.0pt;font-family:"Times
          New Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB"></span></b></p>
    <br>
    <p>---<br>
    </p>
    <b><span style="mso-bidi-font-size:12.0pt;font-family:"Times
        New Roman",serif;
        color:windowtext;mso-fareast-language:EN-GB">Other recent open
        access</span></b><b><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB">
        titles</span></b><b><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB">
        from Open Humanities Press include: <br>
      </span></b>
    <p>Articulating Media: Genealogy, Interface, Situation, edited by
      James Gabrillo and Nathaniel Zetter:<span
        style="mso-bidi-font-size:12.0pt;font-family: "Times New
        Roman",serif;color:windowtext;mso-fareast-language:EN-GB"><a
          class="moz-txt-link-freetext"
          href="http://www.openhumanitiespress.org/books/titles/data-farms/">
http://www.openhumanitiespress.org/books/titles/articulating-media/</a></span>
    </p>
    <p>Data Farms, edited by Tsvetelina Hristova, Brett Neilson and Ned
      Rossiter: <span style="mso-bidi-font-size:12.0pt;font-family:
        "Times New
        Roman",serif;color:windowtext;mso-fareast-language:EN-GB"><a
          class="moz-txt-link-freetext"
          href="http://www.openhumanitiespress.org/books/titles/data-farms/">http://www.openhumanitiespress.org/books/titles/data-farms/</a></span></p>
    <p><i>Geological Filmmaking</i> by Sasha Litvintseva: <a
        class="moz-txt-link-freetext"
href="http://www.openhumanitiespress.org/books/titles/geological-filmmaking/">http://www.openhumanitiespress.org/books/titles/geological-filmmaking/</a><br>
    </p>
    <p><i>Volumetric Regimes: Material Cultures of Quantified Presence</i>,
      edited by Jara Rocha and Femke Snelting: <a
        class="moz-txt-link-freetext"
href="http://www.openhumanitiespress.org/books/titles/volumetric-regimes/">http://www.openhumanitiespress.org/books/titles/volumetric-regimes/</a></p>
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          style="mso-bidi-font-size:12.0pt;font-family:"Times New
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        style="mso-bidi-font-size:12.0pt;font-family: "Times New
        Roman",serif;color:windowtext;mso-fareast-language:EN-GB"><i>Glitch
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        href="http://www.openhumanitiespress.org/books/titles/glitch-poetics/"><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
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          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB"><br>
        </span></b></p>
    <i><span style="mso-bidi-font-size:12.0pt;font-family:"Times
        New Roman",serif;
        color:windowtext;mso-fareast-language:EN-GB">Bifurcate: There Is
        No Alternative</span></i><span
      style="mso-bidi-font-size:12.0pt;font-family:"Times New
      Roman",serif; color:windowtext;mso-fareast-language:EN-GB">,
      edited by Bernard Stiegler and the Internation Collective: </span><a
      href="http://www.openhumanitiespress.org/books/titles/bifurcate/"><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:blue;mso-fareast-language:EN-GB">http://www.openhumanitiespress.org/books/titles/bifurcate/</span></a><span
      style="mso-bidi-font-size:12.0pt;font-family:"Times New
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          style="mso-bidi-font-size:12.0pt;font-family:"Times New
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          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB">Fabricating
          Publics: The Dissemination of Culture in the Post-truth Era</span></i><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB">,
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href="http://www.openhumanitiespress.org/books/titles/fabricating-publics/"><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif; color:blue;mso-fareast-language:EN-GB">http://www.openhumanitiespress.org/books/titles/fabricating-publics/</span></a><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
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        style="mso-bidi-font-size:12.0pt;font-family:"Times New
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          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB"> </span></i></p>
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          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB">Feminist, Queer,
          Anticolonial Propositions for Hacking the Anthropocene:
          Archive</span></i><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB">,
        edited by Jennifer Mae Hamilton, Susan Reid, Pia van Gelder and
        Astrida Neimanis:</span></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><a
href="http://www.openhumanitiespress.org/books/titles/feminist-queer-anticolonial-propositions-for-hacking-the-anthropocene/"><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif; color:blue;mso-fareast-language:EN-GB">http://www.openhumanitiespress.org/books/titles/feminist-queer-anticolonial-propositions-for-hacking-the-anthropocene/</span></a><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB"></span></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB"> 
        <br>
      </span></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><i><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif;
          color:windowtext;mso-fareast-language:EN-GB">La magie
          réaliste: objets, ontologie et causalité</span></i><span
        style="mso-bidi-font-size:12.0pt; font-family:"Times New
        Roman",serif;color:windowtext;mso-fareast-language:EN-GB">
        by<b> </b>Timothy Morton: </span><a
href="http://www.openhumanitiespress.org/books/titles/la-magie-realiste/"><span
          style="mso-bidi-font-size:12.0pt;font-family:"Times New
          Roman",serif; color:blue;mso-fareast-language:EN-GB">http://www.openhumanitiespress.org/books/titles/la-magie-realiste/</span></a><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB">
      </span></p>
    <p class="MsoNormal" style="margin:0cm;text-align:left" align="left"><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:windowtext;mso-fareast-language:EN-GB"> </span><br>
    </p>
    <i><span style="mso-bidi-font-size:12.0pt;font-family:"Times
        New Roman",serif;
        color:windowtext;mso-fareast-language:EN-GB">A Stubborn Fury:
        How Writing Works in Elitist Britain</span></i><span
      style="mso-bidi-font-size:12.0pt;font-family: "Times New
      Roman",serif;color:windowtext;mso-fareast-language:EN-GB"> by
      Gary Hall: </span><a
      href="http://www.openhumanitiespress.org/books/titles/a-stubborn-fury"><span
        style="mso-bidi-font-size:12.0pt;font-family:"Times New
        Roman",serif; color:blue;mso-fareast-language:EN-GB">http://www.openhumanitiespress.org/books/titles/a-stubborn-fury</span></a>
    <p></p>
    <pre class="moz-signature" cols="72">-- 
Gary Hall
Professor of Media
Director of the Centre for Postdigital Cultures, Coventry University:
<a class="moz-txt-link-freetext" href="http://www.coventry.ac.uk/research/areas-of-research/postdigital-cultures">http://www.coventry.ac.uk/research/areas-of-research/postdigital-cultures</a>
<a class="moz-txt-link-freetext" href="https://postdigitalcultures.org/about/">https://postdigitalcultures.org/about/</a>

Website: <a class="moz-txt-link-freetext" href="http://www.garyhall.info">http://www.garyhall.info</a>
Mastodon: @garyhall@hcommons.social

Director of Open Humanities Press: <a class="moz-txt-link-freetext" href="http://www.openhumanitiespress.org">http://www.openhumanitiespress.org</a> 

Latest:

Journal article (open access) 'Defund Culture': <a class="moz-txt-link-freetext" href="https://www.radicalphilosophy.com/commentary/defund-culture">https://www.radicalphilosophy.com/commentary/defund-culture</a>

Book review: ‘Review of Bitstreams: The Future of Digital Literary Heritage' by Matthew Kirschenbaum: <a class="moz-txt-link-freetext" href="https://www.journals.uchicago.edu/doi/10.1086/721475">https://www.journals.uchicago.edu/doi/10.1086/721475</a>

Blog post: 'Experimenting With Copyright Licences': <a class="moz-txt-link-freetext" href="https://copim.pubpub.org/pub/combinatorial-books-documentation-copyright-licences-post6/release/1">https://copim.pubpub.org/pub/combinatorial-books-documentation-copyright-licences-post6/release/1</a>














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