[spectre] xCoAx 2021 =?utf-8?Q?=E2=80=93_?=Call for papers, artworks, performances
L Ribas
lribas at gmail.com
Wed Dec 2 11:52:49 CET 2020
xCoAx 2021: 9th International Conference on Computation, Communication, Aesthetics and X
Dates: 12-16 July 2021
Location: Online
——————————————
Website: http://xcoax.org/
Deadline: 31 January 2021
——————————————
xCoAx is an exploration of the intersection where computational tools and media meet art and culture, in the form of a multi-disciplinary enquiry on aesthetics, computation, communication and the elusive X factor that connects them all.
The focus of xCoAx is on the unpredictable overlaps between the freedom of creativity and the rules of algorithms, between human nature and machine technology, with the aim to evolve towards new directions in aesthetics.
xCoAx has been an occasion for international audiences to meet and exchange ideas, in search for interdisciplinary synergies among computer scientists, artists, media practitioners, and theoreticians at the thresholds between digital arts and culture. Starting in 2013 in Bergamo, xCoAx has so far taken place also in Porto, Glasgow, Lisbon, Madrid, and Milan.
Due to the CoViD-19 pandemic, xCoAx 2020 was online and, building on that experience, so will be the 2021 edition.
xCoAx 2021’s keynote speakers are philosopher of technology Yuk Hui and new media artist Špela Petrič.
——————————————
Call for papers, artworks, performances
xCoAx 2021 calls for papers, artworks, performances and research works-in-progress by scholars, artists, performers and students, respectively, working on any of the multi-disciplinary facets of this event, which will take place online from Monday, July 12th to Friday, July 16th 2021.
——————————————
Topics
You are invited to submit theoretical, practical or experimental research work in the form of papers, artworks, and performances, on a range of topics that includes but is not limited to the following:
• Computation
• Communication
• Aesthetics
• X
• Algorithms / Systems / Models
• Artificial Aesthetics
• Artificial Intelligence / Creativity
• Audiovisuals / Multimodality
• Design
• Interaction
• Games
• Generative Art / Design
• History
• Mechatronics / Physical Computing
• Music / Sound Art
• Performance
• Philosophy of Art / of Computation
• Technology / Ethics / Epistemology
——————————————
Important dates
• Submission deadline: January 31
• Notifications to authors: March 29
• Registration deadline for authors: April 12
• Delivery of final versions of papers and artwork/performances/symposium abstracts for the proceedings: April 12
• Delivery of final versions of multimedia files and video presentations for the website: May 10
• Welcome and opening: July 12
• Doctoral symposium: July 13
• Discussions of artworks and performances: July 14
• Discussions of papers: July 15 & 16
• Closing party: July 16
——————————————
Submission categories
———
Papers
Please submit a paper (3.000 to 6.000 words, excluding references) following the formatting in the Word template at http://xcoax.org/xCoAx_2021_Paper_Template.docx
Revision of papers will be double-blind. Please make sure that the PDF file is completely anonymised (i.e. omits author-related information in the body of text or as explicit self-citations, notes and bibliography). Accepted papers will be published in the conference proceedings and a 15-minute presentation video by the authors will be published on the xCoAx 2021 website.
———
Doctoral Symposium Abstracts
Only Master’s and PhD students can apply to present their work-in-progress and receive feedback from established researchers. Submit a document, following the formatting in the Word template at http://xcoax.org/xCoAx_2021_DoctoralSymposium_Template.docx, comprised of a research paper and a letter of support from your advisor (700 to 2.000 words, excluding references) that should include the following: 1) Purpose of the research and its importance to the field; 2) Brief survey of background and related work; 3) Description of the proposed approach; 4) Expected contributions; 5) Progress towards goals.
Revision of proposals will be single-blind. A revised version will be requested for inclusion in the proceedings after the symposium. Previous xCoAx Doctoral Symposia were chaired by Frieder Nake, Mario Klingemann, Philip Galanter, Simona Chiodo and Marko Ciciliani. The Doctoral Symposium will take place online and it will be a closed event.
———
Artworks
Proposals should provide a clear description of the work (in case of online artworks possibly a link to the artwork itself) in the form of a document including the following:
• An abstract of maximum 200 words
• A main text of 700 to 2.000 words (excluding references)
• An appendix with technical details of the artwork
• Another appendix with references to multimedia material on the artwork
The document must follow the formatting in the Word template at http://xcoax.org/xCoAx_2021_Artwork_Performance_Template.docx
Revision of proposals will be single-blind.
Due to the pandemic, there will not be an on-site exhibition at xCoAx 2021. As such, on top of the reviews from the Scientific Committee, the Organising Committee will favour works that are optimised for an online exhibition setting, either through pre-recorded documentation or as networked or browser-based works, as well as works that are internet-aware or use the internet as resource or theme.
For all accepted works, the abstract and the main text will be published in the proceedings; the abstract and selected multimedia materials will be published on a dedicated page in the xCoAx 2021 website.
After notification of acceptance, artists will need to provide a 5-minute video presentation that will be included in their artwork’s page. The video is necessary for their entry to be included in the proceedings and on the website.
———
Performances
Proposals should provide a clear description of the performance in the form of a document including the following:
• An abstract of maximum 200 words
• A main text of 700 to 2.000 words (excluding references)
• An appendix with technical details of the artwork
• Another appendix with references to multimedia material documentation on the performance
The submission document must follow the formatting in the Word template at
http://xcoax.org/xCoAx_2021_Artwork_Performance_Template.docx
Revision of proposals will be single-blind.
Due to the pandemic, there will not be on-site performances at xCoAx 2021. Pre-recorded performances are welcome, however, on top of the reviews from the Scientific Committee, the Organising Committee will favour live-streamed performances, networked performances, browser-based performances, and performances that are internet-aware and use the internet as resource or theme.
For all accepted works, the abstract and the main text will be published in the proceedings; the abstract and selected multimedia materials will be published on a dedicated page in the xCoAx 2021 website.
After notification of acceptance, artists will need to provide a 5-minute video presentation that will be included in their performance’s page. The video is necessary for their entry to be included in the proceedings and on the website.
——————————————
Additional information and submission details
• All works must be submitted via EasyChair: https://easychair.org/conferences/?conf=xcoax2021
• Submissions must be original and will be rigorously reviewed by an international and multidisciplinary scientific committee, in a process that will assess originality, relevance, artistic and technical achievements;
• Submissions should be presented as .pdf files with all the media files embedded or linked to online resources;
• Final versions for publication should be delivered in .docx with all the images and other media files attached as independent files;
• All images and media assets must be cleared for publication by the authors;
• At least one of the authors of each selected contribution must register to the conference before the first author registration deadline in order for the work to be published in the proceedings;
• xCoAx’s working language is English;
• xCoAx’s conference proceedings (with ISBN) will be published online with free access;
• Please contact the program chairs at info at xcoax.org with any questions regarding submissions.
——————————————
Conference format
• Monday July 12: Opening Session, opening of the exhibition and performances, proceedings launch, welcome online party.
• Tuesday July 13: Doctoral Symposium, opening of paper section
• Wednesday July 14: Artworks and performances presentations
• Thursday July 15: Paper sessions with Q&A, keynote with Q&A
• Friday July 16: Paper sessions with Q&A, keynote with Q&A, closing party
——————————————
Registration
For each accepted submission, one author will have to register as below before April 12. Registrations will open after the notifications of the reviews (March 29, 2021).
• Author registration: € 100.
• Reduced registration: € 25 (for authors without academic affiliation).
• Doctoral symposium: € 25.
Attendance to xCoAx 2021 is free and does not require registration.
——————————————
Scientific committee
• Adriana Sá, ESAD/CICANT
• Alessandro Ludovico, Winchester School of Art, University of Southampton / Neural
• Alice Cannava, Technische Universität Berlin
• Alice Eldridge, University of Sussex
• André Rangel, CITAR / i2ADS / Faculty of Fine Arts, University of Porto
• Andreas Broeckmann, Leuphana Arts Program, Lüneburg
• Andreas Muxel, Faculty of Design at University of Applied Sciences Augsburg
• Andreas Zingerle, Department of Linguistic, Literary and Aesthetic Studies, University of Bergen
• Anna Terzaroli, Nicola Sala Conservatory of Music
• Anne Balsamo, University of Texas at Dallas
• Anneké Pettican, Department Lead Art & Communication, University of Huddersfield
• Anna-Luise Lorenz
• Astrid Drechsler, Experimental Radio Group, Bauhaus-Universität Weimar
• Aura Satz, Royal College of Art
• Boris Debackere, V2 / Luca School of Arts
• Carlos Guedes, New York University Abu Dhabi
• Chara Lewis, Manchester School of Art, Manchester Metropolitan University
• Christian Faubel, Academy of Media Arts Cologne
• Cristina Sá, CITAR / Portuguese Catholic University, School of Arts
• Dale MacDonald, University of Texas at Dallas
• Daniele Pozzi, Institute of Electronic Music and Acoustics, University of Music and Performing Arts, Graz
• Daniel Irrgang, Weizenbaum Institute / Berlin University of the Arts
• Daniel Schorno, STEIM
• Daphne Dragona, Transmediale
• Darko Velazquez
• Diemo Schwarz, IRCAM
• Darko Velazquez, Bauhaus Form + Function Lab, Bauhaus-Universität Weimar
• David Pirrò, Institute of Electronic Music and Acoustics, University of Music and Performing Arts, Graz
• Filipe Pais, Ensadlab, Ensad, Paris
• Francisco Cardoso Lima, Independent Artist, Aveiro
• Frieder Nake, University of Bremen & Hochschule für Künste Bremen
• Gerhard Nierhaus, University of Music and Performing Arts Graz
• Hanns Holger Rutz, Institute of Electronic Music and Acoustics, University of Music and Performing Arts, Graz
• Heitor Alvelos, ID+ / Faculty of Fine Arts, University of Porto
• Irina Spicaka, CC4AV
• João Cordeiro, CITAR / University of West London
• Jason Reizner, Bauhaus-Universität Weimar
• Ji Youn Kang, The Royal Conservatoire in The Hague
• Johannes Zmölnig, University of Music and Performing Arts Graz
• Jon He, Massey University
• Jon McCormack, Monash University
• Kristin Mojsiewicz, Edinburgh College of Art, University of Edinburgh
• Laura Beloff, School of Arts, Design and Architecture, Aalto University
• Luc Döbereiner, Institute of Electronic Music and Acoustics, University of Music and Performing Arts, Graz
• Linda Kronman, University of Bergen
• Luísa Ribas, CIEBA / Faculty of Fine Arts, University of Lisbon
• Manuela Naveau, Ars Electronica
• Marko Ciciliani, Institute of Electronic Music and Acoustics at the University of Music and Performing Arts Graz
• Mario Verdicchio, Università degli Studi di Bergamo
• Martin Kaltenbrunner, Kunstuniversität Linz
• Martin Rumori, sonible GmbH
• Max Hampshire, Independent Researcher & Artist
• Miguel Carvalhais, INESC TEC / i2ADS / Faculty of Fine Arts, University of Porto
• Michael Markert, Interface Design Group, Bauhaus-Universität Weimar
• Mitchell Whitelaw, College of Arts and Social Sciences, Australian National University
• Mona Kasra, University of Virginia
• Monty Adkins, University of Huddersfield
• Nathan Wolek, Stetson University
• Nora Al-Badri
• Nuno N. Correia, University of Greenwich
• Patrícia João Reis, University of Applied Arts Vienna, Austria, Department of Digital Arts
• Paulo Ferreira Lopes, IMG - University of Applied Sciences Mainz
• Pedro Cardoso, INESC TEC / Faculty of Fine Arts, University of Porto
• Penousal Machado, University of Coimbra
• Philip Galanter, Texas A&M University
• Ricardo Melo, CEOS.PP / Polytechnic of Porto. Porto Accounting and Business School
• Robert Höldrich, University of Music and Performing Arts Graz
• Rodrigo Hernández-Ramírez, UNIDCOM / Instituto de Arte, Design e Empresa (IADE)
• Ron Kuivila, Wesleyan University
• Rosemary Lee, IT-University Copenhagen
• Rui Penha, ESMAE / INESC TEC
• Rui Torres, Electronic Literature Organization / Faculty of Human and Social Sciences, University Fernando Pessoa, Porto
• Samuel Van Ransbeeck, UCP-CITAR
• Sissel Marie Tonn
• Sophie-Carolin Wagner, Austrian National Library / RIAT
• Shusha Niederberguer, House of Electronic Arts Basel
• Søren Pold, School of Communication and Culture, Aarhus University
• Tim Boykett, Time's Up
• Thor Magnusson, University of Sussex / ixi audio
• Trent Kim, University of the West of Scotland
• Valentina Nisi, University of Madeira
• Valentina Vuksic, Zurich University of the Arts
• Valerie Wolf Gang
• Veronika Mayer, Freelance Artist and Lecturer
• Victoria Bradbury, University of North Carolina, Asheville
• Visda Goudarzi, School of Media Arts at Columbia College Chicago
• Winnie Soon, Department of Digital Design at Aarhus University
• Yucef Merhi, Open Doc Lab, Massachusetts Institute of Technology
——————————————
Organizing committee
• André Rangel, CITAR
• Daniele Pozzi, Institute of Electronic Music and Acoustics, University of Music and Performing Arts Graz
• David Pirrò, Institute of Electronic Music and Acoustics, University of Music and Performing Arts Graz
• Hanns Holger Rutz, Institute of Electronic Music and Acoustics, University of Music and Performing Arts Graz
• Jason Reizner, Bauhaus-Universität Weimar
• Luís Nunes, i2ADS / Faculty of Fine Arts, University of Porto
• Luísa Ribas, CIEBA / Faculty of Fine Arts, University of Lisbon
• Mario Verdicchio, Università degli Studi di Bergamo
• Miguel Carvalhais, INESC TEC / i2ADS / Faculty of Fine Arts, University of Porto
——————————————
Contacts
• info at xcoax.org
• http://xcoax.org
• https://twitter.com/xcoaxorg
• https://www.instagram.com/xcoaxorg/
-------------- next part --------------
An HTML attachment was scrubbed...
URL: <http://post.in-mind.de/pipermail/spectre/attachments/20201202/2ca5b19f/attachment-0001.html>
More information about the SPECTRE
mailing list