[spectre] APO33 NEWSLETTER OCTOBER 2009!!!

APO33 info at apo33.org
Fri Oct 2 23:39:50 CEST 2009


APO33 - OCTOBER 2009

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SHARE IT #1
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Wednesday the 28th of October

@ APO33 ? 17 rue Paul Bellamy Nantes/France  ? free

Open Data Sharing - A session to debate and exchange data, books,  
music, films, etc...) in a very physical/digital way.
Share It, aim to create a breakdown, in real-time, the individualised  
digital practices that are easily controlled by decisional powers &  
other entertainment industries.

1 Session --> On the awful French digital repression laws and anti  
free software policies: HADOPI2

Background

The implementation of the European Copyright Directive in the french  
legislation has given the so called DADVSI law which is in application  
since 2007.
The DADVSI law created the crime of lack of screening of Internet  
connections in order to prevent exchange of copyrighted material  
without prior agreement from the copyright holders (art. L335.12)[16]  
. The DADVSI law did not define any punishment it. It has been  
partially invalidated by the Constitutional Council of France  
noticeably rejecting the principle of escalation according to which  
the sanction could occurs in several step due to the lack of their  
definition [17], and retaining only the crime of copyright  
infringement sanction, which is punished by up to 3 years in prison  
and a fine of up to ?300,000.
The Hadopi law is supposed to address the concerns of the  
Constitutional Council of France, in addition to replacing the DADVSI  
law, which has as not yet been enforced.
On September 5, 2007, the French Ministry of Culture, Christine  
Albanel asked to the CEO of the main French record reseller(Fnac),  
then Denis Olivennes, to lead a taskforce to study a three-strike  
sanction, compatible with the decision of the french constitutional  
council. After audition of representatives of the entertainment  
industry, internet service providers and consumer associations, Denis  
Olivennes taskforces gave its conclusion report to the Ministry on  
November 27[18]. The report was signed by 40 companies at the Elysée  
and presented as the "Olivennes agreement" renamed later "Elysée  
agreement".
The HADOPI law is the implementation of the Olivennes report,  
supported by the Olivennes agreement, where the main representative of  
the entertainment and media diffusion industry agreed to collaborate  
to the enforcement of the HADOPI law. Nevertheless some companies,  
noticeably the ISP as Orange and Free have denounced the agreement  
sometimes afterward[19].

http://en.wikipedia.org/wiki/HADOPI_law

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Lundi 19 octobre

« PIED LA BICHE » collective(Grenoble/France)

Meeting/conference on WIKIBIVOUAC, collaborative map.

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- 6.30pm @ apo33

17 rue Paul Bellamy 44000 Nantes / France


Pied de La Biche is a collective geographically located between  
different cities (Paris, Lyon, Grenoble and Roanne). Zoom architecture  
collective, Infraksound (video), Grrnd Prestige (video), Brutale  
Molesse (video) and Ovn Productions (video) are all part of Pied de La  
Biche
Architects, Urbanists , video makers and programmers work together on  
experiences that involved new relations to space and behaviour. Their  
projects can become an installation, an event, a film, a text or a  
public lecture.
more info:
http://piedlabiche.wordpress.com/

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Friday the 23th of October

La Fabrique, Nantes will be celebrating the laying of the first stone  
for this future Arts building

La Fabrique : Space for artistic researches, launch the building (6pm)

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Under the nefs - boulevard léon-bureau ? Nantes / France

La Fabrique is pluridisplinary space that aims to help artistic  
initiation in the realm of modern/contemporary music, digital art,  
danse, and other experimentales practices.

La Fabrique works with the associations:

Songo/olympic
www.olympic.asso.fr

Trempolino
www.trempo.com

microfaune

mire
http://mire.exp.free.fr

apo33
www.apo33.org


Île de Nantes
boulevard léon-bureau, 44 000 Nantes
02 36 96 36 00
www.lafabrique.org

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Vendredi 23 octobre

APEROcodelab #4

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LE BAR le PROGRES, 38 rue Lanoue Bras de Fer, Nantes ? free - 7pm

Proposed by association & individuals from the Crealab Network <Apo33  
/PiNG / Lolab /la Fabrique du Libre /Ecos>
The Aperitif CodeLab  is a meeting devoted to experimental practices  
using images, video, sound and music in combination with programmatic  
language, code as artistic expression and/or electronic  
experimentation. All of those practices are mainly developed using  
Free Libre Open Source tools & content.

Conference :

Pierre ? Codelab.fr
- Micro-seminare FLOSS:
The « BlackBox  - Alpha0.1» - FLOSS Machine aim to Anonymous file  
sharing and others data sharing.  Jenny Pickett & Julien Ottavi
Totem taz of jf rolez
Benjamin CADON & Olivier Baudu http://www.yamatierea.org/papatchs/
Session ?Make your instrument yourself "
Presentation of the new APODIO 6 - post session by APO33

Live :

YO ? DIY synth
Battle GIGtoTOKYO.pd : Gratuit, Dominique Leroy, Julien Poidevin,  
Julien Bellanger...
BENJAMIN CADON
5FOOT https://pingbase.homelinux.net/libro/projects/show/5foo
NANOFAMAS ? A/V live with APODIO

+ DJs CREALAB!!

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21 / 22 / 23 of October

APODIO OPEN SESSION "make it with us!"

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from 10am to 6pm @ APO33 - 17 rue Paul Bellamy - 44000 Nantes/France

http://www.apodio.org

APODIO is a 6 years old Gnu/Linux distribution, dedicated to  
multimedia tools for audio/visual creation, to run your own radio, TV,  
make your own film, animation, art installation, Live Coding and other  
A/V performance? .

APODIO is a GNU/Linux platform containing audio, text-friendly, 3D,  
Streaming, graphic, Live Coding and video tools. It can be used as a  
liveDVD or be installed on a partition of your hard disk (on any PC  
32bits to Mac Intel).
APODIO is a GNU/GPL project, a part of the GNU/Linux Ubuntu family:
APODIO uses a well known system operating the GNOME desktop.
APODIO can easily and quickly be installed, as a whole, coherent,  
pre-set and instantly ready system on your computer, rather than a  
ramshackle combination of packages, And what you see as you use the  
LiveDVD is also what you get after the installation.
APODIO respects the free/Libre software tradition because it fully  
supports Ubuntu without upsetting Ubuntu?s convenient software  
packages and administrative scripts and because the liveDVD generative  
scripts are always accessible : once you have installed APODIO, you  
can generate a new liveDVD out of your own installation, onto another  
DVD.
APODIO is a free project under GNU/GPL licence, that fully complies  
with the GNU spirit and standards, as it encourages knowledge  
diffusion and knowledge sharing in the practice of multi-media tools,  
rather than just replacing an economic dependency with a technical  
one. APODIO is part of a long term undertaking ? not just a one off  
achievement.


To realize the next APODIO operating system version, we are opening  
the « making » session to others programmers, advanced users and other  
beta-testers to come & participate in the collective DIY fabrication.
During the course 3 days, we will produce a new collective version of  
APODIO which will be based on Ubuntu 9.04 and which will include an  
enormous amount of Free Software for the purpose of multi-media  
audiovisual creation/production.

If you are interested in being a part of this « making » session,  
please contact: JULIEN OTTAVI ? info at apo33.org

more info here:

http://www.apodio.org

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APO33 Members Projects

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8-11 of October

Sonorama festival ? Besançon / France

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DOME: Emmersive sound installation « non-mobile travel, sound draws  
trajectories within the space, shaping an imaginary landscape within  
its frame.


Julien Poidevin & Stéphanie Kerckaert

more info:

http://www.sonorama-besancon.com/index.php


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Wednesday the 14th of October


THE NOISER / JULIEN OTTAVI Conference

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"Noise & Experimentation as everyday life invention"

  At the London College of Communication ?  CRiSAP ? London / UK


Over many years I developed an artistic research practice based on new  
forms of musical writings using computers, audio and networks. As a  
consequence of musical interpretation of Graphical scores such as  
Cornelius Cardew's "Treatise", Earle Brown's "December" and John  
Cage's '"Cartridge music" I have focused my work on the idea of  
programmatic composition, researching in the field of coding as a  
score or a merger of score, instrument and direction. Therefore, when  
I write a piece of code or a "patch" (I use puredata as my main coding  
platform) with an emphasis on specific ideas like "frequencies  
studies" or "white noise music", then the program moves the  
interpretation towards an advanced area whereof the musician follows  
undetermined paths - the Graphical score in which his interpretation  
is strongly related to the composition's openness.
The computer became, for me, a musical realm where musicians,  
interpretors, composers, programmers and so on will merge with new  
tools where unimagined musical possibles occurs . More than an  
instrument, the computer comprises a whole new understanding of  
musical composition. I can build my instrument and write a composition  
together whilst I interpret and play the music itself to an audience  
and simultaneously record and distribute the results across the globe.  
I can control the entire chain of artistic production, from its  
writing/conception until its production/distribution.
Laptops and other mobile technologies, such as digital recorder, bring  
another level towards these musical practices, we are no longer  
restrained by our spatial positioning, in that the studio space, as  
the musician/composer's cavern/refuge can become as nomadic as is  
necessary for its user to be. We can write/compose/play/distribute  
music almost where ever and when ever we want. For me, those realities  
have changed my musical practice, they have created greater freedom of  
movement concerning time-space restrictions or geographical  
limitations within the  framework of my musical production.


More info:

http://www.lcc.arts.ac.uk/17851.htm
http://www.crisap.org
http://www.noiser.org/noise


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!!!!!!!!!!!!!!!!!!!!!!!!!!!!
to come in November
!!!!!!!!!!!!!!!!!!!!!!!!!!!


-3rd to 7th of November : THENOISER (Julien Ottavi) Workshop @ Ecole  
des Beaux-arts de Mulhouse/France

-10th to 13th of November: Open Experimental Zone ? CHAOSLAB  
(Exploratory workshop) @ APO33 - Nantes/France

-19th to 22nd of November: CHAOSLAB (APO33) @ PIKSEL (Bergen / Norway)  
+ THENOISER VS ZERO POINT ENERGY - LIVE!

-Friday the 27th of November: BEYOND SIGNAL # 5 (in Nantes!!!!) with  
ZBIGNIEW KARKOWSKI & JULIEN OTTAVI & lot of others guests @ Blockhaus  
DY10 (Noise, jungle, punk DIY, puredata, drum&bass, dubstep...)

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APO33

APO33 , as an interdisciplinary laboratory drawing on the artistic and  
technological fields, fosters various collective projects associating  
research, experimentation and social intervention.
In the continuity of the dynamics that has been opened by the free  
software movement, apo33 is structured as a modular space, initiating  
collaborative projects and creative processes, as well as exploring  
new artistic and creative modes of production and diffusion.

http://www.apo33.org
info at apo33.org
17 rue Paul Bellamy 44000 Nantes ? France
+33 02 51 89 47 16


APO33 is funded by la Ville de Nantes, Le Conseil Régional de Loire  
Atlantique, la DRAC des Pays de la Loire et la Région des Pays de la  
Loire


-- 
AKA THE NOISER & NANOFAMAS

"the world is noise"

http://www.noiser.org
http://www.apo33.org
http://www.a10lab.info
http://fibrr.apo33.org
http://ecos.crealab.info
http://www.a10lab.info/mutation
http://www.a10lab.info/scieprotocol

-- 
APO33
space of research and experimentation
http://www.apo33.org
info at apo33.org



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