[spectre] (fwd) Belgrade Cultural Centre presents The 50th October
Salon, Belgrade
Andreas Broeckmann
ab at mikro.in-berlin.de
Thu Oct 1 11:41:01 CEST 2009
Date: Wed, 30 Sep 2009 16:47:07 -0400
From: Art-Agenda <art-agenda at mailer.e-flux.com>
Subject: Belgrade Cultural Centre presents The 50th October Salon, Belgrade
The 50th October Salon, Belgrade
October 2nd - November 15th 2009
Belgrade Cultural Centre
Knez Mihailova 6/I, 11 000 Belgrade, RS
phone: + 381 (0)11 2622 926
fax: + 381 (0)11 2623 853
Contact: Zorana Djakoviç
zorana.djakovic at kcb.org.rs
http://www.kcb.org.rs
http://www.oktobarskisalon.org
Belgrade Cultural Centre presents The 50th October Salon, Belgrade
Official inauguration:
Museum of Yugoslav History - Museum 25th May
Botiçeva 6, Belgrade
October 2nd 2009 at 7:00 pm
The 50th October Salon
CIRCUMSTANCE
Artists: Phil Collins, Miljenko Dereta, Biljana
?ur©¢eviç, Uro ?uriç, Bojan Fajfriç, Îivko
Grozdaniç, Ivan Grubanov, Igor Grubiç, Aleksandar
Jestroviç Jamesdin, Îolt Kovaã, Kunsthistorisches
Mausoleum, Marko Luliç, Zoran Naskovski, Pe©¢a
Nekoviç, Vladimir Nikoliç, Oleg Novkoviç,
Darinka Pop-Mitiç, Branimir Stojanoviç, Zoran
Todoroviç, Raa Todosijeviç, Katarina Zdjelar,
Îelimir Îilnik
Art Director: Branislava An©¢elkoviç
Exhibition venues: Museum of Yugoslav History
(Botiçeva 6), Belgrade Cultural Centre (Knez
Mihailova 6 and Trg Republike 5/I), Centre for
Cultural Decontamination (Birãaninova 21),
Kunsthistorisches Mausoleum (Braçe Radovanoviça
28) and the Public Garage in Masarikova Street
(Masarikova 4).
The project CIRCUMSTANCE has been motivated by
the necessity of reviewing the contemporary art
scene in Serbia in its international dimensions
and in relation to the circumstances of its local
production. The framework of the project is made
up of the exhibition, through which it will be
possible to review the most prominent,
inspirational and critically founded artistic
positions in Serbia at the moment, that is, the
work of those artists who have developed specific
artistic languages and philosophies, in various
media, whom it is necessary to present to a
broader public in Belgrade and in Serbia as
thoroughly as possible. The exhibition
CIRCUMSTANCE has not been conceived as a mere
"agglomeration" of works but as an attempt to
represent, through selected projects of the
artists who were invited, the uniqueness and the
specific character of the positions and
propositions on the contemporary scene in
relation to the social processes, and especially
in relation to the very real sense of crisis we
are living in.
Since 2004, when the October Salon turned from a
local exhibition into an international art event,
apart from its long-awaited internationalisation,
there has occurred a controversial
differentiation between a figure of a "domestic
artist" and that of an "international artist".
This year's October Salon, with its emphasis on
artists who mainly live and work in Serbia but
also make their presence felt on the
international scene, does not aim to bring this
event back to the status of a local exhibition;
on the contrary, it aims to present "a local
artist" as "an international artist" who remains
connected to local experiences, on the basis of
which he undertakes initiatives and suggests
interventions. Some artists who do not live in
Serbia, but whose work we consider to be an
active element of contemporary art in the local
milieu, have been invited to this exhibition as
guests.
The projects that will be presented do not merely
express the way in which an artist "deals" with
matters of significance for society and art; they
constitute direct interventions into our
comprehension of and our attitude towards these
matters. This applies irrespective of whether
those issues concern the position and the role of
the artist, the (non-)existence of the art
system, the disappearance of art from the public
and media space, the inadequacy of discourse
about art, or the pressing issues of the social
and economic crisis such as the process of
privatisation, social stratification, cultural
isolation, the trauma of historical memory,
citizens' inactivity and inertia, social
(in)tolerance, etc.
In view of the fact that the October Salon is an
art event that is most visible to the general
public in Serbia, the starting point is the idea
that this project will initiate mechanisms of
communication between artists and the audience.
There is a need to present contemporary art not
just by way of the exhibition but also through
various side events, the aim of which is to
establish a dialogue and to contribute to a
better understanding of the position and the role
of the artist in society. The exhibition will be
accompanied by a catalogue in which each
individual artist will be thoroughly presented
not only through his/her authorship over a
particular work but also through the complexity
of his/her artistic, intellectual, political and
ethical positions.
Within the framework of the project CIRCUMSTANCE,
two special artistic projects will be realised.
Igor Grubiç's project Individual Collectivism is
made up of a series of brief television clips
presenting the artists featured in this
exhibition to the general public. These TV
portraits will be broadcasted for the duration of
the October Salon. Raa Todosijeviç's project
Artist as Prophet will be realised in the public
space of the city and will constitute a specific
form of communication between the artist and the
social/personal circumstances that he is
conditioned by. In both projects, it is the
artists who intervene within the framework of the
usual "promotional" activities characteristic of
such exhibitions.
Contact
Miroslav Kariç (press) - mkaric40 at hotmail.com
+381 63 7060504
Vesna Miliç (co-ordination) - vesna at msub.org.rs
+381 11 3676293
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