[spectre] Ràdio Web MACBA most listened podcasts - September 2017

[Radio Web MACBA]

*Ràdio Web MACBA most listened podcasts - September 2017
<http://rwm.macba.cat/en/sonia/laura-mulvey/capsula>*

*1/ SON[I]A #245. Matthew Fuller
<http://rwm.macba.cat/en/sonia/matthew-fuller-main/capsula>*


*Link: http://rwm.macba.cat/en/sonia/matthew-fuller-main/capsula
<http://rwm.macba.cat/en/sonia/matthew-fuller-main/capsula>*
Matthew Fuller talks about sleep, procedural imperialism, big data,
post-humanity, and what he calls “denial of service attacks on people’s
brains”.
+: We just published some deleted scenes from this conversation discussing
issues related to Direct action, software power and protests. A MUST!
<http://rwm.macba.cat/en/extra/matthew-fuller-deleted/capsula>
http://rwm.macba.cat/en/extra/matthew-fuller-deleted/capsula

2-  <http://rwm.macba.cat/en/specials/ems-mats-lindstrom/capsula>RADIOACTIVITY
#4. Elektronmusikstudion (EMS)
<http://rwm.macba.cat/en/specials/ems-mats-lindstrom/capsula>. With Mats
Lindström <http://rwm.macba.cat/en/specials/ems-mats-lindstrom/capsula>

Link: http://rwm.macba.cat/en/specials/ems-mats-lindstrom/capsula
<http://rwm.macba.cat/en/specials/ems-mats-lindstrom/capsula>

In 1953, after attending the first Swedish Radio and Fylkingen Society
electronic music concert with Pierre Henry and Pierre Schaeffer, Swedish
artist Öyvind Fahlström wrote a manifesto for concrete poetry. More than a
decade later, the Swedish Radio broadcasted his pioneer radio piece “Fåglar
I Sverige (Birds in Sweden)”. In the decades that followed, the complexity
and broad spectrum of productions coming out of the Elektronmusikstudion
(EMS), founded by Karl Birger in 1964, made it a hub for artists. But while
the text-sound scene was in and out of the Sound Workshop, Knut Wiggen, the
first director of the EMS, channelled his energy into the futuristic dream
of creating a world-class computer music studio for experts and scholars.



*3- PROBES series. Curated by Chris Cutler
<http://rwm.macba.cat/en/probes_tag>*Link: http://rwm.macba.cat/en/
probes_tag

PROBES <http://rwm.macba.cat/en/probes_tag> takes Marshall McLuhan’s
conceptual contrapositions as a starting point to analyse and expose the
search for a new sonic language made urgent after the collapse of tonality
in the twentieth century. The series looks at the many probes and
experiments that were launched in the last century in search of new musical
resources, and a new aesthetic; for ways to make music adequate to a world
transformed by disorientating technologies.

You can find the latest instalment of the series, exploring the impact of
Indian instruments in Western Music here.
<http://rwm.macba.cat/en/curatorial/probes-20-1-chris-cutler/capsula>



*4- COMPOSING WITH PROCESS
<http://rwm.macba.cat/en/composingwithprocess_tag> series. Curated by Mark
Fell and Joe Gilmore* <http://rwm.macba.cat/en/composingwithprocess_tag>


<http://rwm.macba.cat/en/composingwithprocess_tag>

Link <http://rwm.macba.cat/en/composingwithprocess_tag>:
http://rwm.macba.cat/en/composingwithprocess_tag
<http://rwm.macba.cat/en/composingwithprocess_tag>

COMPOSING WITH PROCESS <http://rwm.macba.cat/en/composingwithprocess_tag>
is a series, curated by Mark Fell and Joe Gilmore, which explores
generative approaches to composition and performance primarily in the
context of experimental technologies and music practices of the latter part
of the 20th Century. Each episode is accompanied by an additional
programme, entitled EXCLUSIVES <http://rwm.macba.cat/en/exclusives-tag/>,
featuring unpublished sound pieces by leading sound artists working in the
field.


5-
*SON[I]A #244. Laura Mulvey
<http://rwm.macba.cat/en/sonia/laura-mulvey/capsula>*
Link: http://rwm.macba.cat/en/sonia/laura-mulvey/capsula

Laura Mulvey contextualises, updates, and elucidates on the far-reaching
impact of this key text, which she revised in later essays such as “Death
24 x a Second. Stillness and the moving image”. At the same time, she opens
up the debate with the notions of the “queer gaze” and the “universal
whiteness” of Hollywood. Mulvey also defends orality as a form of "history
from below", citing the example of “compilation films” (films that use
archival footage re-written with new narrative) as a space for a new
feminist film practice.











*E/N/J/O/YE/N/J/O/YE/N/J/O/Y*





*+ 2 podcasts you should not miss!!*



*1/ *
*OBJECTHOOD #4. Curated by Roc Jiménez de Cisneros*Link:
http://rwm.macba.cat/en/specials/objecthood4-nabil-
ahmed-arie-altena-agf/capsula

The slippery materiality of untraceable objects: from the arsenic poisoning
the wells of Bangladesh as told by Nabil Ahmed, to Arie Altena's account of
the superstition surrounding the Kola Superdeep Borehole in Russia, or the
bizarre biology of the vampire squid from hell in a passage of Vilém
Flusser’s ‘Vampyroteuthis Infernalis’ read by AGF.

*2/* *SON[I]A #221. Franco "Bifo" Berardi*

Link: http://rwm.macba.cat/en/sonia/franco-bifo-berardi-heroes/capsula
<http://rwm.macba.cat/en/sonia/franco-bifo-berardi-heroes/capsula>

Bifo about mass killings in relation to cinema, mental health,
neuroplasticity, friendship, irony and, ultimately, hope.
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://post.in-mind.de/pipermail/spectre/attachments/20171002/21ba7657/attachment.html>